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Thomas Rowlandson Collection (page 54)

Thomas Rowlandson was a renowned British artist and caricaturist who lived from 1756 to 1827

Background imageThomas Rowlandson Collection: Thomas Rowlandson (British, 1756 - 1827), Racing, probably 1812, hand-colored etching

Thomas Rowlandson (British, 1756 - 1827), Racing, probably 1812, hand-colored etching

Background imageThomas Rowlandson Collection: Thomas Rowlandson (British, 1756 - 1827), The Boxes, published 1809, hand-colored etching

Thomas Rowlandson (British, 1756 - 1827), The Boxes, published 1809, hand-colored etching

Background imageThomas Rowlandson Collection: Thomas Rowlandson (British, 1756 - 1827 ), Bookseller and Author, 1784, hand-colored

Thomas Rowlandson (British, 1756 - 1827 ), Bookseller and Author, 1784, hand-colored etching and aquatint, Rosenwald Collection

Background imageThomas Rowlandson Collection: Thomas Rowlandson (British, 1756 - 1827), The Course, probably 1789, hand-colored etching

Thomas Rowlandson (British, 1756 - 1827), The Course, probably 1789, hand-colored etching and aquatint

Background imageThomas Rowlandson Collection: Thomas Rowlandson (British, 1756 - 1827), The Poll, 1784, hand-colored etching

Thomas Rowlandson (British, 1756 - 1827), The Poll, 1784, hand-colored etching

Background imageThomas Rowlandson Collection: Dr. Comicus Selling his Pills, from The Adventures of Dr. Comicus or The Frolicks of Fortune

Dr. Comicus Selling his Pills, from The Adventures of Dr. Comicus or The Frolicks of Fortune
KW2603357 Dr. Comicus Selling his Pills, from The Adventures of Dr. Comicus or The Frolicks of Fortune, published c.1815 (hand-coloured aquatint) by English School

Background imageThomas Rowlandson Collection: Fumigation of the Corsican, 1813, Anonymous, Thomas Rowlandson, 1813 - 1815

Fumigation of the Corsican, 1813, Anonymous, Thomas Rowlandson, 1813 - 1815

Background imageThomas Rowlandson Collection: Horseracing Humour

Horseracing Humour
circa 1850: Jockeys being weighed in and horses being rubbed down at a race course. Original Artist: By Rowlandson. (Photo by Hulton Archive/Getty Images)

Background imageThomas Rowlandson Collection: Dr Syntax

Dr Syntax
Doctor Syntax looking at lodgings in Paris catches a couple unawares. The man hides in the fireplace. Dr Syntax in Paris by William Combe illustrated by Thomas Rowlandson

Background imageThomas Rowlandson Collection: Chemical Lecture

Chemical Lecture
A scientific demonstration in front of an audience. Original Artwork: Cartoon by Thomas Rowlandson (Photo by Hulton Archive/Getty Images)

Background imageThomas Rowlandson Collection: Bored And Drunk

Bored And Drunk
A drunken revelry with drinkers collapsing under the table, dancing on its top and being sick. Entitled, Miseries of the Country

Background imageThomas Rowlandson Collection: South Sea House

South Sea House
February 1810: The dividend hall of South Sea House, a banking establishment on Threadneedle Street, London. Original Artwork: Drawn and engraved by Rowlandson and Pugin, aquatinted by Sutherland

Background imageThomas Rowlandson Collection: Dr Syntax

Dr Syntax
1st April 1813: Dr Syntax spends a day at the race track in York, and dances with rage upon losing his money. Original Artwork: Drawn and engraved by Thomas Rowlandson

Background imageThomas Rowlandson Collection: The Consultation

The Consultation
Cartoon By Thomas Rowlandson showing a group of physicians consulting around a patient titled The Consultation Or Last Hope circa 1808. (Photo by Fotosearch/Getty Images)

Background imageThomas Rowlandson Collection: Pall Mall gas lights, historical cartoon C013 / 7694

Pall Mall gas lights, historical cartoon C013 / 7694
Pall Mall gas lights. Historical satirical artwork of a London street scene by Thomas Rowlandson entitled A Peep at the Gas Lights in Pall Mall

Background imageThomas Rowlandson Collection: Historical political satire, artwork C013 / 7695

Historical political satire, artwork C013 / 7695
Historical political satire. Historical cartoon by Thomas Rowlandson on the consequences of allied victories, entitled Political Chimists and German Retorts

Background imageThomas Rowlandson Collection: Fever and ague, satirical artwork

Fever and ague, satirical artwork
Fever and ague. Satirical artwork of representations of fever (central monster) and ague (creature wrapped around patient at left)

Background imageThomas Rowlandson Collection: The Hypochondriac, satirical artwork

The Hypochondriac, satirical artwork
The Hypochondriac. Satirical artwork showing a female patient (centre) suffering from hypochondria, a mental condition where a patient over-reacts to physical symptoms that may be harmless

Background imageThomas Rowlandson Collection: PLIT2A-00125

PLIT2A-00125
Fieldings Tom Jones refused admittance by the noblemans porter. Hand-colored woodcut of an illustration by Thomas Rowlandson



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Thomas Rowlandson was a renowned British artist and caricaturist who lived from 1756 to 1827. His works captured the essence of everyday life in the late 18th and early 19th centuries, providing a humorous and satirical commentary on society. One of his notable pieces, "The Contrast, " created in December 1792, showcases Rowlandson's talent for capturing contrasting scenes. This particular work juxtaposes two individuals from different social classes, highlighting the disparities between them. In "The Corsican Spider in His Web. " from July 12, 1808, Rowlandson takes aim at Napoleon Bonaparte with his characteristic wit. The caricature portrays Napoleon as a spider ensnaring Europe within his web of power. Rowlandson's ability to depict landscapes is evident in "Stamford Lincolnshire" from Sketches from Nature in 1822. This piece showcases his attention to detail and skillful use of light and shadow to bring the scenery to life. Not limited to societal observations alone, Rowlandson also depicted leisure activities such as billiards and cribbage games. In "Old Billiards, " he captures the camaraderie among players while adding a touch of humor through exaggerated expressions. Social issues were not off-limits for Rowlandson either. In "A Cribbage Party in St Giles Disturbed By A Press Gang" (1787), he sheds light on the pressing issue of press gangs disrupting innocent gatherings during that time period. "The Loves of the Fox and The Badger, " or "The Coalition Wedding" (1784), satirizes political alliances by portraying foxes marrying badgers – an allegory for controversial political unions occurring at that time. Rowlandson even ventured into sporting events like boxing matches. One such example is seen in "Boxing Match For 200 Guineas" (1810) where he captures the intensity and excitement of the fight between Dutch Sam and Medley.