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Symbolism Collection (page 2)

Symbolism is a language that transcends words, speaking directly to our souls

Background imageSymbolism Collection: Call of the Heaven. Lightning, 1935-1936. Artist: Roerich, Nicholas (1874-1947)

Call of the Heaven. Lightning, 1935-1936. Artist: Roerich, Nicholas (1874-1947)
Call of the Heaven. Lightning, 1935-1936. Found in the collection of the State Oriental Art Museum, Moscow

Background imageSymbolism Collection: Early Christian art. The Good Shepherd. Relief. 4th century

Early Christian art. The Good Shepherd. Relief. 4th century. Bardo National Museum. Tunis. Tunisia

Background imageSymbolism Collection: Zeus Meilichios depicted as a snake and a family of supplica

Zeus Meilichios depicted as a snake and a family of supplica
Relief with Zeus Meilichios depicted as a snake. On the left, a family of supplicants. Dedicated by Aristomene. Found in Pangrati (Athens) and dated between 350-300 BC

Background imageSymbolism Collection: WW1 Recruitment Poster -- Whos Absent?

WW1 Recruitment Poster -- Whos Absent?
Whos Absent? - Is It You? Chromolithograph recruitment poster, published by the Parliamentary Recruiting Committee. Printed by Andrew Reid and Company Limited, 50 Grey Street, Newcastle-upon-Tyne

Background imageSymbolism Collection: Cartoon, The Dropped Pilot, WW1

Cartoon, The Dropped Pilot, WW1
Cartoon, The Dropped Pilot, twenty-four years after Tenniel. In Tenniels Dropping the Pilot cartoon of 1890 Kaiser Wilhelm II watches as Bismarck disembarks from the ship (of state)

Background imageSymbolism Collection: Alchemical symbolism: toad and serpent represent two basic types of element, fixed and earthy

Alchemical symbolism: toad and serpent represent two basic types of element, fixed and earthy (toad) and the volatile (serpent). Flying eagle represents Sublimation

Background imageSymbolism Collection: Frontispiece of Collegium Fama Fraternitatis by Theophilus Schweighardt, 1618

Frontispiece of Collegium Fama Fraternitatis by Theophilus Schweighardt, 1618
XJF354286 Frontispiece of Collegium Fama Fraternitatis by Theophilus Schweighardt, 1618 by German School, (17th century); Private Collection; (add.info)

Background imageSymbolism Collection: Sponsa De Libano, 1891, (c1930). Creator: Sir Edward Coley Burne-Jones

Sponsa De Libano, 1891, (c1930). Creator: Sir Edward Coley Burne-Jones
Sponsa De Libano, 1891, (c1930). The North and South Winds blow on the Bride of Lebanon. The lilies symbolise her virginity

Background imageSymbolism Collection: Heydar Aliyev Cultural Center, designed by Iraqi-British architect Zaha Hadid

Heydar Aliyev Cultural Center, designed by Iraqi-British architect Zaha Hadid and noted for its distinctive architecture and flowing. A Library, Museum and Conference center in Baku, Azerbaijan

Background imageSymbolism Collection: Possession, c. 1912

Possession, c. 1912. Found in the collection of Museu Nacional d Art de Catalunya, Barcelona

Background imageSymbolism Collection: The Defense of the Sampo, 1896. Artist: Gallen-Kallela, Akseli (1865-1931)

The Defense of the Sampo, 1896. Artist: Gallen-Kallela, Akseli (1865-1931)
The Defense of the Sampo, 1896. Found in the collection of the Turku Art Museum

Background imageSymbolism Collection: Morning, 1897. Artist: Mikhail Vrubel

Morning, 1897. Artist: Mikhail Vrubel
Morning, 1897. Found in the collection of the State Russian Museum, St Petersburg

Background imageSymbolism Collection: WW2 - USA - Propaganda - We gave for our own, for our allies

WW2 - USA - Propaganda - We gave for our own, for our allies - relating to the Wartime Bond Scheme to contribute to the war effort. Date: circa 1944

Background imageSymbolism Collection: DORE: THE RAVEN, 1882. Doubting, dreaming dreams no mortal ever dared to dream before

DORE: THE RAVEN, 1882. Doubting, dreaming dreams no mortal ever dared to dream before
DOR: THE RAVEN, 1882. Doubting, dreaming dreams no mortal ever dared to dream before... Engraving by Gustave Dor, 1882, for an 1884 edition of The Raven by Edgar Allan Poe

Background imageSymbolism Collection: A GARLAND FOR MAY DAY, 1913. A Garland for May day [The Many Arguments for Socialism]

A GARLAND FOR MAY DAY, 1913. A Garland for May day [The Many Arguments for Socialism]. Drawing by Walter Crane, 1913

Background imageSymbolism Collection: WWI - The Lion Roused - British Propaganda postcard

WWI - The Lion Roused - British Propaganda postcard full of strength, defiance and patriotism. The confidence evident in 1914... Date: 1914

Background imageSymbolism Collection: BANNER OF HERNAN CORTAS. The original banner of Spanish conquistador, Hernan Cortas, c16th century

BANNER OF HERNAN CORTAS. The original banner of Spanish conquistador, Hernan Cortas, c16th century
BANNER OF HERNÁN CORTAS. The original banner of Spanish conquistador, Hernán Cortas, c16th century

Background imageSymbolism Collection: Fairies by the Brook, 1895 (oil on canvas)

Fairies by the Brook, 1895 (oil on canvas)
5615403 Fairies by the Brook, 1895 (oil on canvas) by Pirner, Max (1854-1929); 99x61 cm; Narodni Galerie, Prague, Czech Republic; Austrian, out of copyright

Background imageSymbolism Collection: Joan the Maid - Kay Nielsen. The Most Noble Warrior Saint in the Christian Calendar

Joan the Maid - Kay Nielsen. The Most Noble Warrior Saint in the Christian Calendar. Date: 1924

Background imageSymbolism Collection: The Unicorn is Killed and Brought to the Castle, c. 1500 (wool warp with wool, silk

The Unicorn is Killed and Brought to the Castle, c. 1500 (wool warp with wool, silk
3469071 The Unicorn is Killed and Brought to the Castle, c.1500 (wool warp with wool, silk, silver, and gilt wefts) by Netherlandish School (16th century)

Background imageSymbolism Collection: The Portrait of Giovanni (?) Arnolfini and his Wife Giovanna Cenami (

The Portrait of Giovanni (?) Arnolfini and his Wife Giovanna Cenami (
BAL1765 The Portrait of Giovanni (?) Arnolfini and his Wife Giovanna Cenami (?) (The Arnolfini Marriage) 1434 (oil on panel) by Eyck, Jan van (c.1390-1441); 83.7x57 cm; National Gallery, London

Background imageSymbolism Collection: Mutter Erde by Fidus

Mutter Erde by Fidus
circa 1910s

Background imageSymbolism Collection: Sunset. Fontainebleau, 1900. Creator: Moller, Valdemar Schonheyder (1864-1905)

Sunset. Fontainebleau, 1900. Creator: Moller, Valdemar Schonheyder (1864-1905)
Sunset. Fontainebleau, 1900. Found in the Collection of Statens Museum for Kunst, Copenhagen

Background imageSymbolism Collection: Spring in Kullu, 1929

Spring in Kullu, 1929. Private Collection

Background imageSymbolism Collection: Linda Carrying a Rock, 1917

Linda Carrying a Rock, 1917. Found in the Collection of Eesti Kunstimuuseum, Tallinn

Background imageSymbolism Collection: Masquerade, 1924. Artist: Somov, Konstantin Andreyevich (1869-1939)

Masquerade, 1924. Artist: Somov, Konstantin Andreyevich (1869-1939)
Masquerade, 1924. Private Collection

Background imageSymbolism Collection: The Aino Triptych, 1891. Artist: Gallen-Kallela, Akseli (1865-1931)

The Aino Triptych, 1891. Artist: Gallen-Kallela, Akseli (1865-1931)
The Aino Triptych, 1891. Found in the collection of the Konstmuseet Ateneum, Helsinki

Background imageSymbolism Collection: Campaign to Chersonesos by Vladimir the Great, 1904

Campaign to Chersonesos by Vladimir the Great, 1904. Private Collection

Background imageSymbolism Collection: Ultrafashionable lady. Costume design for the ballet The Rite of Spring (Le Sacre du Printemps)

Ultrafashionable lady. Costume design for the ballet The Rite of Spring (Le Sacre du Printemps) by I. Stravinsky, 1912. Found in the collection of the State Central A

Background imageSymbolism Collection: Illustration, A Song of the English, Thames Embankment

Illustration, A Song of the English, Thames Embankment
Illustration to A Song of the English, a patriotic set of poems by Rudyard Kipling (first published in the English Illustrated Magazine)

Background imageSymbolism Collection: Artists depiction of the constellation Libra the Scales

Artists depiction of the constellation Libra the Scales
An artists depiction of the constellation Libra the Scales. The constellation includes the stars Zuben Elschemali and Zuben Elgenubi. Libra is one of the twelve astrological signs of the Zodiac

Background imageSymbolism Collection: The Virgin of the Rose Bush (oil on panel)

The Virgin of the Rose Bush (oil on panel)
XIR155396 The Virgin of the Rose Bush (oil on panel) by Lochner, Stephan (fl.1442-1451); 50.5x40 cm; Wallraf Richartz Museum, Cologne, Germany; (add.info.: La Vierge au Buisson de Roses; ); German

Background imageSymbolism Collection: The Annunciation, 1894 (oil on canvas)

The Annunciation, 1894 (oil on canvas)
3501978 The Annunciation, 1894 (oil on canvas) by Shields, Frederic James (1833-1911); 85x54 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageSymbolism Collection: Almond Blossom, 1890 (oil on canvas)

Almond Blossom, 1890 (oil on canvas)
1765646 Almond Blossom, 1890 (oil on canvas) by Gogh, Vincent van (1853-90); 73.3x92.4 cm; Van Gogh Museum, Amsterdam, The Netherlands; Dutch, out of copyright

Background imageSymbolism Collection: The Bardic Gorsedd, Stone Circle

The Bardic Gorsedd, Stone Circle
The Bardic Gorsedd, Its History and Symbolism -- Stone Circle, erected prior to the National Eisteddfod at Pontypool in 1923. 1923

Background imageSymbolism Collection: Birds fighting from Musaeum Hermeticum, 1678 (engraving)

Birds fighting from Musaeum Hermeticum, 1678 (engraving)
2906472 Birds fighting from Musaeum Hermeticum, 1678 (engraving) by German School, (17th century); Private Collection; (add.info.: Musaeum Hermeticum reformatum et amplificatum (Frankfurt)

Background imageSymbolism Collection: Young Woman on the Beach, 1896

Young Woman on the Beach, 1896. Private Collection

Background imageSymbolism Collection: En Saga (Jean Sibelius and Fantasy Landscape), 1894. Artist: Gallen-Kallela, Akseli (1865-1931)

En Saga (Jean Sibelius and Fantasy Landscape), 1894. Artist: Gallen-Kallela, Akseli (1865-1931)
En Saga (Jean Sibelius and Fantasy Landscape), 1894. Found in the collection of Ainola Foundation

Background imageSymbolism Collection: Illustration to the The Tale Synko-Philipko, 1890s. Artist: Polenova, Elena Dmitryevna (1850-1898)

Illustration to the The Tale Synko-Philipko, 1890s. Artist: Polenova, Elena Dmitryevna (1850-1898)
Illustration to the The Tale Synko-Philipko, 1890s. Found in the collection of State V. Polenov Open-air Museum of History and Art, Polenovo

Background imageSymbolism Collection: Selfportrait with skeleton. Artist: Corinth, Lovis (1858-1925)

Selfportrait with skeleton. Artist: Corinth, Lovis (1858-1925)
Selfportrait with skeleton. Found in the collection of Stadtische Galerie im Lenbachhaus, Munich

Background imageSymbolism Collection: The Parable of the Seed

The Parable of the Seed - Matthew 15. circa 1688

Background imageSymbolism Collection: Temple of Ramses III. The pharaoh Ramses III with Khepresh

Temple of Ramses III. The pharaoh Ramses III with Khepresh. New Kingdom. (1550-1069 b.C). Twentieth dynasty. Thebes. Medinet-Habou. Egypt

Background imageSymbolism Collection: Austria, Vienna, Pallas Athena, 1898

Austria, Vienna, Pallas Athena, 1898
Gustav Klimt (1862-1918), Pallas Athena, 1898

Background imageSymbolism Collection: Vespasian, Roman emperor

Vespasian, Roman emperor
Vespasian (9 AD-79 AD), Roman emperor. Vespasian was the ninth emperor of the Roman Empire, ascending to power after a year of civil wars and ruling for nearly 10 years from 69 AD until his death

Background imageSymbolism Collection: The interior of Rosslyn Chapel

The interior of Rosslyn Chapel, Roslin, Midlothian, Scotland

Background imageSymbolism Collection: Edward VII Memorial unveiling at Brighton and Hove

Edward VII Memorial unveiling at Brighton and Hove
The unveiling of a Memorial to the late King Edward VII on the boundary dividing the boroughs of Brighton and Hove. It was unveiled by the Lord Lieutenant of Sussex, the Duke of Norfolk

Background imageSymbolism Collection: The Nativity at Night, c. 1490 (oil on oak)

The Nativity at Night, c. 1490 (oil on oak)
3709992 The Nativity at Night, c.1490 (oil on oak) by Geertgen tot Sint Jans (c.1460-90); 34x25.3 cm; National Gallery, London, UK; Netherlandish, out of copyright



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Symbolism is a language that transcends words, speaking directly to our souls. It weaves tales of hidden meanings and profound emotions, inviting us to explore the depths of our existence. In "The Guardian Angel, 1897, " an ethereal figure stands watch over humanity, reminding us of the unseen forces guiding and protecting us through life's trials. HMS Victory proudly flies its flags, each color representing bravery and sacrifice. Nelson's quote echoes in our hearts: "England expects that every man will do his duty. " A symbol of unity and unwavering determination. The flag of the Scottish Covenanters waves defiantly against oppression, embodying their fight for religious freedom. It reminds us that symbols can ignite revolutions and inspire change. "The Boxer" captures Boris Snezhkovsky's strength amidst adversity. His clenched fists symbolize resilience in the face of struggle—a reminder that even in darkness, there is always light. Charles Darwin's portrait reflects his groundbreaking theories on evolution. A symbol of scientific progress challenging traditional beliefs—showing how ideas have the power to reshape society. Arnold Bocklin's self-portrait with Death playing the fiddle transports us into a realm where mortality dances alongside life. Symbolizing our eternal dance with death—an ever-present reminder to cherish every moment. Franz and Mary Stuck's "Shooting Stars" illuminates dreams reaching for the heavens—a symbol urging us to pursue our aspirations fearlessly despite obstacles blocking our path. A WWI poster boldly declares "The Empire Needs Men, " calling upon citizens' patriotism during times of war—a powerful symbol uniting nations behind a common cause while highlighting sacrifices made by individuals. A trades union membership certificate represents solidarity among workers fighting for fair rights—an emblematic reminder that collective action can bring about transformative change for marginalized communities. "Leda and the Swan" portrays Zeus disguised as a swan seducing Leda—an allegory exploring themes of power, desire, and consequences.