Tiepolo Collection (page 6)

Minerva checks the Wrath of Achilles, c1757, (1928). Artist: Giovanni Battista Tiepolo
Minerva checks the Wrath of Achilles, c1757, (1928). Pen with wash on paper. Sketch for one of the frescoes in the Villa Valmarana near Vicenza, Italy. Staatsgalerie, Stuttgart, Germany

Two young Women and a Soldier, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Two young Women and a Soldier, mid 18th century, (1928). Two women seated, and a young soldier, pen with wash on paper. At one time known to have been in the collection of the Horne Foundation

Soldier raising his arm to strike, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Soldier raising his arm to strike, mid 18th century, (1928). Pen with wash. Victoria & Albert Museum, London. Italian Venetian painter and printmaker Giovanni Battista Tiepolo (1696-1770)

Kneeling Figure, seen from behind, 1743-1744, (1928). Artist: Giovanni Battista Tiepolo
Kneeling Figure, seen from behind, 1743-1744, (1928). Two kneeling figures seen from behind, pen with wash. Staatsgalerie, Stuttgart, Germany

Young Woman with Boy, Rivergod and Satyr, mid 18th century, (1928). Pen with wash over pencil on paper. At one time known to have been in the collection of the Horne Foundation, Florence, Italy

A Soldier seated, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
A Soldier seated, mid 18th century, (1928). A young soldier, seated before a tombstone, has his fortune told, pen on paper. Drawing in the style of the Scherzi di fantasia

Group of Soldiers with a Horse, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Group of Soldiers with a Horse, mid 18th century, (1928). A Standard Bearer with Three Other Soldiers and a Horse. Victoria & Albert Museum, London

Alexander and Bucephalus, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Alexander and Bucephalus, mid 18th century, (1928). Pen with wash on paper. At one time known to have been in the collection of the Horne Foundation, Florence, Italy

A rider leaning on his horse, c1740s, (1928). Artist: Giovanni Battista Tiepolo
A rider leaning on his horse, c1740s, (1928). The Rider Standing by His Horse, pen over a pencil sketch for an etching, Le chevalier a pied pres de son cheval

St. Jerome, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
St. Jerome, mid 18th century, (1928). Pen with wash on paper. At one time known to have been in the collection of the Louvre, Paris, France

Dedication of a young soldier, 1735-1740, (1928). Artist: Giovanni Battista Tiepolo
Dedication of a young soldier, 1735-1740, (1928). Priests dedicate a young Soldier, pen with wash. Collection of the Kupferstichkabinett der Staatlichen Museen zu Berlin, Germany

Madonna and Child, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Madonna and Child, mid 18th century, (1928). Pen with wash on white paper. Victoria & Albert Museum, London. Italian Venetian painter and printmaker Giovanni Battista Tiepolo (1696-1770)

Hagar and Ishmael, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Hagar and Ishmael, mid 18th century, (1928). Pen with wash. Staatsgalerie, Stuttgart, Germany. Italian Venetian painter and printmaker Giovanni Battista Tiepolo (1696-1770), worked not only in Italy

Beheading of a Saint, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Beheading of a Saint, mid 18th century, (1928). Pen with wash on paper. At one time known to have been in the collection of Herr FW Boehler, Lucerne, Switzerland

Studies for a Madonna with child and angels, mid 18th century, (1928). Artist
Studies for a Madonna with child and angels; half figures of soldiers, mid 18th century, (1928). Madonna with Child and hovering angels, half figures of soldiers, pen on white paper

Group of Figures, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Group of Figures, mid 18th century, (1928). Pen with wash on paper. At one time known to have been in the collection of Herr FW Boehler, Lucerne, Switzerland

Young Lady, early-mid 18th century (1928). Artist: Giovanni Battista Tiepolo
Young Lady, early-mid 18th century (1928). Young lady standing, also known as A lady wearing a gown with high collar and pointed bodice, pen with wash on white paper

Three Trophies, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Three Trophies, mid 18th century, (1928). Pen with wash over pencil on white paper. Victoria & Albert Museum, London. Italian Venetian painter and printmaker Giovanni Battista Tiepolo (1696-1770)

Prophet with Arms raised, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Prophet with Arms raised, mid 18th century, (1928). A bearded man with arms upraised, pen with wash on white paper. Victoria & Albert Museum, London

Cleopatra, before 1751, (1928). Artist: Giovanni Battista Tiepolo
Cleopatra, before 1751, (1928). Pen with wash over pencil on white paper. Possibly a first idea for the central figure in Cleopatras Banquet, (1743-1744), painted for Augustus II of Saxony

Page, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Page, mid 18th century, (1928). Pen with wash on white paper. At one time known to have been in the collection of the Victoria & Albert Museum, London

Descent from the Cross, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Descent from the Cross, mid 18th century, (1928). Pen with wash on paper. At one time known to have been in the collection of G Bellingham Smith, London

Capitulation of a Town, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Capitulation of a Town, mid 18th century, (1928). Moslems carrying the keys of a part to a Venetian (?) General, pen with wash on paper

Cleopatra, early 18th century, (1928). Artist: Giovanni Battista Tiepolo
Cleopatra, early 18th century, (1928). Pen with wash on white paper. Victoria & Albert Museum, London. Italian Venetian painter and printmaker Giovanni Battista Tiepolo (1696-1770)

Giants fighting, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Giants fighting, mid 18th century, (1928). Fight of giants, pen with wash over pencil on paper. At one time known to have been in the collection of Herr FW Boehler, Lucerne, Switzerland

Hovering Angels, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Hovering Angels, mid 18th century, (1928). Group of three Angels hovering on clouds, pen with wash on white paper. At one time known to have been in the collection of Sir Robert Witt, London

Warrior standing on Clouds, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Warrior standing on Clouds, mid 18th century, (1928). Soldier standing on clouds, with raised right arm, seen obliquely from beneath, pen with wash on paper

The Opening of a Grave, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
The Opening of a Grave, mid 18th century, (1928). Pen on paper. Drawing in the mood of the Scherzi di fantasia, La decouverte du tombeau de Polichinelle

Capriccio, c1740s, (1928). Artist: Giovanni Battista Tiepolo
Capriccio, c1740s, (1928). On the left a man, wasted to a skeleton, lying on the ground and reading to a group of people who press in from the right, pen with wash on white paper

Two Women, Eros and a Soldier, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Two Women, Eros and a Soldier, mid 18th century, (1928). Two women, Cupid and a soldier, pen on white paper. At one time known to have been in the collection of the Victoria & Albert Museum, London

Martyrdom of S. Giustina, c1730s, (1928). Artist: Giovanni Battista Tiepolo
Martyrdom of S. Giustina, c1730s, (1928). Pen with wash. Possibly a preparatory study for the altarpiece in the Church of the Santo in Padua (1734-1737)

A Man stabbing a Boy, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
A Man stabbing a Boy, mid 18th century, (1928). Pen with wash on white paper. At one time known to have been in the collection of the Victoria & Albert Museum, London

Mars, 1757, (1928). Artist: Giovanni Battista Tiepolo
Mars, 1757, (1928). Pen with wash on white paper. Part design for a fresco in the Villa Valmarana near Vicenza, Italy. Staatsgalerie, Stuttgart, Germany

The Sacrifice of Iphigenia, c1757, (1928). Artist: Giovanni Battista Tiepolo
The Sacrifice of Iphigenia, c1757, (1928). Pen with wash on paper. Design for a fresco in the Villa Valmarana near Vicenza, Italy

Old man and Young soldier, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Old man and Young soldier, mid 18th century, (1928). Old man and young soldier beside a horse, pen with wash on white paper

Apollo, the Muses and Chronos, c1730, (1928). Artist: Giovanni Battista Tiepolo
Apollo, the Muses and Chronos, c1730, (1928). Design for a ceiling, pen with wash on paper. At one time known to have been in the collection of the Sartorio Collection, Trieste, Italy

Cleopatras feast, ca 1742. Found in the collection of Musee Cognacq-Jay, Paris

La Malvasia, 1791. Found in the collection of Ecole nationale superieure des beaux-arts, Paris

The Virgin with Six Saints, c. 1750. Found in the Collection of Szepmuveszeti Muzeum, Budapest

Hunter on Horseback, 1718-1725. Found in the Collection of Fondazione Cariplo

Saint Catherine of Siena. Found in the Collection of Art History Museum, Vienne

The Mailboat (Il Burchiello). Found in the Collection of Art History Museum, Vienne

The Minuet. Artist: Tiepolo, Giandomenico (1727-1804)
The Minuet. Found in the collection of Museu Nacional d Art de Catalunya, Barcelona

The Charlatan. Artist: Tiepolo, Giandomenico (1727-1804)
The Charlatan. Found in the collection of Museu Nacional d Art de Catalunya, Barcelona

Saint Cecilia. Artist: Tiepolo, Giambattista (1696-1770)
Saint Cecilia. Found in the collection of Museu Nacional d Art de Catalunya, Barcelona

The Apotheosis of Hercules. Artist: Tiepolo, Giandomenico (1727-1804)
The Apotheosis of Hercules. Found in the collection of Thyssen-Bornemisza Collections

Alexander taming Bucephalus. Artist: Tiepolo, Giambattista (1696-1770)
Alexander taming Bucephalus. Found in the collection of Petit Palais, Musee des Beaux-Arts de la Ville de Paris

Allegory of Virtue and Nobility. Artist: Tiepolo, Giambattista (1696-1770)
Allegory of Virtue and Nobility. Found in the collection of Museo Poldi Pezzoli, Milan

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Giambattista Tiepolo, a renowned Italian artist of the 18th century, left an indelible mark on the art world with his breathtaking masterpieces. One such masterpiece is "The Immaculate Conception of the Virgin, " painted between 1767 and 1768. In this ethereal work, Tiepolo captures the divine purity and grace of the Virgin Mary as she ascends to heaven. Another notable creation by Giovanni Battista Tiepolo is "Eurybates. " This captivating painting showcases his exceptional talent for depicting human emotions and expressions. The intricate details in Eurybates' face reveal anguish and despair, evoking a sense of empathy from viewers. Tiepolo's versatility shines through in "Saint Thecla Praying for the Plague-Stricken, " completed in 1758-59. Here, he skillfully portrays Saint Thecla's unwavering faith as she beseeches divine intervention during a time of crisis. Through delicate brushstrokes and vibrant colors, Tiepolo conveys both hope and desperation within this poignant scene. "The Chariot of Aurora" transports us to a mythical realm where dawn breaks across an enchanting landscape. Painted in the 1760s, this celestial artwork showcases Tiepolo's ability to create otherworldly atmospheres filled with lightness and beauty. In "Allegory of the Planets and Continents" from 1752, Tiepolo combines mythological figures with geographical representations to symbolize cosmic harmony. Each planet corresponds to a continent, emphasizing their interconnectedness within nature's grand design. It also reveals his playful side in works like "Carnival Scene or the Minuet. " This lively composition captures joyous revelry amidst swirling dancers adorned in vibrant costumes—a celebration frozen in time for all eternity. One cannot overlook Tiepolo's fascination with mythology seen in "Woman and infant satyr in a landscape.