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Testament Collection (page 9)

"Testament: A Tapestry of Divine Encounters and Unbreakable Bonds" In the depths of history, a testament was written. It spoke of love, faith, and unwavering devotion

Background imageTestament Collection: The Coronation of the Virgin (oil on panel)

The Coronation of the Virgin (oil on panel)
829081 The Coronation of the Virgin (oil on panel) by Cornelis, Albert (c.1500-32); Sint-Jacobskerk, Bruges, Belgium; © Art in Flanders

Background imageTestament Collection: Reading of the will, 1878 (painting)

Reading of the will, 1878 (painting)
1745470 Reading of the will, 1878 (painting) by Denneulin, Jules (1835-1904); (add.info.: Reading of the will, painting by Denneulin, 1878); © Tallandier

Background imageTestament Collection: Jesus Christ with Simon (colour engraving)

Jesus Christ with Simon (colour engraving)
1701477 Jesus Christ with Simon (colour engraving) by French School; (add.info.: Jesus Christ and Simon (who will become apostle Peter), engraving)

Background imageTestament Collection: Les comptes familiaux (The Family Accounts). Peinture de Nikolai Vasilyevich Nevrev (1830-1904)

Les comptes familiaux (The Family Accounts). Peinture de Nikolai Vasilyevich Nevrev (1830-1904), huile sur toile, 1888
FIA5371510 Les comptes familiaux (The Family Accounts). Peinture de Nikolai Vasilyevich Nevrev (1830-1904), huile sur toile, 1888. Art russe 19e siecle. State Tretyakov Gallery, Moscou

Background imageTestament Collection: The Flaying of St. Bartholomew (fresco)

The Flaying of St. Bartholomew (fresco)
875223 The Flaying of St. Bartholomew (fresco) by Ponte, Giovanni dal (c.1385-1437/42); Santa Trinita, Florence, Italy; © Giuliano Valsecchi

Background imageTestament Collection: The Mocking of Christ (pen & ink with wash over chalk on paper)

The Mocking of Christ (pen & ink with wash over chalk on paper)
449372 The Mocking of Christ (pen & ink with wash over chalk on paper) by Dyck, Anthony van (1599-1641); 22.7x19.6 cm; The Devonshire Collections

Background imageTestament Collection: The Tower of Babel (engraving)

The Tower of Babel (engraving)
1729680 The Tower of Babel (engraving) by French School, (18th century); (add.info.: La Genese (11:1-9) : construction de la Tour de Babel, gravure du 18e siecle Bible, Old Testament

Background imageTestament Collection: Jesus Christ Tormented And Crowned With Thorns, 1873 (engraving)

Jesus Christ Tormented And Crowned With Thorns, 1873 (engraving)
UIG5420205 Jesus Christ Tormented And Crowned With Thorns, 1873 (engraving) by Durer or Duerer, Albrecht (1471-1528) (after); (add.info.: After A Work Painted On Wood By Albert Durer)

Background imageTestament Collection: St. John the Evangelist (oil on canvas)

St. John the Evangelist (oil on canvas)
704180 St. John the Evangelist (oil on canvas) by Savoldo, Giovanni Girolamo (c.1480-p.1548); Galleria Borghese, Rome, Lazio, Italy

Background imageTestament Collection: The Assumption of the Virgin (fresco)

The Assumption of the Virgin (fresco)
704139 The Assumption of the Virgin (fresco) by Cardi Cigoli, Ludovico (1559-1613); Santa Maria Maggiore, Rome, Italy

Background imageTestament Collection: Rest on the Flight into Egypt (black chalk & gouache on paper)

Rest on the Flight into Egypt (black chalk & gouache on paper)
808658 Rest on the Flight into Egypt (black chalk & gouache on paper) by Wilson, Richard (1713/14-82); Leeds Museums and Galleries (Leeds Art Gallery) U.K.; Leeds Museums and Galleries, UK; Welsh

Background imageTestament Collection: Shakespeare: Handwriting (litho)

Shakespeare: Handwriting (litho)
7172028 Shakespeare: Handwriting (litho) by English School, (19th century); Private Collection; (add.info.: Handwriting. Illustration for the Works of William Shakespeare edited by Henry Irving)

Background imageTestament Collection: Au bureau de l avocat (At the lawyers Office). Peinture de Marc Louis Benjamin Vautier l aine

Au bureau de l avocat (At the lawyers Office). Peinture de Marc Louis Benjamin Vautier l aine (1829-1898)
FIA5371421 Au bureau de l avocat (At the lawyers Office). Peinture de Marc Louis Benjamin Vautier l aine (1829-1898). Huile sur toile, 36 x 43 cm. Art allemand du 19e siecle

Background imageTestament Collection: Nil Nisi Bonum, 1870 / 91. Creator: Charles Samuel Keene

Nil Nisi Bonum, 1870 / 91. Creator: Charles Samuel Keene
Nil Nisi Bonum, 1870/91

Background imageTestament Collection: Saint Luke the Evangelist, Bible written in Arabic, Rome, 1591 (engraving)

Saint Luke the Evangelist, Bible written in Arabic, Rome, 1591 (engraving)
LSE1630563 Saint Luke the Evangelist, Bible written in Arabic, Rome, 1591 (engraving) by Italian School, (16th century); Private Collection; Photo eLeonard de Selva; Italian, out of copyright

Background imageTestament Collection: Adoration of the Magi, illustration from Book of Hours, Use of Rome (vellum)

Adoration of the Magi, illustration from Book of Hours, Use of Rome (vellum)
907851 Adoration of the Magi, illustration from Book of Hours, Use of Rome (vellum) by French School, (15th century); Private Collection; Photo eChristies Images; French, out of copyright

Background imageTestament Collection: Daniel in the Lions Den, c. 1650 (pen and ink on paper)

Daniel in the Lions Den, c. 1650 (pen and ink on paper)
3704030 Daniel in the Lions Den, c.1650 (pen and ink on paper) by Rembrandt Harmensz. van Rijn (1606-69); 22.2x18.4 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: pen and brown ink)

Background imageTestament Collection: The Annunciation, 1506 (oil on wood)

The Annunciation, 1506 (oil on wood)
3615923 The Annunciation, 1506 (oil on wood) by David, Gerard (c.1460-1523); 76.8x61.9 cm; Metropolitan Museum of Art, New York

Background imageTestament Collection: Daniel In The Lions Den, 1879 (stained glass)

Daniel In The Lions Den, 1879 (stained glass)
3475663 Daniel In The Lions Den, 1879 (stained glass) by Burne-Jones, Edward Coley (1833-98); All Hallows, Allerton, Liverpool, UK; eAlastair Carew-Cox; English, out of copyright

Background imageTestament Collection: Angel & Bull detail, Rivers of Paradise, 1875 (stained glass)

Angel & Bull detail, Rivers of Paradise, 1875 (stained glass)
3475652 Angel & Bull detail, Rivers of Paradise, 1875 (stained glass) by Burne-Jones, Edward Coley (1833-98); All Hallows, Allerton, Liverpool, UK; eAlastair Carew-Cox; English, out of copyright

Background imageTestament Collection: He Is Risen detail, 1903 (stained glass)

He Is Risen detail, 1903 (stained glass)
3475607 He Is Risen detail, 1903 (stained glass) by Brown, John William (1842-1928); St. Helens Church, Darley Dale, UK; (add.info.: James Powell & Sons); eAlastair Carew-Cox; out of copyright

Background imageTestament Collection: Call Of Peter, 1869 (stained glass)

Call Of Peter, 1869 (stained glass)
3475596 Call Of Peter, 1869 (stained glass) by Holiday, Henry (1839-1927); St Mary Magdalene Church, Paddington, London, UK; (add.info.: Heaton Butler & Bayne); eAlastair Carew-Cox; English

Background imageTestament Collection: The Archangel Gabriel, 1913 (stained glass)

The Archangel Gabriel, 1913 (stained glass)
3475530 The Archangel Gabriel, 1913 (stained glass) by Brown, John William (1842-1928); St Brendan, Brendon, Devon, UK; (add.info.: Foreacre & Watson); eAlastair Carew-Cox; out of copyright

Background imageTestament Collection: Easter Morning, Mary Magdalen, 1876 (stained glass)

Easter Morning, Mary Magdalen, 1876 (stained glass)
3475475 Easter Morning, Mary Magdalen, 1876 (stained glass) by Burne-Jones, Edward Coley (1833-98); Chateau Impney, Droitwich, UK; (add.info.: Morris & Co.); eAlastair Carew-Cox; English

Background imageTestament Collection: Meshach, The Fiery Furnace, West Window, 1870 (stained glass)

Meshach, The Fiery Furnace, West Window, 1870 (stained glass)
3475466 Meshach, The Fiery Furnace, West Window, 1870 (stained glass) by Burne-Jones, Edward Coley (1833-98); All Saints Church, Middleton Cheney, Northamptonshire

Background imageTestament Collection: The Crucifixion side panel, East Window, 1872 (stained glass)

The Crucifixion side panel, East Window, 1872 (stained glass)
3475462 The Crucifixion side panel, East Window, 1872 (stained glass) by Wooldridge, Harry Ellis (1845-1917); Church of St Mary the Virgin, Lapworth, Warwickshire, UK; (add.info.: Lapworth)

Background imageTestament Collection: Ruth with Corn, 1881-83 (stained glass)

Ruth with Corn, 1881-83 (stained glass)
3475452 Ruth with Corn, 1881-83 (stained glass) by Holiday, Henry (1839-1927); The Church of St Editha, Tamworth, Staffordshire, UK; (add.info.: James Powell & Sons); eAlastair Carew-Cox; English

Background imageTestament Collection: The Assumption of the Virgin (oil on wood panel)

The Assumption of the Virgin (oil on wood panel)
704119 The Assumption of the Virgin (oil on wood panel) by Pinturicchio, Bernardino di Betto (c.1452-1513) (School of); Santa Maria del Popolo, Rome, Italy; Italian, out of copyright

Background imageTestament Collection: The Annunciation, c. 1291 (mosaic)

The Annunciation, c. 1291 (mosaic)
704181 The Annunciation, c.1291 (mosaic) by Cavallini, Pietro (c.1250-c.1330); Santa Maria in Trastevere, Rome, Italy; Italian, out of copyright

Background imageTestament Collection: Page from the Codex Sinaiticus (vellum)

Page from the Codex Sinaiticus (vellum)
1630114 Page from the Codex Sinaiticus (vellum) by Greek, (4th century AD); Monastery of Saint Catherine, Mount Sinai, Egypt; (add.info)

Background imageTestament Collection: Page from the Codex Sinaiticus (vellum)

Page from the Codex Sinaiticus (vellum)
1630113 Page from the Codex Sinaiticus (vellum) by Greek, (4th century AD); Monastery of Saint Catherine, Mount Sinai, Egypt; (add.info)

Background imageTestament Collection: The Four Evangelists, c. 1625-26 (oil on panel)

The Four Evangelists, c. 1625-26 (oil on panel)
937116 The Four Evangelists, c. 1625-26 (oil on panel) by Rubens, Peter Paul (1577-1640); 16.2x16.5 cm; Fitzwilliam Museum, University of Cambridge

Background imageTestament Collection: The Meeting of Abraham and Melchisedek, c. 1625-26 (oil on panel)

The Meeting of Abraham and Melchisedek, c. 1625-26 (oil on panel)
936986 The Meeting of Abraham and Melchisedek, c.1625-26 (oil on panel) by Rubens, Peter Paul (1577-1640); 15.6x15.6 cm; Fitzwilliam Museum, University of Cambridge

Background imageTestament Collection: Virgin Mary, from the Lamentation (terracotta)

Virgin Mary, from the Lamentation (terracotta)
956965 Virgin Mary, from the Lamentation (terracotta) by Arca, Niccolo dell (c.1435-94); Sanctuary of Santa Maria della Vita, Bologna, Italy; eGiuliano Valsecchi; Italian, out of copyright

Background imageTestament Collection: The Entombment of Christ (fresco)

The Entombment of Christ (fresco)
938053 The Entombment of Christ (fresco) by Giotto, Ambrogio Bondone (c.1266-1337) (school of); Monastero di Sant Antonio, Polesine, Italy; eGiuliano Valsecchi; Italian, out of copyright

Background imageTestament Collection: Detail of Raising of the Son of Theophilus and St Peter Enthroned (fresco)

Detail of Raising of the Son of Theophilus and St Peter Enthroned (fresco)
956976 Detail of Raising of the Son of Theophilus and St Peter Enthroned (fresco) by Lippi, Filippino (c.1457-1504); Chiesa di Santa Maria del Carmine, Florence

Background imageTestament Collection: Nativity scene from the Journey of the Magi Cycle, Bolognini Chapel, c

Nativity scene from the Journey of the Magi Cycle, Bolognini Chapel, c
938086 Nativity scene from the Journey of the Magi Cycle, Bolognini Chapel, c.1420 (fresco) by Modena, Giovanni da (fl.1409-56); San Petronio, Bologna, Italy; eGiuliano Valsecchi; Italian

Background imageTestament Collection: The Departure of the Children of Israel from Egypt (engraving)

The Departure of the Children of Israel from Egypt (engraving)
818782 The Departure of the Children of Israel from Egypt (engraving) by Roberts, David (1796-1864) (after); Private Collection; (add.info.: The Departure of the Children of Israel from Egypt)

Background imageTestament Collection: Detail of the Ceiling, Baptistery, Florence (mosaic)

Detail of the Ceiling, Baptistery, Florence (mosaic)
875179 Detail of the Ceiling, Baptistery, Florence (mosaic) by Italian School, (13th century); Baptistery, Florence, Italy; eGiuliano Valsecchi; Italian, out of copyright

Background imageTestament Collection: MS 39-1950 f. 26r The Annunciation and Annunciation to the Shepherds, 1464 (gold

MS 39-1950 f. 26r The Annunciation and Annunciation to the Shepherds, 1464 (gold
876442 MS 39-1950 f.26r The Annunciation and Annunciation to the Shepherds, 1464 (gold, silver & coloured ink on parchment) by French School, (15th century); Fitzwilliam Museum

Background imageTestament Collection: Deborah, Hebrew prophetess who delivered her people from Jabin, King of Canaan

Deborah, Hebrew prophetess who delivered her people from Jabin, King of Canaan
531266 Deborah, Hebrew prophetess who delivered her people from Jabin, King of Canaan, and his general Sisera, singing her song of triumph. Judges 5:1. 13th century BC

Background imageTestament Collection: Study for the Entombment, c. 1617-18 (pen & ink over chalks with wash & gouache on paper)

Study for the Entombment, c. 1617-18 (pen & ink over chalks with wash & gouache on paper)
449368 Study for the Entombment, c.1617-18 (pen & ink over chalks with wash & gouache on paper) by Dyck, Anthony van (1599-1641); 25.2x21.7 cm; eThe Devonshire Collections

Background imageTestament Collection: Leonardo da Vincis Last Supper (red & black chalks on paper)

Leonardo da Vincis Last Supper (red & black chalks on paper)
449302 Leonardo da Vincis Last Supper (red & black chalks on paper) by Soutman, Pieter Claesz (c.1580-1657); 26x50.6 cm; eThe Devonshire Collections

Background imageTestament Collection: The Annunciation, c. 1432 (tempera on panel)

The Annunciation, c. 1432 (tempera on panel)
580561 The Annunciation, c.1432 (tempera on panel) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); 195x158 cm; Basilica di S. Maria delle Grazie, S. Giovanni Valdarno; Alinari

Background imageTestament Collection: Adoration of the Shepherds, 1510 (oil on canvas)

Adoration of the Shepherds, 1510 (oil on canvas)
3248482 Adoration of the Shepherds, 1510 (oil on canvas) by Piombo, Sebastiano del (S. Luciani) (c.1485-1547); 124.2x161.3 cm; Fitzwilliam Museum, University of Cambridge



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"Testament: A Tapestry of Divine Encounters and Unbreakable Bonds" In the depths of history, a testament was written. It spoke of love, faith, and unwavering devotion. From the moment Jesus turned to Peter, entrusting him with a sacred mission, to the Supper at Emmaus where hearts were set ablaze by divine presence - these stories became threads woven into the fabric of our souls. The friendship shared between David and Jonathan stood as a testament to loyalty and brotherhood amidst adversity. As Moses held his hands high in prayer during battle, it symbolized an unyielding trust in God's power. And when Jesus embraced children with open arms, he left behind an everlasting testament to compassion and innocence. Through the First Passover's miraculous deliverance from bondage and Samson's strength against all odds, we witnessed extraordinary events that shaped our understanding of faith. The captivating illustrations in "Stories of the Old Testament" by Pauline Baynes brought these ancient tales to life for generations young and old. As we gaze upon the majestic statue of St Peter standing tall within Basilica di San Giovanni in Laterano, we are reminded of his unwavering dedication as one who carried forth Christ's message throughout time. Ruth and Naomi exemplified loyalty beyond blood ties - their bond serving as a testament to enduring love even through hardships. When Jesus appeared before Mary after his resurrection or when Ezekiel prophesied divine revelations - each encounter etched itself into humanity's collective memory as testaments to miracles both seen and unseen. These hints scattered across time serve as reminders that testimonies are not mere words on paper but living legacies passed down through generations. They illuminate our path towards spiritual enlightenment while connecting us intimately with those who came before us. Let us cherish this tapestry of encounters - for within its intricate weave lies wisdom gained from ages past; a testament that transcends time itself.