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Trompe Loeil Collection (page 5)

"Trompe l'oeil: The Art of Deception" Step into the world of trompe l'oeil, where reality and illusion seamlessly blend together

Background imageTrompe Loeil Collection: Faux porch from ceiling of the Room of Adonis, Rocca dei Rossi, San Secondo, Parma, Italy

Faux porch from ceiling of the Room of Adonis, Rocca dei Rossi, San Secondo, Parma, Italy, detail of 2384735
2384736 Faux porch from ceiling of the Room of Adonis, Rocca dei Rossi, San Secondo, Parma, Italy, detail of 2384735 by Samacchini, Orazio (1532-1577) (attr.to); Rocca dei Rossi, San Secondo, Parma

Background imageTrompe Loeil Collection: Detail of 'The Assumption of Mary', 1745-48 (fresco)

Detail of "The Assumption of Mary", 1745-48 (fresco)
3928823 Detail of "The Assumption of Mary", 1745-48 (fresco) by Bortoloni, Mattia (1695-1750), Biella, Felice (1702-86) & Bibiena, Giuseppe Galli (1696-1757); Sanctuary of Vicoforte, Cuneo

Background imageTrompe Loeil Collection: The Olympus, vault of the Hall of Olympus, 1560-1561 (fresco)

The Olympus, vault of the Hall of Olympus, 1560-1561 (fresco)
2632646 The Olympus, vault of the Hall of Olympus, 1560-1561 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto, Italy; (add.info.: Maser, Villa Barbaro)

Background imageTrompe Loeil Collection: Allegory of Abundance, 1560-1561 (fresco)

Allegory of Abundance, 1560-1561 (fresco)
2632636 Allegory of Abundance, 1560-1561 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto, Italy; (add.info.: Villa Barbaro, Maser, Treviso, Veneto, Italy Maser)

Background imageTrompe Loeil Collection: Spandrel and vault, 1503-08 (fresco)

Spandrel and vault, 1503-08 (fresco)
GRL153306 Spandrel and vault, 1503-08 (fresco) by Pinturicchio, Bernardino di Betto (c.1452-1513); Piccolomini Library, Duomo, Siena, Italy; Ghigo Roli

Background imageTrompe Loeil Collection: Detail of a bench with intarsia panels (wood)

Detail of a bench with intarsia panels (wood)
4073990 Detail of a bench with intarsia panels (wood) by Canozzi or Canozi, Cristoforo da Lendinara (1448-91); Duomo, Modena, Emilia-Romagna, Italy; Ghigo Roli; Italian, out of copyright

Background imageTrompe Loeil Collection: Ceiling with apotheosis of St. Francesco Saverio, 1679 (fresco)

Ceiling with apotheosis of St. Francesco Saverio, 1679 (fresco)
3928827 Ceiling with apotheosis of St. Francesco Saverio, 1679 (fresco) by Pozzo, Andrea (1642-1709); Church of the Mission, Mondovi, Province of Cuneo, Piedmont

Background imageTrompe Loeil Collection: Donna Barbaro and her nurse, the Hall of Olympus, detail of 2632651, 1560-1561 (fresco)

Donna Barbaro and her nurse, the Hall of Olympus, detail of 2632651, 1560-1561 (fresco)
2632653 Donna Barbaro and her nurse, the Hall of Olympus, detail of 2632651, 1560-1561 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto, Italy; (add.info.: Maser)

Background imageTrompe Loeil Collection: The Holy Family, The Room of the Oil Lamp, 1560-1561 (fresco)

The Holy Family, The Room of the Oil Lamp, 1560-1561 (fresco)
2632630 The Holy Family, The Room of the Oil Lamp, 1560-1561 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto, Italy; (add.info.: Villa Barbaro, Maser, Treviso, Veneto)

Background imageTrompe Loeil Collection: Newborn Hercules fighting the snakes sent by Hera, under the gaze of his mother Alcmene

Newborn Hercules fighting the snakes sent by Hera, under the gaze of his mother Alcmene
2654971 Newborn Hercules fighting the snakes sent by Hera, under the gaze of his mother Alcmene, detail from the Stories of Hercules, 1564-1565 (fresco) by Samacchini

Background imageTrompe Loeil Collection: Hercules fighting Antaeus, detail from the Stories of Hercules, 1564-1565 (fresco)

Hercules fighting Antaeus, detail from the Stories of Hercules, 1564-1565 (fresco)
2654967 Hercules fighting Antaeus, detail from the Stories of Hercules, 1564-1565 (fresco) by Samacchini, Orazio (1532-77); Rocca Sanvitale, Sala Baganza, Parma

Background imageTrompe Loeil Collection: Mmemorial stones of Giovanni De Medici, ceiling of the Room of Adonis, Rocca dei Rossi

Mmemorial stones of Giovanni De Medici, ceiling of the Room of Adonis, Rocca dei Rossi, San Secondo, Parma, Italy
2384738 Mmemorial stones of Giovanni De Medici, ceiling of the Room of Adonis, Rocca dei Rossi, San Secondo, Parma, Italy, detail of 2384737 by Samacchini

Background imageTrompe Loeil Collection: Ulysses and Ajax competing for the armor of Achilles before the courts, Ulysses Hall

Ulysses and Ajax competing for the armor of Achilles before the courts, Ulysses Hall, detail of 2384556 (fresco)
2384555 Ulysses and Ajax competing for the armor of Achilles before the courts, Ulysses Hall, detail of 2384556 (fresco) by Castello

Background imageTrompe Loeil Collection: Faux porch with memorial stones of Federico Gonzaga Duke of Mantua

Faux porch with memorial stones of Federico Gonzaga Duke of Mantua, detail from the ceiling of the Room of Adonis
2384735 Faux porch with memorial stones of Federico Gonzaga Duke of Mantua, detail from the ceiling of the Room of Adonis, Rocca dei Rossi, San Secondo, Parma, Italy by Samacchini

Background imageTrompe Loeil Collection: A lute ( Inlaid woodwork, 15th century)

A lute ( Inlaid woodwork, 15th century)
LRI4597001 A lute ( Inlaid woodwork, 15th century) by Italian School, (15th century); Pisa Cathedral, Italy; (add.info.: A lute (A lute) Marquetry of wood of the 15th century (Inlaid woodwork) Pisa

Background imageTrompe Loeil Collection: Inlaid wooden lectern decorated with a trompe l oeil window, 1498

Inlaid wooden lectern decorated with a trompe l oeil window, 1498
LRI4625136 Inlaid wooden lectern decorated with a trompe l oeil window, 1498 by Italian School, (15th century); San Miniato al Monte, Florence

Background imageTrompe Loeil Collection: Still life in trompe l oeil, 17th century (oil on canvas)

Still life in trompe l oeil, 17th century (oil on canvas)
PCT4255962 Still life in trompe l oeil, 17th century (oil on canvas) by Gysbrechts, Cornelis Norbertus (1630-1683); Musee des Beaux-Arts, Carcassonne, France; © Patrice Cartier

Background imageTrompe Loeil Collection: 'Pape-diable'(Pape diable) Caricature lutherienne contre le pape representant le profil du pape

"Pape-diable"(Pape diable) Caricature lutherienne contre le pape representant le profil du pape imbrique dans
FIA5399139 " Pape-diable" (Pape diable) Caricature lutherienne contre le pape representant le profil du pape imbrique dans celui du diable - Peinture anonyme

Background imageTrompe Loeil Collection: View of the Room of Constantine, Vatican City (photo)

View of the Room of Constantine, Vatican City (photo)
991694 View of the Room of Constantine, Vatican City (photo) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); (add.info.: Romano, Penni)

Background imageTrompe Loeil Collection: View of the Room of Constantine, Vatican City (photo)

View of the Room of Constantine, Vatican City (photo)
991691 View of the Room of Constantine, Vatican City (photo) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); (add.info.: Romano, Penni, Raffaelino del Colle 1517-24/16C )

Background imageTrompe Loeil Collection: Occulus of the ceiling of the House of Spouses, Ducal Palace of Mantua, Italy (Camera degli Sposi)

Occulus of the ceiling of the House of Spouses, Ducal Palace of Mantua, Italy (Camera degli Sposi, Palazzo Ducale)
BEN5463163 Occulus of the ceiling of the House of Spouses, Ducal Palace of Mantua, Italy (Camera degli Sposi, Palazzo Ducale, Mantova): detail of allegorical figures and putti

Background imageTrompe Loeil Collection: L arrivee du prince Ferdinand (the arrival of prince Ferdinand)

L arrivee du prince Ferdinand (the arrival of prince Ferdinand). Peinture de Pierre Paul (Pierre-Paul)
FIA5341908 L arrivee du prince Ferdinand (the arrival of prince Ferdinand). Peinture de Pierre Paul (Pierre-Paul) Rubens (ou Peter Paul ou Petrus Paulus) (1577-1640)

Background imageTrompe Loeil Collection: Hunting Equipment (oil on canvas)

Hunting Equipment (oil on canvas)
BAL226661 Hunting Equipment (oil on canvas) by Kerckhoff, Frans (fl.1661); 105.4x135.9 cm; Private Collection; Courtesy of Thomas Brod and Patrick Pilkington

Background imageTrompe Loeil Collection: Setesdal Boy, 1904 (oil on canvas)

Setesdal Boy, 1904 (oil on canvas)
OVR394370 Setesdal Boy, 1904 (oil on canvas) by Sundt-Hansen, Carl (1841-1907); 28.5x49.5 cm; Stavanger Art Museum, Norway; Photo © O. Vaering

Background imageTrompe Loeil Collection: Still life in trompe l oeil (detail), 17th century (oil on canvas)

Still life in trompe l oeil (detail), 17th century (oil on canvas)
PCT4255963 Still life in trompe l oeil (detail), 17th century (oil on canvas) by Gysbrechts, Cornelis Norbertus (1630-1683); Musee des Beaux-Arts, Carcassonne, France; © Patrice Cartier

Background imageTrompe Loeil Collection: La demeure tranquille (The Quiet Abode). Description d un pont de bois qui traverse une riviere

La demeure tranquille (The Quiet Abode). Description d un pont de bois qui traverse une riviere calme et joint des
FIA5341120 La demeure tranquille (The Quiet Abode). Description d un pont de bois qui traverse une riviere calme et joint des chemins de terre et menent dans la foret d ou depassent les sommets des

Background imageTrompe Loeil Collection: Occulus of the ceiling of the House of Spouses, Ducal Palace of Mantua, Italy (Camera degli Sposi)

Occulus of the ceiling of the House of Spouses, Ducal Palace of Mantua, Italy (Camera degli Sposi, Palazzo Ducale)
BEN5463160 Occulus of the ceiling of the House of Spouses, Ducal Palace of Mantua, Italy (Camera degli Sposi, Palazzo Ducale, Mantova). Fresco by Andrea Mantegna (1431-1506), 1474

Background imageTrompe Loeil Collection: Ewer, Capodimonte, c. 1745. Creators: Capodimonte Porcelain Manufactory, Giuseppe Gricci

Ewer, Capodimonte, c. 1745. Creators: Capodimonte Porcelain Manufactory, Giuseppe Gricci
Ewer, Capodimonte, c. 1745

Background imageTrompe Loeil Collection: Side Chair, c. 1816. Creators: Unknown, John Philip Fondé

Side Chair, c. 1816. Creators: Unknown, John Philip Fondé
Side Chair, c. 1816. Trompe l oeil painted decoration imitating maple wood, ormolu mounts and metal inlay, by John Philip Fonde

Background imageTrompe Loeil Collection: Chest of Drawers, 1780 / 1810. Creators: John Dunlap, Samuel Dunlap

Chest of Drawers, 1780 / 1810. Creators: John Dunlap, Samuel Dunlap
Chest of Drawers, 1780/1810. Painted wood grain. Attributed to John Dunlap and/or Samuel Dunlap

Background imageTrompe Loeil Collection: Children at Play (Furnishing Fabric), Massachusetts, 1886 / 90

Children at Play (Furnishing Fabric), Massachusetts, 1886 / 90
Children at Play (Furnishing Fabric), Massachusetts, 1886/90. Patchwork design with children sledging, making sandcastles, sailing toy boats, playing baseball etc

Background imageTrompe Loeil Collection: Civil War Regalia of Major Levi Gheen McCauley, 1887. Creator: George Cope

Civil War Regalia of Major Levi Gheen McCauley, 1887. Creator: George Cope
Civil War Regalia of Major Levi Gheen McCauley, 1887. Military equipment used by an officer in the Union Army

Background imageTrompe Loeil Collection: The Arrival of Telemachus on Calypsos Island, from The Story of Telemachus, France

The Arrival of Telemachus on Calypsos Island, from The Story of Telemachus, France, after 1776. Possibly woven at the workshop of Gabriel Babonneix at the Manufacture Royale d Aubusson

Background imageTrompe Loeil Collection: Research, 1880-90 (oil on board)

Research, 1880-90 (oil on board)
5310463 Research, 1880-90 (oil on board) by Peto, John Frederick (1854-1907); 22.9x29.2 cm; Private Collection; American, out of copyright

Background imageTrompe Loeil Collection: A Trumpet of Flowers and Fruit decorated with Garlands of Flowers (w / c)

A Trumpet of Flowers and Fruit decorated with Garlands of Flowers (w / c)
7085257 A Trumpet of Flowers and Fruit decorated with Garlands of Flowers (w/c) by French School; Private Collection; French, out of copyright

Background imageTrompe Loeil Collection: Just Dessert, 1891. Creator: William Michael Harnett

Just Dessert, 1891. Creator: William Michael Harnett
Just Dessert, 1891. Trompe l oeil scene with half a coconut, copper pitcher, pewter tankard, jar of preserved ginger, Smyrna figs, bunches of grapes and Maraschino liqueur

Background imageTrompe Loeil Collection: For Sundays Dinner, 1888. Creator: William Michael Harnett

For Sundays Dinner, 1888. Creator: William Michael Harnett
For Sundays Dinner, 1888. A plucked chicken, a few stray feathers remaining, hangs upside-down by one foot, illuminated. Behind it the metal hinges and wood panels of a door are visible

Background imageTrompe Loeil Collection: Lights of Other Days, 1906. Creator: John Frederick Peto

Lights of Other Days, 1906. Creator: John Frederick Peto
Lights of Other Days, 1906

Background imageTrompe Loeil Collection: Still Life, about 1625. Creator: Pieter Claesz

Still Life, about 1625. Creator: Pieter Claesz
Still Life, about 1625

Background imageTrompe Loeil Collection: Deposition (after Antonio Canova), 1800. Creator: Bernardino Nocchi

Deposition (after Antonio Canova), 1800. Creator: Bernardino Nocchi
Deposition (after Antonio Canova), 1800

Background imageTrompe Loeil Collection: Trompe-l Oeil Still Life with a Flower Garland and a Curtain, 1658

Trompe-l Oeil Still Life with a Flower Garland and a Curtain, 1658

Background imageTrompe Loeil Collection: Rack Picture for Dr. Nones, 1879. Creator: William A. Mitchell

Rack Picture for Dr. Nones, 1879. Creator: William A. Mitchell
Rack Picture for Dr. Nones, 1879. Attributed to William A. Mitchell

Background imageTrompe Loeil Collection: Medley Print: Sots Paradise, 1706-7. Creator: George Bickham

Medley Print: Sots Paradise, 1706-7. Creator: George Bickham
Medley Print: Sots Paradise, 1706-7. [Sots Paradise: or, The Humours of a Derby-Ale-House with a Satire Upon the Ale by Edward Ward

Background imageTrompe Loeil Collection: The Galleria di Carracci (Carracci Hall) detail of Jupiter and Juno

The Galleria di Carracci (Carracci Hall) detail of Jupiter and Juno
BEN107145 The Galleria di Carracci (Carracci Hall) detail of Jupiter and Juno, 1597-1604 (fresco) by Carracci, Annibale (1560-1609); Palazzo Farnese, Rome, Italy; Photo eRaffaello Bencini; Italian

Background imageTrompe Loeil Collection: Thalie, one of the Muses, patron of comedy and pastoral poesy Detail of the paintings of

Thalie, one of the Muses, patron of comedy and pastoral poesy Detail of the paintings of
JLJ4679279 Thalie, one of the Muses, patron of comedy and pastoral poesy Detail of the paintings of the Salon des Muses by Charles Lebrun (Le Brun) (1619-1690)

Background imageTrompe Loeil Collection: La chute de Phaeton (Phaethon) (1625) - Fresco en trompe l

La chute de Phaeton (Phaethon) (1625) - Fresco en trompe l
LSE4196105 La chute de Phaeton (Phaethon) (1625) - Fresco en trompe l oeil by Carlone - Ceiling of the hall of the old medieval castle (1320) - Cagnes sur Mer (Cagnes-sur-Mer)

Background imageTrompe Loeil Collection: La chute de Phaeton (Phaethon) (1625) - Fresco en trompe l

La chute de Phaeton (Phaethon) (1625) - Fresco en trompe l
LSE4196092 La chute de Phaeton (Phaethon) (1625) - Fresco en trompe l oeil by Carlone - Ceiling of the hall of the old medieval castle (1320) - Cagnes sur Mer (Cagnes-sur-Mer)



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"Trompe l'oeil: The Art of Deception" Step into the world of trompe l'oeil, where reality and illusion seamlessly blend together. From ancient frescoes to modern masterpieces, this captivating art technique has been enchanting viewers for centuries. In the Trompe l'oeil garden from the Villa of Livia, dating back to 40-20 BC, lush foliage and vibrant flowers come alive on the walls, creating an immersive outdoor experience indoors. The attention to detail is astounding as every leaf and petal appears three-dimensional. Fast forward to 1913 with "The Winter Egg, " a dazzling creation adorned with quartz, platinum, orthoclase, and diamonds. This exquisite piece tricks the eye into believing it's a real egg encrusted in precious gems. In "Quince, Cabbage, Melon, and Cucumber" painted around 1602 by an unknown artist; these ordinary fruits and vegetables seem almost tangible. Each brushstroke brings forth their textures so convincingly that one might be tempted to reach out and touch them. Oliver Cromwell's portrait from c. 1653 captures his stern gaze with such realism that it feels like he could step out of the canvas at any moment. The play between light and shadow adds depth to his features. William Michael Harnett's "The Old Violin" transports us back to 1886 as we marvel at its lifelike appearance. Every scratch on its worn surface tells a story while evoking emotions through its nostalgic charm. Moving towards contemporary times in "Real Ale Bonanza" (2012), we find ourselves immersed in a pub scene bursting with frothy pints seemingly ready for consumption. The artist's skillful brushwork invites us into this lively atmosphere. A still life featuring cardoons showcases how trompe l'oeil can elevate everyday objects into extraordinary works of art through intricate shading and meticulous attention to detail.