Study Drawing Collection (page 8)

Dancer Turning, c. 1876 (charcoal and chalk on paper)
5860820 Dancer Turning, c.1876 (charcoal and chalk on paper) by Degas, Edgar (1834-1917); 60.7--44.8 cm; The Art Institute of Chicago, IL, USA; (add.info.: by Hilaire Germain Edgar Degas (1834-1917))

Dancer Bending Forward, 1874-79 (charcoal with pastel on blue paper)
5859654 Dancer Bending Forward, 1874-79 (charcoal with pastel on blue paper) by Degas, Edgar (1834-1917); 46.2--30.4 cm; The Art Institute of Chicago, IL

The Circus, study (Watercolour, 1890)
LRI4611421 The Circus, study (Watercolour, 1890) by Seurat, Georges Pierre (1859-91); Louvre, Paris, France; (add.info.: Study for " The Circus" - Watercolour by Georges Seurat (1859-1891)

Tahitian Landscape, 1894 (w / c monotype on paper)
5861979 Tahitian Landscape, 1894 (w/c monotype on paper) by Gauguin, Paul (1848-1903); 21.7--24.7 cm; The Art Institute of Chicago, IL, USA; (add.info.: by Paul Gauguin (1848-1903))

The Carrot Puller, 1885 (black chalk on paper)
5861861 The Carrot Puller, 1885 (black chalk on paper) by Gogh, Vincent van (1853-90); 52.5x42.2 cm; The Art Institute of Chicago, IL, USA; (add.info.: by Vincent van Gogh (1853-1890))

Single span railway bridge, 19th century (Pencil, Chalk)
7261671 Single span railway bridge, 19th century (Pencil, Chalk) by British School, (19th century); 13x16.5 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Single span railway bridge)

Old water wheel wheelhouse (pulled down) no. 1, 19th century (Pencil, Watercolour)
7261698 Old water wheel wheelhouse (pulled down) no. 1, 19th century (Pencil, Watercolour) by British School, (19th century); 13x19.6 cm; Maidstone Museum and Art Gallery, Kent

Old water wheel wheelhouse (pulled down) no. 2, 19th century (Pencil, Watercolour)
7261620 Old water wheel wheelhouse (pulled down) no. 2, 19th century (Pencil, Watercolour) by British School, (19th century); 13x19.6 cm; Maidstone Museum and Art Gallery, Kent

Holy House, 19th century (Ink)
7261288 Holy House, 19th century (Ink) by Hughes, Edward (1824-1908); Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Holy House. From a drawing by Jeffries. Framed and glazed)

Luzern, 1840-1900 (Pencil, Watercolour)
7261501 Luzern, 1840-1900 (Pencil, Watercolour) by Brabazon, Hercules Brabazon (1821-1906); 11.5x17.3 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Luzern; Drawing; Brabazon)

Monument sketch, 1810-65 (Pencil)
7261638 Monument sketch, 1810-65 (Pencil) by Pretty, Edward (1792-1865); Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Monument sketch)

Mr Simpson, 1820-73 (Ink)
7261485 Mr Simpson, 1820-73 (Ink) by Landseer, Edwin (1802-73); 9x5.5 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Mr Simpson)

Landscape, 1857-1945 (Ink)
7261398 Landscape, 1857-1945 (Ink) by Short, Frank (1857-1945); Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Landscape. Undated black and white drawing)

Ploughing at Shoreham (pencil and chalk on paper)
XYC238492 Ploughing at Shoreham (pencil and chalk on paper) by Linnell, John (1792-1882); 35.2x45.1 cm; Yale Center for British Art, Paul Mellon Collection, USA

Profile of a man, 1810-65 (Pastel, Charcoal)
7261577 Profile of a man, 1810-65 (Pastel, Charcoal) by Pretty, Edward (1792-1865); Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Profile of a man. Looking towards the left of the drawing)

Two Sheep and a Goat (animal studies), 1625-54 (Chalk)
7261596 Two Sheep and a Goat (animal studies), 1625-54 (Chalk) by Potter, Paulus (1625-54); 10.5x17 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Two Sheep and a Goat (animal studies)

Cow (animal study), 1625-54 (Chalk)
7261587 Cow (animal study), 1625-54 (Chalk) by Potter, Paulus (1625-54); 10.5x17 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Cow (animal study). 1625-1654

A Yorkshire Gossip, 1890 (Ink)
7261433 A Yorkshire Gossip, 1890 (Ink) by May, Philip William (1864-1903); Maidstone Museum and Art Gallery, Kent, UK; (add.info.: A Yorkshire Gossip, c. 1890. Pen drawing)

Landscape, 1864 (black & white chalks on paper)
XIR384516 Landscape, 1864 (black & white chalks on paper) by Corot, Jean Baptiste Camille (1796-1875); Private Collection

The Sheep Shearer (pencil on paper)
XOU16855 The Sheep Shearer (pencil on paper) by Segantini, Giovanni (1858-99); Musee des Beaux-Arts, Rouen, France; (add.info.: by Giovanni Segantini (1858-99))

A Young Shepherdess Spinning (red & white chalk and charcoal on paper)
XHC220066 A Young Shepherdess Spinning (red & white chalk and charcoal on paper) by Millet, Jean-Francois (1814-75); 25x30 cm; Musee d Art Thomas Henry, Cherbourg, France

Portrait of a man with a hand in the air. Musee Granet, Aix en provence
JEB4960074 Portrait of a man with a hand in the air. Musee Granet, Aix en provence by David, Jacques Louis (1748-1825); Musee Granet, Aix-en-Provence

A Seated Woman (Femme assise) (red chalk)
7223340 A Seated Woman (Femme assise) (red chalk) by Gresly, Gabriel (1712-56); 19 x 15.5 cm; Private Collection; Photo © Christies Images

Study of the Artists son by Paul Cezanne, 1850
3330364 Study of the Artists son by Paul Cezanne, 1850 by Cezanne, Paul (1839-1906); (add.info.: Study of the Artists son by Paul Cezanne (1839-1906) a French artist and post-impressionist painter

Page from the directing book for The Insect Comedy
7204976 Page from the directing book for The Insect Comedy by Hilar, Karel Hugo (1885-1935); National Theatre, Prague, Czech Republic; (add.info.: Autograph of K. H)

The Deposition from the Cross, c. 1580-1620 (pen, sepia & black chalk)
7064519 The Deposition from the Cross, c.1580-1620 (pen, sepia & black chalk) by Master of the Fitzwilliam Deposition (fl.1580-1620); 27.1x19.6 cm; Fitzwilliam Museum, University of Cambridge

Page from the directing book for The Insect Comedy
7204975 Page from the directing book for The Insect Comedy by Hilar, Karel Hugo (1885-1935); National Theatre, Prague, Czech Republic; (add.info.: Sketch and notes by K. H)

Page from the directing book for Edward II
7204974 Page from the directing book for Edward II by Hilar, Karel Hugo (1885-1935); National Theatre, Prague, Czech Republic; (add.info.: Sketch by K. H)

Virgin and Child enthroned with Saints John the Baptist, c. 1548 (pen, black ink & brown wash on paper)
7145317 Virgin and Child enthroned with Saints John the Baptist, c.1548 (pen, black ink & brown wash on paper) by Veronese, (Paolo Caliari) (1528-88) (attr)

Watercolor with jellyfish, c. 1901 (watercolor)
7228458 Watercolor with jellyfish, c.1901 (watercolor) by Bernier, Charles (1857-1936); Private Collection; (add.info.: Bernier, Charles (1857-1936)); Photo © Isabelle Eshraghi

Study [Human skeleton (bones captioned)], c. 1884 (w / c)
6200064 Study [Human skeleton (bones captioned)], c.1884 (w/c) by Phillips, Charles Gustav Louis (1863-1944); 66.7x38.2 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums

Shakespeare: Sketch of the interior of the Swan Theatre (litho)
7172025 Shakespeare: Sketch of the interior of the Swan Theatre (litho) by English School, (19th century); Private Collection; (add.info.: Sketch of the interior of the Swan Theatre)

A Sketch in Caudebec (engraving)
7164041 A Sketch in Caudebec (engraving) by English School, (19th century); Private Collection; (add.info.: A Sketch in Caudebec. Illustration for The Builder, 21 January 1888.); © Look and Learn

Saint Francis Adoring the Infant Christ (red chalk, pen and brown ink, brown wash)
6436371 Saint Francis Adoring the Infant Christ (red chalk, pen and brown ink, brown wash) by Reni, Guido (1575-1642); 15.6x24.4 cm; Private Collection

Walls and Gates on the French Side of St Omer (engraving)
7192316 Walls and Gates on the French Side of St Omer (engraving) by English School, (19th century); Private Collection; (add.info.: Walls and Gates on the French Side of St Omer)

The Sandbag Battery, from a Sketch made the Morning after the Fight (engraving)
7188167 The Sandbag Battery, from a Sketch made the Morning after the Fight (engraving) by English School, (19th century); Private Collection; (add.info.: The Sandbag Battery)

Caen, Church of St Stephen (The Abbaye Aux Hommes) (colour litho)
7159759 Caen, Church of St Stephen (The Abbaye Aux Hommes) (colour litho) by Murray, Alexander Henry Hallam (1854-1934); Private Collection; (add.info.: Caen)

Cahors, Pont Valentre (1265-1383) from the East (colour litho)
7159754 Cahors, Pont Valentre (1265-1383) from the East (colour litho) by Murray, Alexander Henry Hallam (1854-1934); Private Collection; (add.info.: Cahors, Pont Valentre (1265-1383) from the East

Nimes, View of the Country South (colour litho)
7159751 Nimes, View of the Country South (colour litho) by Murray, Alexander Henry Hallam (1854-1934); Private Collection; (add.info.: Nimes, View of the Country South)

Aix-en-Provence, Romanesque Arch in the Ancient Cathedral of St Sauveur, 1103 (colour litho)
7159750 Aix-en-Provence, Romanesque Arch in the Ancient Cathedral of St Sauveur, 1103 (colour litho) by Murray, Alexander Henry Hallam (1854-1934); Private Collection; (add.info.: Aix-en-Provence)

The Carrara Mountains from the Sea-Coast (colour litho)
7159744 The Carrara Mountains from the Sea-Coast (colour litho) by Murray, Alexander Henry Hallam (1854-1934); Private Collection; (add.info.: The Carrara Mountains from the Sea-Coast)

Viareggio, the Port (colour litho)
7159743 Viareggio, the Port (colour litho) by Murray, Alexander Henry Hallam (1854-1934); Private Collection; (add.info.: Viareggio, the Port)

Pisa from outside the Walls (colour litho)
7159741 Pisa from outside the Walls (colour litho) by Murray, Alexander Henry Hallam (1854-1934); Private Collection; (add.info.: Pisa from outside the Walls)

Florence, looking South-East from San Domenico after a Fall of Snow (colour litho)
7159735 Florence, looking South-East from San Domenico after a Fall of Snow (colour litho) by Murray, Alexander Henry Hallam (1854-1934); Private Collection; (add.info.: Florence)

sketch for the play Priest Tarquinius by D Polinavov, 1922 (gouache and ink on paper)
FIA5356475 sketch for the play Priest Tarquinius by D Polinavov, 1922 (gouache and ink on paper) by Popova, Lyubov Sergeevna (1889-1924); State Tretyakov Gallery

Amazons with a Horse in Procession to the Right (pen and ink)
6619456 Amazons with a Horse in Procession to the Right (pen and ink) by Cambiaso, Luca (1527-85); Private Collection

Study of a Woman, 1898 (pencil and chalk)
6619403 Study of a Woman, 1898 (pencil and chalk) by Khnopff, Fernand (1858-1921); Private Collection; (add.info.: Khnopff, Fernand (1858-1921))

All Professionally Made to Order for Quick Shipping

"Exploring the Art of Study Drawing: From Venice's San Giorgio to Captivating Portraits" Immerse yourself in the world of study drawing, where artists capture intricate details and emotions through various mediums. Transporting us to the enchanting city of Venice, a vibrant color lithograph depicts the magnificent San Giorgio, inviting us to delve into artistic inspiration. Intriguingly, a sick woman lies in bed, possibly Saskia, wife of a renowned painter from 1640. With pen, brush, and gouache as their tools, artists skillfully bring forth delicate nuances and tender expressions. Moving forward in time to c. 1723-24, we encounter an academic nude seated with hands clasped on light brown paper using red and white chalk. The artist masterfully portrays both vulnerability and strength through this captivating figure study. Head studies painted meticulously on panel showcase the artist's dedication to capturing every detail with oil paints. These intimate glimpses into human features allow for exploration of individuality and character. A graphite sketch titled "Tuning" transports us back to 1867 when an artist used simple lines to convey movement and rhythm within a musical scene. This minimalist approach highlights the power of suggestion while leaving room for interpretation. Traveling once again to Venice in 1840 via pencil and watercolor on card medium reveals "First of the Month's Sculptures. " This artwork captures St Mark's Square adorned with sculptures that celebrate artistry itself—a tribute within a tribute. "The Triumph of the Church, " created after 1628 using oil on wood technique showcases religious symbolism intertwined with artistic prowess—an allegorical representation that captivates viewers' imagination. Delving deeper into history brings us face-to-face with Guinevere herself during her portrayal as Sir Launcelot's muse in 1857. Pencil strokes combined with watercolors breathe life into this study—offering a glimpse into the artist's creative process.