Testament Collection (page 6)

Ezekiel's vision of chariot in sky and a hand in the clouds holding out a book to him, c.614 BC
532117 Ezekiel's vision of chariot in sky and a hand in the clouds holding out a book to him, c.614 BC. Copperplate engraving 1804; (add.info.: Bible: Ezekiel II:9)

Sarah, Abraham's wife, being barren, offers Hagar her maid to her husband, c.1804 (engraving)
531241 Sarah, Abraham's wife, being barren, offers Hagar her maid to her husband, c.1804 (engraving); (add.info.: Sarah, Abraham's wife, being barren, offers Hagar her maid to her husband)

St John on Patmos, 1865 (engraving)
531133 St John on Patmos, 1865 (engraving); (add.info.: St John on Patmos. Illustration by Gustave Dore for the Bible 1865-6. Wood engraving); Universal History Archive/UIG.

Isaiah, Old Testament prophet, telling Hezekiah king of Judah 8th century BC
531127 Isaiah, Old Testament prophet, telling Hezekiah king of Judah 8th century BC, to set his house in order as he is about to die. Bible Isaiah 38:1

Jesus defending the woman taken in adultery against the Scribes and the Pharisees
537231 Jesus defending the woman taken in adultery against the Scribes and the Pharisees, saying: 'Let him that is without sin among you, first cast a stone at her'. John:8

King David making a burnt offering to God in thanks for the deliverance of the Israelites from plague
537679 King David making a burnt offering to God in thanks for the deliverance of the Israelites from plague. 16th century (woodcut from bible); (add.info)

Naming of Saint John the Baptist. 12th century (lithograph after wall painting in crypt of Canterbury Cathedral)
535970 Naming of Saint John the Baptist. 12th century (lithograph after wall painting in crypt of Canterbury Cathedral, England); Universal History Archive/UIG.

Noah's Ark - the animals going in two by two, 1716 (engraving)
535947 Noah's Ark - the animals going in two by two, 1716 (engraving); (add.info.: Noah's Ark - the animals going in two by two)

Mary Magdalene annointing the feet of Jesus. Bible John 12, c.1860 (chromo)
531252 Mary Magdalene annointing the feet of Jesus. Bible John 12, c.1860 (chromo); Universal History Archive/UIG.

The Testament of Eudamidas, 1644-1648. Creator: Nicolas Poussin
The Testament of Eudamidas, 1644-1648

Anton Lang, actor, in his pottery workshop
Anton Lang (1875-1938), German actor, in his pottery workshop. He worked as a potter, and performed as an actor in the Oberammergau Passion Plays, playing the role of Jesus Christ in 1900

Pier Francesco Visconti, Court of Saliceto, Adoring the Christ Child, c
2956917 Pier Francesco Visconti, Court of Saliceto, Adoring the Christ Child, c.1484 (marble with gilding) by Briosco, Benedetto (c.1460-1514) & Cazzaniga

ANGELS & MONSTERS ANGELS & MONSTERS
Angels come down from Heaven to deal with the evil monsters

Bible, New Testament: parable of Lazarus and the rich man
The parable of Lazarus and the rich man

Painted sailcloth, Jesus assisted in carrying the Cross
Popular Art in the USA - painted sailcloth, Jesus assisted in carrying the Cross, Spanish Colonial. late 18th century

The Parable of the Sower sowing Seeds

Biblical Tales by John Lawson, Young David the Shepherd

Biblical Tales by John Lawson, Daniel in the Lions Den

Isaiahs Vision, Old Testament, Bible
Isaiahs Vision as recounted in the Bible (Old Testament)

The Prodigal Son, c. 1655 (oil on canvas)
450155 The Prodigal Son, c.1655 (oil on canvas) by Vois, Arie de (1631-80); 22.8x18.4 cm; The Holburne Museum, Bath, UK; eHolburne Museum; Dutch, out of copyright

JESUS BORN - DURER
Mary with her child, sitting on a crescent moon and radiating glory

ADAM & EVE EJECTED ADAM & EVE EJECTED
They are ejected from Eden - and an angel with a sword makes sure they dont try to sneak back in again

Jesus preaching in Nazareth

Birth of Antichrist
The birth of Antichrist Date: 1516

Fresco, Eglise Saint-Jean-Baptiste, Chaource, Aube, France
Christ dressed as a gardener and Mary Magdalene, with an apple tree, representing original sin, and a speech scroll reading Noli me Tangere, wall fresco

Entombment sculpture, Eglise Saint-Jean-Baptiste, Chaource
Entombment, or Holy Sepulchre, sculptural group, 1515, by the Master of Chaource, made for the sepulchral chapel of Nicolas de Monstier and Jacqueline de Laignes

The Calvary. Painting by Lucas Cranach the Elder (1472-1553)
Lucas Cranach the Elder (1472-1553). German painter. The Calvary, first half of the 16th century. Lazaro Galdiano Museum. Madrid. Spain

Triptych of the Descent. Descent from the Cross by Matsys
Quentin Matsys (circa 1466-1530). Flemish painter. Triptych of the Descent. Descent from the Cross. Lazaro Galdiano Museum. Madrid. Spain

Triptych of the Adoration by Jan van Dornicke
Jan van Dornicke. First half of 16th century. Triptych of the Adoration. Detail. Lazaro Galdiano Museum. Madrid. Spain

Virgin of Mercy. Second third of the 17th century
Francisco de Zurbaran (1598-1664). Spanish painter. Virgin of Mercy. Second third of the 17th century. Lazaro Galdiano Museum. Madrid. Spain

Adam, 1880-1881. Sculpture by Auguste Rodin (1840-1917)
Auguste Rodin (1840-1917). French sculptor. Adam, 1880-1881. Bronze. Garden of Sculptures. Rodin Museum. Paris. France. Date: 2008

Risen Christ, ca. 1619, by Guido Reni (1575-1642)
Guido Reni (1575-1642). Italian painter. Risen Christ, ca.1619. Oil on canvas. National Museum of Fine Arts. Valletta. Malta. Date: 2019

The Raising of Lazarus c. 1600. Painting by Andrea Vicentino
Andrea Vicentino (1539-1614). Italian painter. The Raising of Lazarus, c. 1600. Oil on canvas, 114 x 146 cm. National Museum of Fine Arts. Valletta. Malta. Date: 2019

The Last Supper, by Velazquez (copy of Tintoretto)
Diego Rodriguez de Silva y Velazquez (1599-1660). Spanish baroque painter. The Last Supper, 1629-1631. Copy of a painting by Tintoretto. San Fernando Royal Academy of Fine Arts. Madrid. Spain

Christ on the Cross, ca. 1640, by Alonso Cano (1601-1667)
Alonso Cano (1601-1667). Spanish painter. Christ on the Cross, ca.1640. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Penitent Magdalene, 1654, by Juan Carreno de Miranda
Juan Carreno de Miranda (1614-1685). Spanish painter. Penitent Magdalene, 1654. Detail. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Christ collecting his vestments, ca. 1646, by Alonso Cano
Alonso Cano (1601-1667). Spanish painter. Christ collecting his vestments, ca.1646. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

The Magdalene, ca. 1650, by Bartolome Esteban Murillo
Bartolome Esteban Murillo (1617-1682). The Magdalene, ca.1650. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

The Taking of Christ. Painting ascribed to Gerard Seghers
Painting ascribed to Gerard Seghers (1591-1651). Flemish baroque painter. The Taking of Christ. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Crucifixion, 1539, by Hans Muelich or Mielich (1516-1573)
Hans Muelich or Mielich (1516-1573). German painter. Crucifixion, 1539. Detail. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

The Saviour by Giovanni Bellini(1432-1516)
Giovanni Bellini, called Il Giambellino (1432-1516). Italian painter. The Saviour. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Pieta, ca. 1570, by Luis de Morales (1515-1586). Detail
Luis de Morales (1515-1586). Spanish painter. Pieta, ca.1570. Detail. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Christ embracing the Cross, 1610-1620, by Guido Reni
Guido Reni (1575-1642). Italian painter. Christ embracing the Cross, 1610-1620. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

The Sacrifice of Noah after the flood, by Leandro Bassano
Leandro Bassano (1557-1622). Italian painter. The Sacrifice of Noah after the flood. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

The Descent from the Cross, by Maarten de Vos (1532-1603)
Maarten de Vos (1532-1603). Flemish painter. The Descent from the Cross. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Statue of Salome, 1883, by Walery Gadomski (1833-1911)
Walery Gadomski (1833-1911). Polish sculptor. Statue of Salome, 1883. Marble. 19th Century Polish Art Gallery (Sukiennice Museum). National Museum of Krakow. Poland. Date: 2018

The death of Samson - Judges 16. circa 1690

The death of Moses - Deuteronomy 34. circa 1690

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"Testament: A Tapestry of Divine Encounters and Unbreakable Bonds" In the depths of history, a testament was written. It spoke of love, faith, and unwavering devotion. From the moment Jesus turned to Peter, entrusting him with a sacred mission, to the Supper at Emmaus where hearts were set ablaze by divine presence - these stories became threads woven into the fabric of our souls. The friendship shared between David and Jonathan stood as a testament to loyalty and brotherhood amidst adversity. As Moses held his hands high in prayer during battle, it symbolized an unyielding trust in God's power. And when Jesus embraced children with open arms, he left behind an everlasting testament to compassion and innocence. Through the First Passover's miraculous deliverance from bondage and Samson's strength against all odds, we witnessed extraordinary events that shaped our understanding of faith. The captivating illustrations in "Stories of the Old Testament" by Pauline Baynes brought these ancient tales to life for generations young and old. As we gaze upon the majestic statue of St Peter standing tall within Basilica di San Giovanni in Laterano, we are reminded of his unwavering dedication as one who carried forth Christ's message throughout time. Ruth and Naomi exemplified loyalty beyond blood ties - their bond serving as a testament to enduring love even through hardships. When Jesus appeared before Mary after his resurrection or when Ezekiel prophesied divine revelations - each encounter etched itself into humanity's collective memory as testaments to miracles both seen and unseen. These hints scattered across time serve as reminders that testimonies are not mere words on paper but living legacies passed down through generations. They illuminate our path towards spiritual enlightenment while connecting us intimately with those who came before us. Let us cherish this tapestry of encounters - for within its intricate weave lies wisdom gained from ages past; a testament that transcends time itself.