Trompe Loeil Collection (page 11)

David and Bathsheba
FTB60805 David and Bathsheba by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Gallerie dell Accademia, Venice, Italy; Italian, out of copyright

Vierge du rosaire (Virgin of rosary) Representation en mise en abyme d un triptyque
5974599 Vierge du rosaire (Virgin of rosary) Representation en mise en abyme d un triptyque, 19eme siecle by Barabino, Nicol (1832-91); Galleria d Arte Moderna, Musei Nervi, Genoa

Christ the Judge with Symbols of the Passion, Evangelists and Prophets, 1560-65 (fresco)
5052172 Christ the Judge with Symbols of the Passion, Evangelists and Prophets, 1560-65 (fresco) by Castello, Giovanni Battista (Il Bergamasco) (1509-69); Santa Caterina, Genoa

"Insectes"(Insects) Peinture de Jan Van Kessel l
FIA5400903 " Insectes" (Insects) Peinture de Jan Van Kessel l ancien (1626-1679) Oil on wood Dim 13x16, 5 cm Fondation Custodia by Kessel, Jan van, the Elder (1626-79); Fondation Custodia

Sanchos cowardice at the hunt, 1772 (silk and wool)
1766129 Sanchos cowardice at the hunt, 1772 (silk and wool) by Coypel, Charles Antoine (1694-1752) (after); 368x406 cm; J

An Allegory of Dawn, 1736-37 (oil on canvas)
3980223 An Allegory of Dawn, 1736-37 (oil on canvas) by Pellegrini, Giovanni Antonio (1675-1741); 82x70 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

Needlework framed trompe l oeil (textile)
3960464 Needlework framed trompe l oeil (textile) by English School, (18th century); Private Collection; English, out of copyright

Tabletop (scagliola)
3823023 Tabletop (scagliola) by Paulini, Pietro Antonio (18th century); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info)

Vanite et trompe l oeil - Painting by Jean Francois De Le Motte (17th century
JLJ4592897 Vanite et trompe l oeil - Painting by Jean Francois De Le Motte (17th century) - Strasbourg, Musee Des Beaux Arts by Le Motte, Jean-Francois de (17th century); Musee des Beaux-Arts

Portrait of a woman in the entrance of a door, detail. 1st century (fresco)
LRI4590698 Portrait of a woman in the entrance of a door, detail. 1st century (fresco) by Roman, (1st century AD); Area archeologica di Pompei, Naples, Campania

Autumn. (oil on canvas, 16th century)
LRI4601188 Autumn. (oil on canvas, 16th century) by Arcimboldo, Giuseppe (1527-93); Louvre, Paris, France; (add.info.: Allegory of the Four Seasons)

Sketch Design for the Ceiling of the Queens State Bedchamber at Hampton Court Palace
1065258 Sketch Design for the Ceiling of the Queens State Bedchamber at Hampton Court Palace, 1715 (oil on canvas) by Thornhill

The ceiling of the Constantine Room: the Fall of the idols
991693 The ceiling of the Constantine Room: the Fall of the idols and the triumph of Christianity, 1582 (fresco) by Laureti, Tommaso (c.1530-1602); Italian, out of copyright

Amschel Rothschild (colour litho)
XEE1125710 Amschel Rothschild (colour litho) by French School, (18th century); Private Collection; (add.info.: Mayer Amschel Rothschild (23 February 1744 - 19 September 1812)

Portrait of a Woman, c. 14775-80 (oil on oak) Netherlandish or
3746351 Portrait of a Woman, c.14775-80 (oil on oak) Netherlandish or French Date: ca. 1475-80 Culture: Franco-Flemish Medium: Portrait of a Woman

A Bachelors Drawer, 1890-94 (oil on canvas)
3746330 A Bachelors Drawer, 1890-94 (oil on canvas) by Haberle, John (1856-1933); 50.8x91.4 cm; Metropolitan Museum of Art, New York

Ordinary Objects in the Artists Creative Mind, 1887 (oil on canvas)
3081858 Ordinary Objects in the Artists Creative Mind, 1887 (oil on canvas) by Peto, John Frederick (1854-1907); 143x84 cm; Shelburne Museum, Vermont

The Triumph of Divine Love, c. 1625-26 (oil on panel)
936983 The Triumph of Divine Love, c.1625-26 (oil on panel) by Rubens, Peter Paul (1577-1640); 15.9x16.2 cm; Fitzwilliam Museum, University of Cambridge

The Triumph of the Eucharist over Philosophy and Science, c. 1625-26 (oil on panel)
937117 The Triumph of the Eucharist over Philosophy and Science, c.1625-26 (oil on panel) by Rubens, Peter Paul (1577-1640); 16.5x21.9 cm; Fitzwilliam Museum, University of Cambridge

The Triumph of the Eucharist over Ignorance and Blindness Ecclesia Per S
936981 The Triumph of the Eucharist over Ignorance and Blindness Ecclesia Per S. Eucharistiam Triumphans, c.1625-26 (oil on panel) by Rubens, Peter Paul (1577-1640); 16.2x24.4 cm; Fitzwilliam Museum

Triumph in the Name of Jesus (fresco)
991628 Triumph in the Name of Jesus (fresco) by Gaulli, Giovanni Battista (Baciccio) (1639-1709); Gesu, Rome, Italy; Italian, out of copyright

St. Gregory, c. 1450-52 (fresco)
3703890 St. Gregory, c.1450-52 (fresco) by Pizzolo, Niccolo (c.1420-53); (add.info.: formerly in the Ovetari Chapel of the Church of the Eremitani, Padua)

Jacob and Joseph, Sistine Chapel (fresco)
828662 Jacob and Joseph, Sistine Chapel (fresco) by Buonarroti, Michelangelo (1475-1564); eGiuliano Valsecchi; Italian, out of copyright

Portrait of Louis XIV King of France (1638-1715) Detail
JLJ4646158 Portrait of Louis XIV King of France (1638-1715) Detail. Painting by Jean Garnier (1632-1705) 17th century. Dim 1, 74 x 2, 23 m by Garnier

A Trompe l Oeil of a Cabinet Door with an Engraving (oil on canvas)
781615 A Trompe l Oeil of a Cabinet Door with an Engraving (oil on canvas) by German School, (18th century); 63x52.5 cm; Private Collection; Photo eRafael Valls Gallery, London, UK; German

A Trompe l Oeil Letter Rack with Letters and a Medallion (oil on panel)
781578 A Trompe l Oeil Letter Rack with Letters and a Medallion (oil on panel) by Valette-Penot, Jean (1710-77); 66x51 cm; Private Collection; Photo eRafael Valls Gallery, London, UK; French

Fantastic architecture, Pompei, Italy (fresco)
885469 Fantastic architecture, Pompei, Italy (fresco) by Roman, (1st century BC); Casa dei Vettii, Pompei, Italy; out of copyright

Madonna and Child (marble)
875132 Madonna and Child (marble) by Mino da Fiesole (1430-1484); St. Peters Basilica, Vatican City; eGiuliano Valsecchi; Italian, out of copyright

Geometry, 1760 (fresco transferred to canvas)
3618016 Geometry, 1760 (fresco transferred to canvas) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); 370.8 x 147 cm; Metropolitan Museum of Art, New York

Saint Elias of Jerusalem and Saint Anthony Abbot (fresco)
3469958 Saint Elias of Jerusalem and Saint Anthony Abbot (fresco) by Padova, Antonio da (16th century); Church of St. Rok, Draguc, Croatia; eMark Edward Smith; Croatian, out of copyright

Scenes from the Life of Christ (fresco)
3469932 Scenes from the Life of Christ (fresco) by Padova, Antonio da (16th century); Church of St. Rok, Draguc, Croatia; eMark Edward Smith; Croatian, out of copyright

Ecce Homo, 1500-22 (fresco)
3496277 Ecce Homo, 1500-22 (fresco) by Ambrogio da Fossano (Il Bergognone) (c.1460-1523); Certosa di Pavia, Lombardy, Italy; (add.info.: Left transept. Certosa di Pavia)

The Bankers Table, 1877 (oil on canvas)
3493195 The Bankers Table, 1877 (oil on canvas) by Harnett, William Michael (1848-92); 20.3x30.5 cm; Metropolitan Museum of Art, New York, USA; American, out of copyright

Rack Picture for Dr. Nones, 1879 (oil on canvas)
2969132 Rack Picture for Dr. Nones, 1879 (oil on canvas) by Mitchell, William A. (1828-1890) (attr.to); 45.7x37.8 cm; The Art Institute of Chicago, IL, USA; Frederick G

Warden Thomas Cranley (brass)
NCO412324 Warden Thomas Cranley (brass) by English School, (14th century); Courtesy of the Warden and Scholars of New College

496174

Two Young Men (oil on panel)
FIT450381 Two Young Men (oil on panel) by Broeck, Crispin van den (1523-1591); 44.5x60 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; Flemish, out of copyright

Dome of the Church of St Ignatius, 1685 (fresco)
704434 Dome of the Church of St Ignatius, 1685 (fresco) by Pozzo, Andrea (1642-1709); Sant Ignazio, Rome, Italy; Italian, out of copyright

The Triumph of the Sacred Name of Jesus, Church of the Gesu, Rome (fresco)
702419 The Triumph of the Sacred Name of Jesus, Church of the Gesu, Rome (fresco) by Baciccio, Il (Giovanni B. Gaulli) (1639-1709); Church of the Gesu, Rome, Italy; Italian, out of copyright

View of the Kings Gallery and vaulted ceiling depicting God among angels
PWI91905 View of the Kings Gallery and vaulted ceiling depicting God among angels, and The Resurrection of Christ (apse vault) painted in collaboration with Charles de Lafosse (1636-1716)

The Three Cherubs (grisaille), Putti with the attributes to Hercules and Mercury, 1767
BAL4884 The Three Cherubs (grisaille), Putti with the attributes to Hercules and Mercury, 1767 by Beesten, Abraham Hendrick van (18th century); Private Collection; Roy Miles Fine Paintings; Dutch

Ceiling in the Autumn Room, Brignole Gallery (fresco) (b / w photo)
ALI367679 Ceiling in the Autumn Room, Brignole Gallery (fresco) (b/w photo) by Piola, Domenico the Elder (1627-1703); Palazzo Rosso, Genoa

Allegory of Winter, on the vault of the Winter Room (fresco) (b / w photo)
ALI367678 Allegory of Winter, on the vault of the Winter Room (fresco) (b/w photo) by Piola, Domenico the Elder (1627-1703); Palazzo Rosso, Genoa, Italy; Alinari

An apartment designed by Fornasetti, 1950s (b / w photo)
STC439609 An apartment designed by Fornasetti, 1950s (b/w photo) by French Photographer, (20th century); Private Collection; (add.info)

Vision Mediterranea, eleven-leaf screen, c. 1925 (oil on giltwood panel)
CH440567 Vision Mediterranea, eleven-leaf screen, c.1925 (oil on giltwood panel) by Sert y Badia, Jose Maria (1876-1945); 358x800 cm; Private Collection; Photo eChristies Images; Spanish

The Resurrection, c. 1463 (fresco) (see also 109787, 205585, 205586)
BBC205587 The Resurrection, c.1463 (fresco) (see also 109787, 205585, 205586) by Francesca, Piero della (c.1415-92); Pinacoteca, Sansepolcro, Italy; Italian, out of copyright

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"Trompe l'oeil: The Art of Deception" Step into the world of trompe l'oeil, where reality and illusion seamlessly blend together. From ancient frescoes to modern masterpieces, this captivating art technique has been enchanting viewers for centuries. In the Trompe l'oeil garden from the Villa of Livia, dating back to 40-20 BC, lush foliage and vibrant flowers come alive on the walls, creating an immersive outdoor experience indoors. The attention to detail is astounding as every leaf and petal appears three-dimensional. Fast forward to 1913 with "The Winter Egg, " a dazzling creation adorned with quartz, platinum, orthoclase, and diamonds. This exquisite piece tricks the eye into believing it's a real egg encrusted in precious gems. In "Quince, Cabbage, Melon, and Cucumber" painted around 1602 by an unknown artist; these ordinary fruits and vegetables seem almost tangible. Each brushstroke brings forth their textures so convincingly that one might be tempted to reach out and touch them. Oliver Cromwell's portrait from c. 1653 captures his stern gaze with such realism that it feels like he could step out of the canvas at any moment. The play between light and shadow adds depth to his features. William Michael Harnett's "The Old Violin" transports us back to 1886 as we marvel at its lifelike appearance. Every scratch on its worn surface tells a story while evoking emotions through its nostalgic charm. Moving towards contemporary times in "Real Ale Bonanza" (2012), we find ourselves immersed in a pub scene bursting with frothy pints seemingly ready for consumption. The artist's skillful brushwork invites us into this lively atmosphere. A still life featuring cardoons showcases how trompe l'oeil can elevate everyday objects into extraordinary works of art through intricate shading and meticulous attention to detail.