Tiepolo Collection (page 8)

The Family of Darius before Alexander, 333 BC, (c1745). Artist: Giovanni Battista Tiepolo
The Family of Darius before Alexander, 333 BC, (c1745). After the Battle of Issus in 333 BC, the family of Darius III of Persia was at the mercy of Alexander the Great who treated them with

Rinaldo Enchanted by Armida 1742-1745. Artist: Giovanni Battista Tiepolo
Rinaldo Enchanted by Armida 1742-1745. Rinaldo is diverted by the beautiful sorceress Armida from the crusade to take control of Jerusalem from the Muslims

Saint Catherine of Siena, 1347-1380. Catholic philosopher and theologian. From an 18th century print by Giovanni Marco Pitteri, after a painting by Giovanni Battista Tiepolo

Four evangelists Tiepolo Giovanni Battista 1696-1770
Four evangelists, Tiepolo, Giovanni Battista, 1696-1770, Tiepolo, Giovanni Domenico, 1726?-1804, Etching, ca. 1743, Opus in pariete pictum, in AEdibus S. Francisci a Vinea Venetiarum. Joan

Plates 1-2 Four Evangelists Tiepolo Giovanni Battista
Plates 1-2, Four Evangelists, Tiepolo, Giovanni Battista, 1696-1770, Tiepolo, Giovanni Domenico, 1726?-1804, Etching, ca. 1743, Joan. Bapta Tiepolo inv, et pinx

stoning Saint Stephen Tiepolo Giovanni Domenico
The stoning of Saint Stephen, Tiepolo, Giovanni Domenico, 1726?-1804, ca. 1754

View Villa Giovanni Battista Tiepolo Italian
View of a Villa; Giovanni Battista Tiepolo (Italian, 1696 - 1770); Italy; 1757 - 1759; Pen and brown ink and brown wash; 15.2 x 26 cm (6 x 10 1, 4 in.)

Flight Egypt Giovanni Battista Tiepolo Italian
Flight into Egypt; Giovanni Battista Tiepolo (Italian, 1696 - 1770); Italy; 1725 - 1735; Pen and brown ink with brown wash over black chalk (recto); faint red chalk (verso)

Punchinello Helped Chair Giovanni Domenico Tiepolo
Punchinello Is Helped to a Chair; Giovanni Domenico Tiepolo (Italian, 1727 - 1804); Italy; about 1791; Pen and brown ink, brush with brown wash, and black chalk; 35.4 × 47 cm (13 15, 16 × 18 1)

Holy Family Angels Arch Giovanni Battista Tiepolo
The Holy Family with Angels before an Arch; Giovanni Battista Tiepolo (Italian, 1696 - 1770); second half of 1750s; Pen and brown ink and brown and gray wash; 31.4 × 22.6 cm (12 3, 8 × 8 7, 8 in.)

Head Man Looking Up Giovanni Battista Tiepolo
Head of a Man Looking Up; Giovanni Battista Tiepolo (Italian, 1696 - 1770); about 1750 - 1760; Red and white chalk on blue laid paper; 21.1 × 15.2 cm (8 5, 16 × 6 in.)

Caricature Man Wearing Overcoat Giovanni Battista
Caricature of a Man Wearing an Overcoat; Giovanni Battista Tiepolo (Italian, 1696 - 1770); about 1753 - 1762; Pen and black ink and brush with gray wash; 21 × 14 cm (8 1, 4 × 5 1, 2 in.)

Centaur Female Faun Landscape Giovanni Domenico
A Centaur and a Female Faun in a Landscape; Giovanni Domenico Tiepolo (Italian, 1727 - 1804); about 1775; Pen and brown ink, brown wash, over black chalk; 19.4 × 27.5 cm (7 5, 8 × 10 13, 16 in.)

Alexander Great Campaspe Studio Apelles Giovanni Battista
Alexander the Great and Campaspe in the Studio of Apelles; Giovanni Battista Tiepolo (Italian, 1696 - 1770); Italy; about 1740; Oil on canvas; 42.5 × 54 cm (16 3, 4 × 21 1, 4 in.)

The Banquet of Anthony and Cleopatra, ca. 1764. Creator: Jean-Honore Fragonard
The Banquet of Anthony and Cleopatra, ca. 1764. After Giovanni Battista Tiepolo

Giovanni Battista Tiepolo (1696-1770). Italian painter. Roco
Giovanni Battista Tiepolo (1696-1770). Italian painter from the Republic of Viena. Rococo. Head of Seneca. Alte Pinakothek. Munich. Germany. Temporay exhibition

TIEPOLO, Giovanni Domenico (1727-1804). The Minuet. 1756. Bequest of Francesc Camb󮠏 il on canvas. SPAIN. Barcelona. National Art Museum of Catalonia

Marriage of Emperor Frederick I Barbarossa and Beatrice I of Burgundy in 1156. Giovanni Battista Tiepolo (1696-1770). Oil On Canvas

TIEPOLO, Giovanni Battista (1696-1770). The Continence of Alexander the Great. 1743. ITALY. Montecchio Maggiore. Villa Cordellina Lombardi. Detail of kneeling women. Baroque art. Fresco

Dance Country ca 1755 Oil canvas 29 3 / 4 x 47 1 / 4
Artokoloro

Satyr Family Pan Family Scherzi ca 1743-50
Artokoloro

Temperance 1760 Fresco transferred canvas Oval
Artokoloro

Head Woman 1729-50 Charcoal highlighted white chalk
Artokoloro

Turkish Lancer Onlookers Approaching Town 1760-70
Artokoloro

Caricature Gentleman Studies 1727-1804 Pen
Artokoloro

Skeletons Grotteschi Grotesques ca 1748 Etching
Artokoloro

Sacrifice Isaac mid-1750s Oil canvas 15 3 / 8 x 21
Artokoloro

Eagle Wings Spread 1696-1770 Charcoal highlighted
Artokoloro

Head Young Man Three-Quarter View 18th century
Artokoloro

USA, California, Jolon, Mission San Antonio de Padua. Painting of The Assumption, attributed to Italian artist Tiepolo. Credit as: Don Paulson / Jaynes Gallery / DanitaDelimont

Jean-Honora Fragonard after Giovanni Battista Tiepolo (French, 1732 - 1806), The
Jean-Honora© Fragonard after Giovanni Battista Tiepolo (French, 1732 - 1806), The Feast of Anthony and Cleopatra (Le festin d Antoine et de Cleopatre), etching

Follower of Giovanni Battista Tiepolo, Drawing for a Ceiling Fresco, pen and brown ink with brown wash

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Giambattista Tiepolo, a renowned Italian artist of the 18th century, left an indelible mark on the art world with his breathtaking masterpieces. One such masterpiece is "The Immaculate Conception of the Virgin, " painted between 1767 and 1768. In this ethereal work, Tiepolo captures the divine purity and grace of the Virgin Mary as she ascends to heaven. Another notable creation by Giovanni Battista Tiepolo is "Eurybates. " This captivating painting showcases his exceptional talent for depicting human emotions and expressions. The intricate details in Eurybates' face reveal anguish and despair, evoking a sense of empathy from viewers. Tiepolo's versatility shines through in "Saint Thecla Praying for the Plague-Stricken, " completed in 1758-59. Here, he skillfully portrays Saint Thecla's unwavering faith as she beseeches divine intervention during a time of crisis. Through delicate brushstrokes and vibrant colors, Tiepolo conveys both hope and desperation within this poignant scene. "The Chariot of Aurora" transports us to a mythical realm where dawn breaks across an enchanting landscape. Painted in the 1760s, this celestial artwork showcases Tiepolo's ability to create otherworldly atmospheres filled with lightness and beauty. In "Allegory of the Planets and Continents" from 1752, Tiepolo combines mythological figures with geographical representations to symbolize cosmic harmony. Each planet corresponds to a continent, emphasizing their interconnectedness within nature's grand design. It also reveals his playful side in works like "Carnival Scene or the Minuet. " This lively composition captures joyous revelry amidst swirling dancers adorned in vibrant costumes—a celebration frozen in time for all eternity. One cannot overlook Tiepolo's fascination with mythology seen in "Woman and infant satyr in a landscape.