Turned Collection (page 5)

Fishing on a Spring Day, (oil on canvas)
823301 Fishing on a Spring Day, (oil on canvas) by Knight, Daniel Ridgway (1839-1924); 56x46 cm; Private Collection; (add.info.: Fishing on a Spring Day. Daniel Ridgway Knight (1839-1924)

Sport turned to earnest (colour litho)
3634166 Sport turned to earnest (colour litho) by Sandham, Henry (1842-1912) (after); Private Collection; (add.info.: Sport turned to earnest)

A horse that was feeding turned short, and struck me (engraving)
3629074 A horse that was feeding turned short, and struck me (engraving) by English School, (19th century); Private Collection; (add.info.: A horse that was feeding turned short, and struck me)

Les eaux de l Egypte sont changees en sang (engraving)
3625766 Les eaux de l Egypte sont changees en sang (engraving) by French School, (19th century); Private Collection; (add.info.: Les eaux de l Egypte sont changees en sang)

King Henry V (colour litho)
3653307 King Henry V (colour litho) by Hatherell, William (1855-1928) (after); Private Collection; (add.info.: King Henry V)

I am coming to see you tonight (colour litho)
3641738 I am coming to see you tonight (colour litho) by Anderson, Martin " Cynicus" (1854-1932); Private Collection; (add.info.: I am coming to see you tonight)

You are requested to keep the Hall Doors shut on Account of the Animals in the Park (litho)
1056785 You are requested to keep the Hall Doors shut on Account of the Animals in the Park (litho) by Waller, Samuel Edmund (1850-1903) (after); Private Collection; (add.info)

Plug Bayonet (photo)
620150 Plug Bayonet (photo) by English School, (18th century); Private Collection; (add.info.: A bayonet (from French baAOonnette) is a knife, sword, or spike-shaped weapon designed to fit in,

With the Main Guard at the Palace, Valetta, Malta (engraving)
1041023 With the Main Guard at the Palace, Valetta, Malta (engraving) by English School, (19th century); Private Collection; (add.info.: With the Main Guard at the Palace, Valetta, Malta)

The Opening of the Bridge, the Ceremony on the Dais (engraving)
1047915 The Opening of the Bridge, the Ceremony on the Dais (engraving) by English School, (19th century); Private Collection; (add.info.: The Opening of the Bridge, the Ceremony on the Dais)

The Discarding of Obsolete British War-Ships (b / w photo)
1628670 The Discarding of Obsolete British War-Ships (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: The Discarding of Obsolete British War-Ships)

A Christmas Story (engraving)
1100550 A Christmas Story (engraving) by English School, (19th century); Private Collection; (add.info.: A Christmas Story)

Moses rod turned into a Serpent (colour litho)
973866 Moses rod turned into a Serpent (colour litho) by English School, (19th century); Private Collection; (add.info.: Moses rod turned into a Serpent)

The wife of Lot is turned into a pillar of salt (chromolitho)
964194 The wife of Lot is turned into a pillar of salt (chromolitho) by French School, (19th century); Private Collection; (add.info.: The wife of Lot)

The Loss of HMS "Victoria", the Men jumping from the Ship as she turned bottom upwards before going down
1062694 The Loss of HMS " Victoria", the Men jumping from the Ship as she turned bottom upwards before going down (engraving) by Nash

Tourists in Japan, trying to Climb Fusi-Hama (chromolitho)
1060865 Tourists in Japan, trying to Climb Fusi-Hama (chromolitho) by Ralston, William (1848-1911) (after); Private Collection; (add.info.: Tourists in Japan, trying to Climb Fusi-Hama)

Friday at the French Artists Salon (detail), 1911 (oil on canvas)
902702 Friday at the French Artists Salon (detail), 1911 (oil on canvas) by Gruen or Grun, Jules Alexandre (1868-1934); Musee des Beaux-Arts, Rouen

The Normans, retreating, are stayed and turned by William, who discloses his face
LLM456993 The Normans, retreating, are stayed and turned by William, who discloses his face, to counteract the Rumour of his Having Fallen by Maclise

Seven studies of the head of an elderly bearded man, with two others of different men
449298 Seven studies of the head of an elderly bearded man, with two others of different mens heads and two of a woman, one with a cap, c.1616 (pen & ink with chalk on paper) by Rubens

Workers overwhelmed by the wheels of a mill on the Adige as they crossed the river by boat on their way to work
2815296 Workers overwhelmed by the wheels of a mill on the Adige as they crossed the river by boat on their way to work (colour litho) by Beltrame

King Edward II of England turned away from Stirling Castle after losing the Battle of Bannockburn, June 1314, part of the First War of Scottish Independence

The unhappy Greeks turned into Swine (engraving)
2792715 The unhappy Greeks turned into Swine (engraving) by English School, (19th century); Private Collection; (add.info.: The unhappy Greeks turned into Swine. Illustration for Chatterbox (1886)

Three masked bandits broke, with revolvers in their hands, in a crowded... (colour litho)
2778046 Three masked bandits broke, with revolvers in their hands, in a crowded... (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info)

Woodcut: Three birds over waves
Friedrich Lissmann 1880 - 1915 Germany. Lissmann was a painter and woodblock artist, who after setting up a studio in Hamburg in 1906 became well known for his depictions of wildlife

Comic postcard, Second Hand Whatnot For Sale with finely turned legs and fancy drawers Date: early 20th century

How Henry VIII had the Monks turned out of the Monasteries (engraving)
3101951 How Henry VIII had the Monks turned out of the Monasteries (engraving) by Ford, Henry Justice (1860-1941); Private Collection; (add.info)

Side chair, c. 1685 (beech & upholstery)
3084421 Side chair, c.1685 (beech & upholstery) by English School, (17th century); 103.5x52x42.5 cm; The Geffrye Museum of the Home, London

The Five Years Tryst, by Walter Besant (litho)
1600525 The Five Years Tryst, by Walter Besant (litho) by Forestier, Amedee (1854-1930) (after); Private Collection; (add.info.: The Five Years Tryst, by Walter Besant)

WW2 - Comic Postcard - Table turned on the diner - " See that you re polite to our Waitresses - we can get plenty of customers." 1945

Cupid hits the centre of the target. Handcoloured copperplate engraving by William Nelson Gardiner after an illustration by Princess Elizabeth from Thomas Parks Cupid Turned Volunteer, London, 1804

Cupid surveys the target. Handcoloured copperplate engraving by William Nelson Gardiner after an illustration by Princess Elizabeth from Thomas Parks Cupid Turned Volunteer, London, 1804

Cupid takes the oath of allegiance. Handcoloured copperplate engraving by William Nelson Gardiner after an illustration by Princess Elizabeth from Thomas Parks Cupid Turned Volunteer, London, 1804

Cupid picks up his matchlock musket. Assumes his firelock. Handcoloured copperplate engraving by William Nelson Gardiner after an illustration by Princess Elizabeth from Thomas Parks Cupid Turned

Cupid advances to the altar of loyalty. Handcoloured copperplate engraving by William Nelson Gardiner after an illustration by Princess Elizabeth from Thomas Parks Cupid Turned Volunteer, London, 1804

Cupid relinquishes his bow and arrows and deposits them with the British standard. Handcoloured copperplate engraving by William Nelson Gardiner after an illustration by Princess Elizabeth

Cupid supplicates Pallas to let him become a volunteer. Handcoloured copperplate engraving by William Nelson Gardiner after an illustration by Princess Elizabeth from Thomas Parks Cupid Turned

Frontispiece with two cherubs holding a bicorn and sword. Handcoloured copperplate engraving by William Nelson Gardiner after an illustration by Princess Elizabeth from Thomas Parks Cupid Turned

Cupid deposits his banner in the temple of Minerva. Handcoloured copperplate engraving by William Nelson Gardiner after an illustration by Princess Elizabeth from Thomas Parks Cupid Turned Volunteer

Cupid playing a drum with his standard on a column. Exercising his drum, having placed his banner in safety. Handcoloured copperplate engraving by William Nelson Gardiner after an illustration by

Regency actor John Emery singing John Grouse
Popular Regency actor John Emery singing the comic song John Grouse and Mother Goose at Covent Garden Theatre, London, 1808

Feyeraband (1889-1945)
Beestow in der Mark. Erich Feyeraband was artist turned woodcutter. A supporter of the Third Reich, he received orders from various German cities to produce cityscapes in a medaeval style

Water Jar at Cana, in which the Water was turned into Wine (b / w photo)
5993917 Water Jar at Cana, in which the Water was turned into Wine (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Water Jar at Cana)

Study of the Head of a Bearded Man Turned to the Left, 1590 (black, red
659254 Study of the Head of a Bearded Man Turned to the Left, 1590 (black, red, yellow and white chalk, on faded blue paper) by Barocci or Baroccio

Richard Howe, 1st Earl Howe ( Black-Dick turn d taylor ), pub
2966795 Richard Howe, 1st Earl Howe ( Black-Dick turn d taylor ), pub. 1788 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: Richard Howe)

Joint stool (oak)
BAL2888 Joint stool (oak) by English School, (17th century); Private Collection; English, out of copyright

The Dream Pedlar - Turned him into a Hatchet
Turned him into a Hatchet - illustration in The Dream Pedlar by Lady Margaret Sackville. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration

Wpman in a round bonnet called a turned-up calash
Woman in a round bonnet with ribbon rosette and two ringlets. The bonnet is called a turned-up calash, Caleche retroussee, after the carriage with a folding top

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"The Turning Point: From Denial to Redemption, Jesus' gaze upon Peter" In the midst of darkness and doubt, a divine moment unfolds. As Jesus faced his impending fate, he turned to look at Peter - a glance that pierced through layers of guilt and shame. In that instant, Peter's heart was transformed; his denial shattered by the Lord's unwavering love. From literature to mythology, turning points shape our narratives. Just like Jeeves & Wooster in their comical escapades or Philemon and Baucis with their humble cottage tale, we encounter pivotal moments that alter our paths forever. Possession is nine points of the law they say, but true possession lies within our hearts. Louis Wain reminds us that material belongings pale in comparison to the intangible treasures we hold dear. Even royalty experiences profound turns in life. Queen Victoria and her children mourned at Windsor Castle - an unexpected twist that united them in grief but also strengthened their bond as a family. Sometimes it takes diagrams of bones to understand how intricately we are connected. The skeletal structure of hand and arm reveals the marvels hidden beneath our skin - reminding us that every turn matters for this delicate machinery called life. The ancient myth of Philemon and Baucis teaches us about humility found amidst grandeur. These classical cottagers embraced simplicity while welcoming gods disguised as strangers into their home - proving kindness can lead to extraordinary transformations. As a garden fork delves into freshly dug soil on an English allotment, August brings promises of growth and renewal. Each turn unearths potential waiting patiently beneath the surface - nature's reminder that change is essential for blooming gardens and flourishing souls alike. Yet not all turns lead towards enlightenment; some bring us face-to-face with our own flaws. Like dogs returning to vomit despite knowing better, we must confront these patterns if we seek personal growth on this winding journey called life.