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Tartar Collection (page 3)

Tartar, a word that carries the echoes of history and diverse cultures

Background imageTartar Collection: Colonel Thorntons Jupiter, by Eclipse out of a Mare by Tartar, by a Fence

Colonel Thorntons Jupiter, by Eclipse out of a Mare by Tartar, by a Fence
1197059 Colonel Thorntons Jupiter, by Eclipse out of a Mare by Tartar, by a Fence, with a Grey Mare, at Thornville Royal, 1792 (oil on canvas) by Gilpin

Background imageTartar Collection: Square of the Tartars, Bahceka, 1854 (bodycolour)

Square of the Tartars, Bahceka, 1854 (bodycolour)
658692 Square of the Tartars, Bahceka, 1854 (bodycolour) by Bossoli, Carlo (1815-84); 112x157 cm; Private Collection; (add.info.: Square of the Tartars, Bahceka. Carlo Bossoli (1815-1884)

Background imageTartar Collection: Map of the Russian empire in the sixteenth century, copy of an original of 1571

Map of the Russian empire in the sixteenth century, copy of an original of 1571
CHT205700 Map of the Russian empire in the sixteenth century, copy of an original of 1571 (colour litho) by Ortelius, Abraham (1527-98) (after); Bibliotheque des Arts Decoratifs, Paris

Background imageTartar Collection: The Grand Marshal Proclaimed Emperor on the Battlefield

The Grand Marshal Proclaimed Emperor on the Battlefield
STC357914 The Grand Marshal Proclaimed Emperor on the Battlefield, illustration from Hutchinsons History of the Nations, c.1920 (colour litho) by Wright

Background imageTartar Collection: Catching a Tartar (colour litho)

Catching a Tartar (colour litho)
668703 Catching a Tartar (colour litho) by English School, (19th century); Private Collection; (add.info.: Catching a Tartar.); © Look and Learn

Background imageTartar Collection: Ancient Tatar tomb of a Khan in Kasimov

Ancient Tatar tomb of a Khan in Kasimov on the Oka River (Ryazan Oblast, Russia). Illustration by Mounier from Guillaume-Antoine Oliviers Travels in the Ottoman Empire, Egypt and Persia, 1801

Background imageTartar Collection: Natives of the Baie de Langle, Sakhalin Island

Natives of the Baie de Langle, Sakhalin Island, and a Manchu Tartar. Illustration by Gaspard Duche de Vancy from Jean Francois Laperouses Voyage

Background imageTartar Collection: Regional units of Russian cavalry, c. 1812-14 (coloured engraving)

Regional units of Russian cavalry, c. 1812-14 (coloured engraving)
CHT173052 Regional units of Russian cavalry, c.1812-14 (coloured engraving) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris, France; eArchives Charmet; French

Background imageTartar Collection: Or. 1359 fol. 35 v. Sultan Bayazid Captured by Timur, 1402 from the Zafarnama 1533

Or. 1359 fol. 35 v. Sultan Bayazid Captured by Timur, 1402 from the Zafarnama 1533
TPG182356 Or.1359 fol. 35 v. Sultan Bayazid Captured by Timur, 1402 from the Zafarnama 1533 (ink on vellum) by Persian School

Background imageTartar Collection: Tatar musicians in a Crimean town square, mid 19th century

Tatar musicians in a Crimean town square, mid 19th century
Tatar musicians playing fiddle and balalaika in a Crimean town square, men smoking pipes and drinking tea. Handcoloured lithograph from Carl Hoffmanns Book of the World, Stuttgart, 1857

Background imageTartar Collection: Chinese and Tartar infantry

Chinese and Tartar infantry: tiger guard with striped uniform, tiger shield and scimitar, with archers and other troops. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrarios

Background imageTartar Collection: Portrait of the Chinese-Tartar Emperor Qianlong

Portrait of the Chinese-Tartar Emperor Qianlong, and a literary mandarin of his court. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrarios Ancient

Background imageTartar Collection: Tartar lady walking on a terrace, Qing Dynasty

Tartar lady walking on a terrace, Qing Dynasty
Tartar lady with tobacco pipe walking on a terrace, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin

Background imageTartar Collection: Tartar woman riding on a one-wheel barrow drawn by servants

Tartar woman riding on a one-wheel barrow drawn by servants. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin

Background imageTartar Collection: Tartar Woman making a Tsi

Tartar Woman making a Tsi, sacrificing the spirit of the door to prevent misfortune entering. Buddhist or Fo sect, Lao-Kiun

Background imageTartar Collection: Grand Lama and Tao-Tse

Grand Lama and Tao-Tse. Tartar Buddhist monk in yellow satin robe, and Taoist monk in yellow and blue robes. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon

Background imageTartar Collection: Grand Lama and Lama of the eight Tartar Banners

Grand Lama and Lama of the eight Tartar Banners. Tartar Buddhist monks in yellow satin robes and hats. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon

Background imageTartar Collection: Tartar woman and child, Qing Dynasty China

Tartar woman and child, Qing Dynasty China. She wears an embroidered silk robe and smokes a tobacco pipe, while the child pulls a toy cart

Background imageTartar Collection: Franklins tartar, scarlet bizarre carnation

Franklins tartar, scarlet bizarre carnation, Dianthus caryophyllus. Handcolured copperplate engraving by James Sowerby after a botanical illustration by Sydenham Edwards from William Curtis The

Background imageTartar Collection: Amida, Japan

Amida, Japan
Amida (also known as Amitabha and Amitayus) is a celestial buddha according to the scriptures of Mahayana Buddhism. Amida is the principal buddha in Pure Land Buddhism (Mahayana Buddhism)

Background imageTartar Collection: Scrap, a Tartar

Scrap, a Tartar. 19th century

Background imageTartar Collection: Russian Peasant and Kalmuck Tartars

Russian Peasant and Kalmuck Tartars. 1832

Background imageTartar Collection: Tartar Guide and Neapolitan Priest

Tartar Guide and Neapolitan Priest
A Tartar Guide and a Neapolitan Priest. 1828

Background imageTartar Collection: Commissioning a Frigate Fifty Years Ago (engraving)

Commissioning a Frigate Fifty Years Ago (engraving)
1063429 Commissioning a Frigate Fifty Years Ago (engraving) by Ralston, William (1848-1911) (after); Private Collection; (add.info.: Commissioning a Frigate Fifty Years Ago)

Background imageTartar Collection: Eumenides (chromolitho)

Eumenides (chromolitho)
975951 Eumenides (chromolitho) by French School, (19th century); Private Collection; (add.info.: Eumenides. French educational card, late 19th/early 20th century.); © Look and Learn

Background imageTartar Collection: Travelling in Tartary (engraving)

Travelling in Tartary (engraving)
959737 Travelling in Tartary (engraving) by English School, (19th century); Private Collection; (add.info.: Travelling in Tartary)

Background imageTartar Collection: British Ships in American Waters (litho)

British Ships in American Waters (litho)
1604952 British Ships in American Waters (litho) by Jane, Fred T. (1870-1916); Private Collection; (add.info.: British Ships in American Waters)

Background imageTartar Collection: Habit of a Tartarian Lady (engraving)

Habit of a Tartarian Lady (engraving)
3640481 Habit of a Tartarian Lady (engraving) by English School, (18th century); Private Collection; (add.info.: Habit of a Tartarian Lady)

Background imageTartar Collection: Costume

Costume
LLM461794 Costume. by German School, (19th century); Private Collection; (add.info.: Illustration for Trachten by Friedrich Hottenroth (Verlag von Gustav Weise, 1884).); © Look and Learn

Background imageTartar Collection: A Tatar of Crimea, plate 84 from Collection of One Hundred Prints Representing

A Tatar of Crimea, plate 84 from Collection of One Hundred Prints Representing
STC409037 A Tatar of Crimea, plate 84 from Collection of One Hundred Prints Representing the Different Nations of the Levant by Charles de Ferriol, engraved by Philippe Simonneau (1685-c.1753)

Background imageTartar Collection: Une soiree chez un riche Tatar a Schamaki (engraving)

Une soiree chez un riche Tatar a Schamaki (engraving)
2814236 Une soiree chez un riche Tatar a Schamaki (engraving) by French School, (19th century); Private Collection; (add.info.: Une soiree chez un riche Tatar a Schamaki)

Background imageTartar Collection: Ms Pers. 113 f. 49 Genghis Khan (c. 1162-1227) in Battle, from a book by Rashid-al-Din

Ms Pers. 113 f. 49 Genghis Khan (c. 1162-1227) in Battle, from a book by Rashid-al-Din
TPG165912 Ms Pers.113 f.49 Genghis Khan (c.1162-1227) in Battle, from a book by Rashid-al-Din (1247-1318) (gouache) by Persian School, (14th century); Bibliotheque Nationale, Paris, France; Persian

Background imageTartar Collection: Yermaks Conquest of Siberia in 1582, 1895 (oil on canvas)

Yermaks Conquest of Siberia in 1582, 1895 (oil on canvas)
SRM70982 Yermaks Conquest of Siberia in 1582, 1895 (oil on canvas) by Surikov, Vasilij Ivanovic (1848-1916); 285x599 cm; State Russian Museum, St

Background imageTartar Collection: Fancy dress costumes (colour litho)

Fancy dress costumes (colour litho)
5227880 Fancy dress costumes (colour litho) by English School, (19th century); Private Collection; (add.info.: Fancy dress costumes.); © Look and Learn

Background imageTartar Collection: Wogulski Tartars (engraving)

Wogulski Tartars (engraving)
816211 Wogulski Tartars (engraving) by English School, (18th century); Private Collection; (add.info.: Wogulski Tartars. A family of Turkic people at the Siberian border from John Harriss Navigantium)

Background imageTartar Collection: A Tartar of the Chinese Army (engraving)

A Tartar of the Chinese Army (engraving)
3622358 A Tartar of the Chinese Army (engraving) by English School, (19th century); Private Collection; (add.info.: A Tartar of the Chinese Army.); © Look and Learn

Background imageTartar Collection: Habit of a Tartarian Princess in 1700 (engraving)

Habit of a Tartarian Princess in 1700 (engraving)
3640478 Habit of a Tartarian Princess in 1700 (engraving) by English School, (18th century); Private Collection; (add.info.: Habit of a Tartarian Princess in 1700)

Background imageTartar Collection: The Naval Mobilisation (engraving)

The Naval Mobilisation (engraving)
1041523 The Naval Mobilisation (engraving) by English School, (19th century); Private Collection; (add.info.: The Naval Mobilisation)

Background imageTartar Collection: Wild Animal Life, catching a Tartar (engraving)

Wild Animal Life, catching a Tartar (engraving)
1049098 Wild Animal Life, catching a Tartar (engraving) by English School, (19th century); Private Collection; (add.info.: Wild Animal Life, catching a Tartar)

Background imageTartar Collection: The Hatta Gate, leading from the Chinese to the Tartar city of Peking (b / w photo)

The Hatta Gate, leading from the Chinese to the Tartar city of Peking (b / w photo)
6003748 The Hatta Gate, leading from the Chinese to the Tartar city of Peking (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: The Hatta Gate)

Background imageTartar Collection: Habit of a Crim Tartar in 1700 (engraving)

Habit of a Crim Tartar in 1700 (engraving)
3640479 Habit of a Crim Tartar in 1700 (engraving) by English School, (18th century); Private Collection; (add.info.: Habit of a Crim Tartar in 1700)

Background imageTartar Collection: Tombeau tatar (engraving)

Tombeau tatar (engraving)
2790157 Tombeau tatar (engraving) by French School, (19th century); Private Collection; (add.info.: Tombeau tatar. Illustration for Le Tour Du Monde (Hachette, 1869)

Background imageTartar Collection: Jacks Hospitality to a Travelling Tartar at Balaclava (engraving)

Jacks Hospitality to a Travelling Tartar at Balaclava (engraving)
2785403 Jacks Hospitality to a Travelling Tartar at Balaclava (engraving) by Morin, Edmond (1824-82) (after); Private Collection; (add.info.: Jacks Hospitality to a Travelling Tartar at Balaclava)

Background imageTartar Collection: Medieval Tartar Huts and Wagons (engraving)

Medieval Tartar Huts and Wagons (engraving)
486335 Medieval Tartar Huts and Wagons (engraving) by English School, (19th century); Private Collection; (add.info.: Possibly an illustration of the travels of Marco Polo (c.1254-1324)

Background imageTartar Collection: Sketches in Cashmere (coloured engraving)

Sketches in Cashmere (coloured engraving)
729511 Sketches in Cashmere (coloured engraving) by English School, (19th century); Private Collection; (add.info.: Sketches in Cashmere. From the Illustrated London News, 21 March 1857)

Background imageTartar Collection: Tun-Min, Roy de la Chine (engraving) (photo)

Tun-Min, Roy de la Chine (engraving) (photo)
CHT223910 Tun-Min, Roy de la Chine (engraving) (photo) by de Larmessin (family of engravers) (1600-1799); Bibliotheque des Arts Decoratifs, Paris, France; eArchives Charmet; French, out of copyright

Background imageTartar Collection: Ms Pers. 113 f. 29 Genghis Khan (c. 1162-1227) Fighting the Tartars

Ms Pers. 113 f. 29 Genghis Khan (c. 1162-1227) Fighting the Tartars
TPG165911 Ms Pers.113 f.29 Genghis Khan (c.1162-1227) Fighting the Tartars, from a book by Rashid-al-Din (1247-1318) (gouache) by Persian School, (14th century); Bibliotheque Nationale, Paris

Background imageTartar Collection: Shan Ch ing, Son of general, Tartar, Prince Ch un, Emperors father, Manchu, Li Hung-Chang

Shan Ch ing, Son of general, Tartar, Prince Ch un, Emperors father, Manchu, Li Hung-Chang, Chinese (b / w photo)
5202267 Shan Ch ing, Son of general, Tartar, Prince Ch un, Emperors father, Manchu, Li Hung-Chang, Chinese (b/w photo) by European Photographer



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Tartar, a word that carries the echoes of history and diverse cultures. From the fierce Mongol horsemen galloping across vast plains to the brave soldiers demonstrating their unmatched horsemanship, it has left an indelible mark on our world. The name also resonates with naval power, as seen in the HMS Tartar - Tribal Class Destroyer of the Royal Navy. This mighty vessel symbolizes strength and resilience, sailing through treacherous waters with unwavering determination. But Tartar is not just about warriors and battles; it encompasses human connections too. A Siberian Tartar woman embraces her Russian Mongol partner, bridging cultural divides and celebrating love's triumph over differences. In harmony with their nomadic lifestyle, Mongol tribes move camp effortlessly across landscapes untouched by time. Their existence reflects a deep connection to nature and an understanding of life's transient nature. Symbols such as PASI2A-00001 or EXPL2A-00146 may seem cryptic at first glance but hold stories waiting to be unraveled. They represent moments frozen in time – perhaps captured by Saint Hyacinth carrying an image of the Virgin or reminiscent of Sisyphus' eternal struggle against fate. Even within military settings like HMS Tartar splicing rope in service to the Royal Navy, there is evidence of camaraderie and teamwork that transcends borders and ranks. Pah tah lom boo stands tall as a Tartar Brigadier-General 2nd Class Mandarin – a testament to leadership forged through experience and wisdom gained on countless battlefields. Lastly, we cannot forget those who have been laid to rest alongside their loyal companions. The phrase "TARTAR BURIED W. HORSE" evokes images of honor bestowed upon fallen warriors who were inseparable from their trusted steeds even in death.