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Trompe Loeil Collection (page 14)

"Trompe l'oeil: The Art of Deception" Step into the world of trompe l'oeil, where reality and illusion seamlessly blend together

Background imageTrompe Loeil Collection: Trompe-l oeil, 1698. Artist: Collier, Edwaert (1642-1708)

Trompe-l oeil, 1698. Artist: Collier, Edwaert (1642-1708)
Trompe-l oeil, 1698. Private Collection

Background imageTrompe Loeil Collection: An Opened Liturgical Book. Artist: Anonymous

An Opened Liturgical Book. Artist: Anonymous
An Opened Liturgical Book. Found in the collection of Art History Museum, Vienne

Background imageTrompe Loeil Collection: Corner of the Artists Studio. Artist: Le Motte, Jean-Francois de (active 1653-1685)

Corner of the Artists Studio. Artist: Le Motte, Jean-Francois de (active 1653-1685)
Corner of the Artists Studio. Found in the collection of Musee des Beaux-Arts, Dijon

Background imageTrompe Loeil Collection: Trompe-l??il. Artist: Hoogstraten, Samuel Dirksz, van (1627-1678)

Trompe-l??il. Artist: Hoogstraten, Samuel Dirksz, van (1627-1678)
Trompe-l??il. Found in the collection of Dordrechts Museum

Background imageTrompe Loeil Collection: Trompe l oeil still life with a lute, rebec and music sheets. Artist: Gijsbrechts

Trompe l oeil still life with a lute, rebec and music sheets. Artist: Gijsbrechts
Trompe l oeil still life with a lute, rebec and music sheets. Private Collection

Background imageTrompe Loeil Collection: Trompe-l??il with musical score, drawings and keys, c. 1800. Artist: Anonymous

Trompe-l??il with musical score, drawings and keys, c. 1800. Artist: Anonymous
Trompe-l??il with musical score, drawings and keys, c. 1800. From a private collection

Background imageTrompe Loeil Collection: Flowers at home, trompe l'oeil

Flowers at home, trompe l'oeil

Background imageTrompe Loeil Collection: Portrait of Pedro de Salvador Carmona and his wife Maria Garcia, 1780

Portrait of Pedro de Salvador Carmona and his wife Maria Garcia, 1780. Creator: Manuel Salvador Carmona
Portrait of Pedro de Salvador Carmona and his wife Maria Garcia, 1780

Background imageTrompe Loeil Collection: Villa Barbaro a fine example of Palladian architecture

Villa Barbaro a fine example of Palladian architecture

Background imageTrompe Loeil Collection: Italy. Rome. Spadas Palace

Italy. Rome. Spadas Palace. Built in the 16th century and renovated in the 17th century by Francesco Borromini (1599-1667). Courtyard

Background imageTrompe Loeil Collection: The Bubblers Medley, or a sketch of the Times being Europe memorial for the year 1720

The Bubblers Medley, or a sketch of the Times being Europe memorial for the year 1720
XJF867845 The Bubblers Medley, or a sketch of the Times being Europe memorial for the year 1720, circa 1720 (engraving) by English School, (18th century); Private Collection; (add.info.: BM 1860)

Background imageTrompe Loeil Collection: The Bubblers Medley, or a Sketch of the Times: Being Europes Memorial for the Year 1720

The Bubblers Medley, or a Sketch of the Times: Being Europes Memorial for the Year 1720
XJF867841 The Bubblers Medley, or a Sketch of the Times: Being Europes Memorial for the Year 1720, published by Carington Bowles, 1720 (etching) by English School

Background imageTrompe Loeil Collection: The Holy Face, c. 1450-60 (oil on panel)

The Holy Face, c. 1450-60 (oil on panel)
XIR82289 The Holy Face, c.1450-60 (oil on panel) by Bouts, Dirck (c.1415-75); 32x21 cm; Musee Bonnat, Bayonne, France; Dutch, out of copyright

Background imageTrompe Loeil Collection: St. Genevieve (d. c. 500), c. 1479 (panel)

St. Genevieve (d. c. 500), c. 1479 (panel)
XAM70710 St. Genevieve (d.c.500), c.1479 (panel) by Goes, Hugo van der (c.1440-82); 33.8x23 cm; Kunsthistorisches Museum, Vienna, Austria; Netherlandish, out of copyright

Background imageTrompe Loeil Collection: The Virgin of the Annunciation, from the Portinari Triptych, c. 1479 (oil on panel)

The Virgin of the Annunciation, from the Portinari Triptych, c. 1479 (oil on panel)
XIR62321 The Virgin of the Annunciation, from the Portinari Triptych, c.1479 (oil on panel) by Goes, Hugo van der (c.1440-82); 253x141 cm; Galleria degli Uffizi, Florence, Italy; Netherlandish

Background imageTrompe Loeil Collection: The Angel of the Annunciation, from the Portinari Triptych, c. 1479 (oil on panel)

The Angel of the Annunciation, from the Portinari Triptych, c. 1479 (oil on panel)
XIR62320 The Angel of the Annunciation, from the Portinari Triptych, c.1479 (oil on panel) by Goes, Hugo van der (c.1440-82); 253x141 cm; Galleria degli Uffizi, Florence, Italy; Netherlandish

Background imageTrompe Loeil Collection: Equestrian Monument of Sir John Hawkwood (1320-94), 1436 (fresco transferred to canvas)

Equestrian Monument of Sir John Hawkwood (1320-94), 1436 (fresco transferred to canvas)
XAL55437 Equestrian Monument of Sir John Hawkwood (1320-94), 1436 (fresco transferred to canvas) by Uccello, Paolo (1397-1475); Duomo, Florence

Background imageTrompe Loeil Collection: Allegory of the Golden Fleece, c. 1697 (fresco)

Allegory of the Golden Fleece, c. 1697 (fresco)
XIR476030 Allegory of the Golden Fleece, c.1697 (fresco) by Giordano, Luca (1634-1705); (add.info.: Allegorie de la Toison d or); Italian, out of copyright

Background imageTrompe Loeil Collection: Dead Birds (oil on canvas)

Dead Birds (oil on canvas)
XIR444271 Dead Birds (oil on canvas) by Hondecoeter, Melchior de (1636-95); Private Collection; (add.info.: Oiseaux Morts; ); Dutch, out of copyright

Background imageTrompe Loeil Collection: The Boiardo family with musical instruments (oil on canvas)

The Boiardo family with musical instruments (oil on canvas)
XAL440644 The Boiardo family with musical instruments (oil on canvas) by Abate, Nicolo dell (c.1509-71); Galleria e Museo Estense, Modena

Background imageTrompe Loeil Collection: Musician with a Horn, c. 1560-1568 (fresco)

Musician with a Horn, c. 1560-1568 (fresco)
XIR440640 Musician with a Horn, c.1560-1568 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto, Italy; (add.info.: Musicienne a la trompe; ); Italian, out of copyright

Background imageTrompe Loeil Collection: The Holy Trinity, detail of the head of the Virgin Mary, 1427-28 (fresco) (detail

The Holy Trinity, detail of the head of the Virgin Mary, 1427-28 (fresco) (detail
XIR439297 The Holy Trinity, detail of the head of the Virgin Mary, 1427-28 (fresco) (detail of 173689) by Masaccio, Tommaso (1401-28); Santa Maria Novella, Florence

Background imageTrompe Loeil Collection: Justice Ensures Peace and Protects the Arts, study for the ceiling of the Second

Justice Ensures Peace and Protects the Arts, study for the ceiling of the Second
XIR417089 Justice Ensures Peace and Protects the Arts, study for the ceiling of the Second Chamber of Petitions of the Parliament of Paris, 1688 (oil on canvas) by Boulogne

Background imageTrompe Loeil Collection: The Painters easel, 1686 (oil on canvas)

The Painters easel, 1686 (oil on canvas)
XIR415738 The Painters easel, 1686 (oil on canvas) by Forbera, Antonio (d.1690); 161.5 x 94.5 cm; Musee Calvet, Avignon, France; (add.info)

Background imageTrompe Loeil Collection: Lorenzo amongst the artists (fresco)

Lorenzo amongst the artists (fresco)
XOT362320 Lorenzo amongst the artists (fresco) by Vannini, Ottavio (1585-1643); Palazzo Pitti, Florence, Italy; (add.info)

Background imageTrompe Loeil Collection: Ecclesia Surrounded by Symbols of Vanity (on copper)

Ecclesia Surrounded by Symbols of Vanity (on copper)
BAL35668 Ecclesia Surrounded by Symbols of Vanity (on copper) by Kessel, Jan van, the Elder (1626-79); 48.2x36.8 cm; Johnny van Haeften Gallery, London, UK; Flemish, out of copyright

Background imageTrompe Loeil Collection: Ramon Llull, from Science and Literature in the Middle Ages by Paul Lacroix

Ramon Llull, from Science and Literature in the Middle Ages by Paul Lacroix
KW342843 Ramon Llull, from Science and Literature in the Middle Ages by Paul Lacroix (1806-84) published London 1878 (litho) by French School

Background imageTrompe Loeil Collection: America, one of the Four Continents from the ceiling of the Treppenhaus

America, one of the Four Continents from the ceiling of the Treppenhaus
XIR30573 America, one of the Four Continents from the ceiling of the Treppenhaus, 1750-53 (fresco) (see also 112348 and 168392) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Residenz

Background imageTrompe Loeil Collection: The Annointing of Zebedees sons James and John, 1515 (panel)

The Annointing of Zebedees sons James and John, 1515 (panel)
XAM70490 The Annointing of Zebedees sons James and John, 1515 (panel) by Basaiti, Marco (1470-1530); 124x80 cm; Kunsthistorisches Museum, Vienna, Austria; Italian, out of copyright

Background imageTrompe Loeil Collection: Venus and Anchises

Venus and Anchises
XJL61318 Venus and Anchises by Carracci, Annibale (1560-1609); Palazzo Farnese, Rome, Italy; (add.info.: Carrache; ); Italian, out of copyright

Background imageTrompe Loeil Collection: Detail of Barbara of Brandenburg, (wife of Marchese Ludovico Gonzaga III of Mantua

Detail of Barbara of Brandenburg, (wife of Marchese Ludovico Gonzaga III of Mantua
XAL289262 Detail of Barbara of Brandenburg, (wife of Marchese Ludovico Gonzaga III of Mantua and their children and courtiers), from the Camera degli Sposi or Camera Picta

Background imageTrompe Loeil Collection: Detail of the destruction of the giants by Jupiters thunderbolts, Sala dei Giganti

Detail of the destruction of the giants by Jupiters thunderbolts, Sala dei Giganti
XAL289261 Detail of the destruction of the giants by Jupiters thunderbolts, Sala dei Giganti, 1536 (fresco) by Romano, Giulio (1492-1546); Palazzo del Te, Mantua, Italy; (add.info.: Salle des Geants)

Background imageTrompe Loeil Collection: Hunting Equipment (oil on canvas)

Hunting Equipment (oil on canvas)
BAL226670 Hunting Equipment (oil on canvas) by Leemans, Johannes (c.1633-88); Private Collection; Courtesy of Thomas Brod and Patrick Pilkington; Dutch, out of copyright

Background imageTrompe Loeil Collection: Self Portrait (oil on panel)

Self Portrait (oil on panel)
XIR226095 Self Portrait (oil on panel) by Dou, Gerrit or Gerard (1613-75); 48x37 cm; Rijksmuseum, Amsterdam, The Netherlands; Dutch, out of copyright

Background imageTrompe Loeil Collection: The Month of July, from a series of murals depicting the Astrological Cycle (fresco)

The Month of July, from a series of murals depicting the Astrological Cycle (fresco)
XAL223842 The Month of July, from a series of murals depicting the Astrological Cycle (fresco) by Miretto, Nicolo & Stefano da Ferrara (15th century); Palazzo della Ragione, Padua

Background imageTrompe Loeil Collection: Lorenzo de Medici (1449-92) surrounded by artists, admiring Michelangelos Faun

Lorenzo de Medici (1449-92) surrounded by artists, admiring Michelangelos Faun
XAL180103 Lorenzo de Medici (1449-92) surrounded by artists, admiring Michelangelos Faun (fresco) by Mannozzi, Giovanni (da San Giovanni) (1592-1636); Museo degli Argenti, Palazzo Pitti, Florence

Background imageTrompe Loeil Collection: Portrait of Louis XIV (1638) King of France (gouache on paper)

Portrait of Louis XIV (1638) King of France (gouache on paper)
XIR178322 Portrait of Louis XIV (1638) King of France (gouache on paper) by French School, (17th century); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; French, out of copyright

Background imageTrompe Loeil Collection: The Prophet Isaiah, from the intrados of the apse (fresco)

The Prophet Isaiah, from the intrados of the apse (fresco)
XAL177485 The Prophet Isaiah, from the intrados of the apse (fresco) by Masolino da Panicale, Tommaso (1383-c.1447); Baptistery, Castiglione Olona, Italy; Italian, out of copyright

Background imageTrompe Loeil Collection: The Annunciation, outer panel from the Triptych of Moses and the Burning Bush, c

The Annunciation, outer panel from the Triptych of Moses and the Burning Bush, c
XIR173009 The Annunciation, outer panel from the Triptych of Moses and the Burning Bush, c.1476 (oil on panel) by Froment, Nicolas (c.1425-c.83/86); St

Background imageTrompe Loeil Collection: Asia, one of the Four Continents from the ceiling of the Treppenhaus, 1750-53

Asia, one of the Four Continents from the ceiling of the Treppenhaus, 1750-53
XIR168392 Asia, one of the Four Continents from the ceiling of the Treppenhaus, 1750-53 (fresco) (see also (112348 and 30573) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Residenz

Background imageTrompe Loeil Collection: Still life with portrait of King Louis XIV (1638-1715) surrounded by musical instruments

Still life with portrait of King Louis XIV (1638-1715) surrounded by musical instruments
XIR167871 Still life with portrait of King Louis XIV (1638-1715) surrounded by musical instruments, flowers and fruit, 1672 (oil on canvas) by Garnier

Background imageTrompe Loeil Collection: Marchese Ludovico Gonzaga III of Mantua (reg. 1444-78), his wife Barbara of Brandenburg

Marchese Ludovico Gonzaga III of Mantua (reg. 1444-78), his wife Barbara of Brandenburg
XAL166336 Marchese Ludovico Gonzaga III of Mantua (reg. 1444-78), his wife Barbara of Brandenburg, children, courtiers and their dog Rubino, from the Camera degli Sposi or Camera Picta

Background imageTrompe Loeil Collection: The Circumcision, central panel from the Altarpiece, c

The Circumcision, central panel from the Altarpiece, c
XAL162607 The Circumcision, central panel from the Altarpiece, c.1466 (tempera on panel) (see also 50042) by Mantegna, Andrea (1431-1506); 86x43 cm; Galleria degli Uffizi, Florence, Italy; Italian

Background imageTrompe Loeil Collection: Frontispiece to Liber Studiorum, engraved by J. C. Easling (fl. 1788-1815) 1812

Frontispiece to Liber Studiorum, engraved by J. C. Easling (fl. 1788-1815) 1812
XYC148724 Frontispiece to Liber Studiorum, engraved by J. C. Easling (fl.1788-1815) 1812 (etching and mezzotint) by Turner

Background imageTrompe Loeil Collection: Still Life with Book Sheets and Pictures, 1783 (oil on canvas)

Still Life with Book Sheets and Pictures, 1783 (oil on canvas)
BAL128200 Still Life with Book Sheets and Pictures, 1783 (oil on canvas) by Russian School, (18th century); 86.8x81.8 cm; Tretyakov Gallery, Moscow, Russia; Russian, out of copyright

Background imageTrompe Loeil Collection: Bouquet of Flowers in a Stone Niche, 1618 (oil on copper)

Bouquet of Flowers in a Stone Niche, 1618 (oil on copper)
XOS1249125 Bouquet of Flowers in a Stone Niche, 1618 (oil on copper) by Bosschaert, Ambrosius the Elder (1573-1621); 55.5x39.5 cm; Statens Museum for Kunst, Copenhagen, Denmark; Flemish

Background imageTrompe Loeil Collection: Europe, one of the Four Continents from the ceiling of the Treppenhaus

Europe, one of the Four Continents from the ceiling of the Treppenhaus
BAL112348 Europe, one of the Four Continents from the ceiling of the Treppenhaus, 1750-53 (fresco) (see also 30573 and 168392) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Residenz

Background imageTrompe Loeil Collection: Marriage of Frederick I (c. 1123-90) Barbarossa and Beatrice I (1145-84) of Burgundy in 1156

Marriage of Frederick I (c. 1123-90) Barbarossa and Beatrice I (1145-84) of Burgundy in 1156
XIR181871 Marriage of Frederick I (c.1123-90) Barbarossa and Beatrice I (1145-84) of Burgundy in 1156 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Residenz, Wurzburg



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"Trompe l'oeil: The Art of Deception" Step into the world of trompe l'oeil, where reality and illusion seamlessly blend together. From ancient frescoes to modern masterpieces, this captivating art technique has been enchanting viewers for centuries. In the Trompe l'oeil garden from the Villa of Livia, dating back to 40-20 BC, lush foliage and vibrant flowers come alive on the walls, creating an immersive outdoor experience indoors. The attention to detail is astounding as every leaf and petal appears three-dimensional. Fast forward to 1913 with "The Winter Egg, " a dazzling creation adorned with quartz, platinum, orthoclase, and diamonds. This exquisite piece tricks the eye into believing it's a real egg encrusted in precious gems. In "Quince, Cabbage, Melon, and Cucumber" painted around 1602 by an unknown artist; these ordinary fruits and vegetables seem almost tangible. Each brushstroke brings forth their textures so convincingly that one might be tempted to reach out and touch them. Oliver Cromwell's portrait from c. 1653 captures his stern gaze with such realism that it feels like he could step out of the canvas at any moment. The play between light and shadow adds depth to his features. William Michael Harnett's "The Old Violin" transports us back to 1886 as we marvel at its lifelike appearance. Every scratch on its worn surface tells a story while evoking emotions through its nostalgic charm. Moving towards contemporary times in "Real Ale Bonanza" (2012), we find ourselves immersed in a pub scene bursting with frothy pints seemingly ready for consumption. The artist's skillful brushwork invites us into this lively atmosphere. A still life featuring cardoons showcases how trompe l'oeil can elevate everyday objects into extraordinary works of art through intricate shading and meticulous attention to detail.