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Textiles Collection (page 16)

"Exploring the Rich Tapestry of Textiles: From Ancient Relics to Modern Craftsmanship" The Shroud of Turin

Background imageTextiles Collection: Royal Naval uniform: pattern 1833, 1836 (wool, linen, velvet, brass)

Royal Naval uniform: pattern 1833, 1836 (wool, linen, velvet, brass)
7339904 Royal Naval uniform: pattern 1833, 1836 (wool, linen, velvet, brass) by British School, (19th century); 95.8x55 cm; National Maritime Museum, London

Background imageTextiles Collection: Royal Naval uniform: pattern 1748-67, 1748 (wool, wood, brass, linen/wool blend)

Royal Naval uniform: pattern 1748-67, 1748 (wool, wood, brass, linen/wool blend)
7339839 Royal Naval uniform: pattern 1748-67, 1748 (wool, wood, brass, linen/wool blend) by Unknown artist, (18th century); 108x41x28 cm; National Maritime Museum, London

Background imageTextiles Collection: Royal Naval uniform: pattern 1748-67, 1748 (wool, wood, brass, linen/wool blend)

Royal Naval uniform: pattern 1748-67, 1748 (wool, wood, brass, linen/wool blend)
7339838 Royal Naval uniform: pattern 1748-67, 1748 (wool, wood, brass, linen/wool blend) by Unknown artist, (18th century); 108x41x28 cm; National Maritime Museum, London

Background imageTextiles Collection: Royal Naval uniform: pattern 1748-67, 1748 (wool, wood, brass, linen/wool blend)

Royal Naval uniform: pattern 1748-67, 1748 (wool, wood, brass, linen/wool blend)
7339836 Royal Naval uniform: pattern 1748-67, 1748 (wool, wood, brass, linen/wool blend) by Unknown artist, (18th century); 108x41x28 cm; National Maritime Museum, London

Background imageTextiles Collection: Collegiate church ('Parochiekerk Sint-Walburga'). Interior. Tapestry. Verdure from Oudenaarde

Collegiate church ("Parochiekerk Sint-Walburga"). Interior. Tapestry. Verdure from Oudenaarde
7208868 Collegiate church ("Parochiekerk Sint-Walburga"). Interior. Tapestry. Verdure from Oudenaarde. Scene with lovers in a garden

Background imageTextiles Collection: History of Saint Piat and Saint Eleuthere, also called tapestry of Arras

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7208810 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy, late 14th-early 15th century. 22m x 2m

Background imageTextiles Collection: Tapestry. History of Saint Piat and Saint Eleuthere (Tapisseries de saint Piat et de saint)

Tapestry. History of Saint Piat and Saint Eleuthere (Tapisseries de saint Piat et de saint Eleuthere)
7208801 Tapestry. History of Saint Piat and Saint Eleuthere (Tapisseries de saint Piat et de saint Eleuthere), also called tapestry of Arras (la tenture d'Arras)

Background imageTextiles Collection: Tapestry. History of Saint Piat and Saint Eleuthere (Tapisseries de saint Piat et de saint)

Tapestry. History of Saint Piat and Saint Eleuthere (Tapisseries de saint Piat et de saint Eleuthere)
7208800 Tapestry. History of Saint Piat and Saint Eleuthere (Tapisseries de saint Piat et de saint Eleuthere), also called tapestry of Arras (la tenture d'Arras)

Background imageTextiles Collection: History of Saint Piat and Saint Eleuthere, also called tapestry of Arras

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7208797 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy, late 14th-early 15th century. 22m x 2m

Background imageTextiles Collection: History of Saint Piat and Saint Eleuthere, also called tapestry of Arras

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7208794 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy

Background imageTextiles Collection: Flemis tapestry. Series The History of Thebe (De geschiedenis van Thebe-La Historia de Tebas)

Flemis tapestry. Series The History of Thebe (De geschiedenis van Thebe-La Historia de Tebas)
7208461 Flemis tapestry. Series The History of Thebe (De geschiedenis van Thebe-La Historia de Tebas): Tidio and Polyneses (Tideus en Polineikes, Tidio y Polineces). Ca 1490-1500

Background imageTextiles Collection: Collegiate church ('Parochiekerk Sint-Walburga'). Interior. Tapestry. Verdure from Oudenaarde

Collegiate church ("Parochiekerk Sint-Walburga"). Interior. Tapestry. Verdure from Oudenaarde
7207346 Collegiate church ("Parochiekerk Sint-Walburga"). Interior. Tapestry. Verdure from Oudenaarde. Scene with lovers in a garden

Background imageTextiles Collection: A cottager spinning in her living room

A cottager spinning in her living room
5310277 A cottager spinning in her living room; (add.info.: Engraving depicting a cottager spinning in her living room. Dated 19th century.); Universal History Archive/UIG

Background imageTextiles Collection: Engraving depicting a gentleman wearing leggings, 19th century

Engraving depicting a gentleman wearing leggings, 19th century
5309070 Engraving depicting a gentleman wearing leggings, 19th century; (add.info.: Engraving depicting a gentleman wearing leggings. Dated 19th century 01/02/1882); Universal History Archive/UIG

Background imageTextiles Collection: Engraving depicting a well-dressed couple walking down the street, 19th century

Engraving depicting a well-dressed couple walking down the street, 19th century
5309026 Engraving depicting a well-dressed couple walking down the street, 19th century; (add.info.: Engraving depicting a well-dressed couple walking down the street)

Background imageTextiles Collection: Engraving depicting a well-dressed couple illustrated by Francis Arthur Fraser (1846-1924)

Engraving depicting a well-dressed couple illustrated by Francis Arthur Fraser (1846-1924)
5309025 Engraving depicting a well-dressed couple illustrated by Francis Arthur Fraser (1846-1924) an English cartoonist and painter

Background imageTextiles Collection: A spinning mule used to manufacture cotton

A spinning mule used to manufacture cotton
5310103 A spinning mule used to manufacture cotton; (add.info.: Engraving depicting a spinning mule used to manufacture cotton. The spinning mule is a machine used to spin cotton and other fibres)

Background imageTextiles Collection: A young woman sewing

A young woman sewing
5312172 A young woman sewing; (add.info.: Engraving depicting a young woman sewing: needlework was considered a suitable employment for gentlewomen. Dated 19th century.); Universal History Archive/UIG

Background imageTextiles Collection: Jon Arason's Chasuble, 16th century (textile)

Jon Arason's Chasuble, 16th century (textile)
5304955 Jon Arason's Chasuble, 16th century (textile); (add.info.: Jon Arason's Chasuble, an ornate sleeveless outer vestment worn by a Catholic or High Anglican priest when celebrating Mass)

Background imageTextiles Collection: Liturgical vestments

Liturgical vestments
5304578 Liturgical vestments.; (add.info.: Liturgical vestments, Icelandic embroidered church vestments 14th - 15th century.); Universal History Archive/UIG

Background imageTextiles Collection: 18th Century traditional Icelandic formal clothing

18th Century traditional Icelandic formal clothing
5304715 18th Century traditional Icelandic formal clothing.; (add.info.: Icelandic, 18th century, traditional, ladies, formal clothing. made of imported fabrics embroidered in gold or silver thread)

Background imageTextiles Collection: The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4901604 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

Background imageTextiles Collection: The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4901470 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

Background imageTextiles Collection: The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4901391 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

Background imageTextiles Collection: The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4901344 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

Background imageTextiles Collection: The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4900959 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

Background imageTextiles Collection: The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4900951 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

Background imageTextiles Collection: Tapestry illustrating The Trojan War: Achilles Death, c.1470 (tapestry)

Tapestry illustrating The Trojan War: Achilles Death, c.1470 (tapestry)
CUL4895965 Tapestry illustrating The Trojan War: Achilles Death, c.1470 (tapestry); 482x942 cm; (add.info.: AGAMEMNON. Legendary king of Argos and Mycenae)

Background imageTextiles Collection: The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4900735 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

Background imageTextiles Collection: The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4900277 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

Background imageTextiles Collection: Tapestry illustrating Tarquinius Priscus. ca. 1475 (tapestry)

Tapestry illustrating Tarquinius Priscus. ca. 1475 (tapestry)
CUL4899056 Tapestry illustrating Tarquinius Priscus. ca. 1475 (tapestry); (add.info.: Tarquinius Priscus. ca. 1475. History of the founder and fifth king of Rome according to the account of Livy)

Background imageTextiles Collection: Tapestry illustrating Tarquinius Priscus. ca. 1475 (tapestry)

Tapestry illustrating Tarquinius Priscus. ca. 1475 (tapestry)
CUL4898886 Tapestry illustrating Tarquinius Priscus. ca. 1475 (tapestry); (add.info.: Tarquinius Priscus. ca. 1475. TARQUINIUS PRISCUS, Lucius (579 BC). King of Rome (616 BC-579 BC)

Background imageTextiles Collection: Tapestry illustrating Tarquinius Priscus. ca. 1475 (tapestry)

Tapestry illustrating Tarquinius Priscus. ca. 1475 (tapestry)
CUL4898844 Tapestry illustrating Tarquinius Priscus. ca. 1475 (tapestry); (add.info.: Tarquinius Priscus. ca. 1475. TARQUINIUS PRISCUS, Lucius (579 BC). King of Rome (616 BC-579 BC)

Background imageTextiles Collection: Tapestry illustrating Tarquinius Priscus. ca. 1475 (tapestry)

Tapestry illustrating Tarquinius Priscus. ca. 1475 (tapestry)
CUL4899419 Tapestry illustrating Tarquinius Priscus. ca. 1475 (tapestry); (add.info.: Tarquinius Priscus. ca. 1475. History of the founder and fifth king of Rome according to the account of Livy)

Background imageTextiles Collection: A loom for weaving, 1850

A loom for weaving, 1850
3479088 A loom for weaving, 1850; (add.info.: Mid 19th century, English, technical drawing of a loom for weaving.); Universal History Archive/UIG

Background imageTextiles Collection: Younger women sewing, 1888

Younger women sewing, 1888
3479047 Younger women sewing, 1888; (add.info.: Illustration shows an older women watching a younger women sew. Dated 1888, London.); Universal History Archive/UIG

Background imageTextiles Collection: Repairing an item of clothing, 1882

Repairing an item of clothing, 1882
3479046 Repairing an item of clothing, 1882; (add.info.: Female shown repairing a piece of clothing with a sewing kit. A female is stood to the left with her arms crossed)

Background imageTextiles Collection: Female seated with her sewing case on the table, 1882

Female seated with her sewing case on the table, 1882
3479031 Female seated with her sewing case on the table, 1882; (add.info.: Illustration shows female seated with her sewing case on the table. Dated 13th May 1882.); Universal History Archive/UIG

Background imageTextiles Collection: Sectional view of a carding engine, 1866

Sectional view of a carding engine, 1866
3479124 Sectional view of a carding engine, 1866; (add.info.: Sectional view of a carding engine: this machine brushed and separated the cotton fibres. Dated 1866.); Universal History Archive/UIG

Background imageTextiles Collection: A Griscom eclectic motor fitted to a sewing machine, 1884

A Griscom eclectic motor fitted to a sewing machine, 1884
3479118 A Griscom eclectic motor fitted to a sewing machine, 1884; (add.info.: A Griscom eclectic motor fitted to a sewing machine. Dated 1884.); Universal History Archive/UIG

Background imageTextiles Collection: Shearing a length of carpet, 1843

Shearing a length of carpet, 1843
3479223 Shearing a length of carpet, 1843; (add.info.: Shearing a length of carpet to produce a smooth pile. London, August 1843.); Universal History Archive/UIG

Background imageTextiles Collection: Scotch carpet loom, 1843

Scotch carpet loom, 1843
3479219 Scotch carpet loom, 1843; (add.info.: Scotch carpet loom, Unpowered. The jacquard punched cards can be seen above the weavers head. London, August 1843.); Universal History Archive/UIG

Background imageTextiles Collection: Young woman sewing: needlework, 1884

Young woman sewing: needlework, 1884
3479052 Young woman sewing: needlework, 1884; (add.info.: Young woman sewing: needlework was considered a suitable remunerative employment for gentlewomen)

Background imageTextiles Collection: Learning to sew, 1879

Learning to sew, 1879
3479044 Learning to sew, 1879; (add.info.: A small girl learning to sew in a cottage kitchen. Dated 1879, London.); Universal History Archive/UIG

Background imageTextiles Collection: Carding engine, 1845

Carding engine, 1845
3479127 Carding engine, 1845; (add.info.: Carding engine incorporating an early improvement which brought off carded cotton in a continuous sliver)

Background imageTextiles Collection: Cotton Mill, 1851

Cotton Mill, 1851
3479014 Cotton Mill, 1851; (add.info.: Cotton Mill, Stockport. From the pictorial gallery of Arts, Charles Knight, London 1851.); Universal History Archive/UIG

Background imageTextiles Collection: A felting; fulling; or milling machine, 1850

A felting; fulling; or milling machine, 1850
3479661 A felting; fulling; or milling machine, 1850; (add.info.: Engraving depicting a felting; fulling; or milling machine. Dated 19th Century.); Universal History Archive/UIG

Background imageTextiles Collection: A Slubbing-Billy, 1850

A Slubbing-Billy, 1850
3479650 A Slubbing-Billy, 1850; (add.info.: Illustration depicting a Slubbing-Billy; used to spin carded wool into rovings'. Dated 19th Century.); Universal History Archive/UIG



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"Exploring the Rich Tapestry of Textiles: From Ancient Relics to Modern Craftsmanship" The Shroud of Turin: A mysterious textile that has captivated believers and skeptics alike, believed by some to be the burial cloth of Jesus Christ. Paris, France: A fashion capital known for its exquisite textiles and haute couture, where designers weave their creativity into stunning garments. Bayeux Tapestry (1066-1077): Depicting scenes from the Battle of Hastings, this iconic textile offers a glimpse into medieval warfare and Norman conquest in Europe. Hand block printing at Crysede Island Works: Witnessing craftsmanship from the 1930s in St Ives, Cornwall, as artisans meticulously create intricate patterns on fabrics using traditional techniques. A Street Scene in Cairo: Charles Robertson's painting transports us to Egypt's bustling markets filled with vibrant textiles that reflect the region's rich cultural heritage. Muslim Prayer Carpet: An embodiment of devotion and artistry from Palestine, this intricately designed carpet serves as a sacred space for prayer in the Middle East. Cotton Dye Works: Unveiling the behind-the-scenes process of transforming raw cotton fibers into colorful fabrics through dyeing techniques perfected over centuries. Dressmakers Workshop: Stepping into a world where skilled hands bring fabric to life; witness seamstresses crafting garments with precision and passion. Building Ships in Preparation for War (Bayeux Tapestry): Normandy's historical tapestry showcases how textiles played a role even beyond clothing - aiding shipbuilding during times of conflict. Death of King Harold (Bayeux Tapestry): This poignant scene reminds us how they are immortalize history; an arrow piercing King Harold's eye forever etched onto fabric threads. Clash between Norman Cavalry and Harolds Foot Soldiers (Bayeux Tapestry).