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Turned Collection (page 7)

"The Turning Point: From Denial to Redemption, Jesus' gaze upon Peter" In the midst of darkness and doubt, a divine moment unfolds

Background imageTurned Collection: Cripps the Carrier (engraving)

Cripps the Carrier (engraving)
1059188 Cripps the Carrier (engraving) by Green, Charles (1840-98) (after); Private Collection; (add.info.: Cripps the Carrier)

Background imageTurned Collection: 'She', A History of Adventure (engraving)

"She", A History of Adventure (engraving)
1055258 " She", A History of Adventure (engraving) by Johnson, Edward Killingworth (1825-1923); Private Collection; (add.info.: " She", A History of Adventure)

Background imageTurned Collection: The Rebellion in the Soudan, the Second Battle of Teb, General Grahams Square carrying the Enemys

The Rebellion in the Soudan, the Second Battle of Teb, General Grahams Square carrying the Enemys First Position
1061714 The Rebellion in the Soudan, the Second Battle of Teb, General Grahams Square carrying the Enemys First Position (engraving) by Nash

Background imageTurned Collection: Mr Bull-Dog behaves badly after dinner and is turned out of the house (colour litho)

Mr Bull-Dog behaves badly after dinner and is turned out of the house (colour litho)
960947 Mr Bull-Dog behaves badly after dinner and is turned out of the house (colour litho) by English School, (19th century); Private Collection; (add.info)

Background imageTurned Collection: Henry Hudson (the Arctic Explorer) Turned Adrift by his Crew, off the Coast of Labrador

Henry Hudson (the Arctic Explorer) Turned Adrift by his Crew, off the Coast of Labrador, 1611 (engraving)
671030 Henry Hudson (the Arctic Explorer) Turned Adrift by his Crew, off the Coast of Labrador, 1611 (engraving) by English School

Background imageTurned Collection: A Young Swimmer with a Parasol; La Jeune Baigneuse au Parasol, c

A Young Swimmer with a Parasol; La Jeune Baigneuse au Parasol, c
656498 A Young Swimmer with a Parasol; La Jeune Baigneuse au Parasol, c. 1925-1930 (oil on canvas) by Lebasque, Henri (1865-1937); 48.8x58.3 cm; Private Collection; (add.info)

Background imageTurned Collection: Dewhurst turned white and faint with pain (colour litho)

Dewhurst turned white and faint with pain (colour litho)
5228990 Dewhurst turned white and faint with pain (colour litho) by Brock, Charles Edmund (1870-1938) (after); Private Collection; (add.info.: Dewhurst turned white and faint with pain)

Background imageTurned Collection: Fort of Ali Musjid, Khyber Pass, where the British Mission to Cabul was turned back (engraving)

Fort of Ali Musjid, Khyber Pass, where the British Mission to Cabul was turned back (engraving)
1621559 Fort of Ali Musjid, Khyber Pass, where the British Mission to Cabul was turned back (engraving) by English School, (19th century); Private Collection; (add.info.: Fort of Ali Musjid)

Background imageTurned Collection: Paul Joness Alias, by David Christie Murray (engraving)

Paul Joness Alias, by David Christie Murray (engraving)
1595932 Paul Joness Alias, by David Christie Murray (engraving) by Forestier, Amedee (1854-1930) (after); Private Collection; (add.info.: Paul Joness Alias, by David Christie Murray)

Background imageTurned Collection: Mr Bilsons Housekeeper, by Bret Harte (litho)

Mr Bilsons Housekeeper, by Bret Harte (litho)
1592489 Mr Bilsons Housekeeper, by Bret Harte (litho) by Forestier, Amedee (1854-1930) (after); Private Collection; (add.info.: Mr Bilsons Housekeeper, by Bret Harte)

Background imageTurned Collection: Amusements of our Sailors at Suez, Donkey Polo (engraving)

Amusements of our Sailors at Suez, Donkey Polo (engraving)
1622819 Amusements of our Sailors at Suez, Donkey Polo (engraving) by Courbould, Alfred (fl.1831-75); Private Collection; (add.info.: Amusements of our Sailors at Suez, Donkey Polo)

Background imageTurned Collection: Windsor settee, 1770-85 (maple, oak, poplar, hickory & paint)

Windsor settee, 1770-85 (maple, oak, poplar, hickory & paint)
1069416 Windsor settee, 1770-85 (maple, oak, poplar, hickory & paint) by American School, (18th century); 81.3x207x48.6 cm; Dallas Museum of Art, Texas, USA; The Faith P. and Charles L

Background imageTurned Collection: Tigers on the Line, an Incident in a Journey on the East Indian Railway (engraving)

Tigers on the Line, an Incident in a Journey on the East Indian Railway (engraving)
1056512 Tigers on the Line, an Incident in a Journey on the East Indian Railway (engraving) by Charlton, John (1849-1917) (after); Private Collection; (add.info.: Tigers on the Line)

Background imageTurned Collection: The Adventures and Misadventures of a Brahma Bull (engraving)

The Adventures and Misadventures of a Brahma Bull (engraving)
1055808 The Adventures and Misadventures of a Brahma Bull (engraving) by Marie, Adrien Emmanuel (1848-91) (after); Private Collection; (add.info.: The Adventures and Misadventures of a Brahma Bull)

Background imageTurned Collection: The Approaching Transit of Venus (engraving)

The Approaching Transit of Venus (engraving)
1105319 The Approaching Transit of Venus (engraving) by English School, (19th century); Private Collection; (add.info.: The Approaching Transit of Venus)

Background imageTurned Collection: George II armchair (mahogany & padoukwood)

George II armchair (mahogany & padoukwood)
3736876 George II armchair (mahogany & padoukwood) by English School, (18th century); By kind permission of the Earl of Leicester and the Trustees of the Holkham Estate; (add.info)

Background imageTurned Collection: A Head of a Man, (black chalk on paper)

A Head of a Man, (black chalk on paper)
3088032 A Head of a Man, (black chalk on paper) by Sarto, Andrea del (1486-1530); 24.7x17.7 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

Background imageTurned Collection: The Ionian Islands (engraving)

The Ionian Islands (engraving)
1047739 The Ionian Islands (engraving) by Wyllie, Charles William (1853-1923); Private Collection; (add.info.: The Ionian Islands)

Background imageTurned Collection: Madame Leroux (engraving)

Madame Leroux (engraving)
1047240 Madame Leroux (engraving) by Macquoid, Percy (1852-1925); Private Collection; (add.info.: Madame Leroux. Illustration for The Graphic)

Background imageTurned Collection: The Vintage in the Canton of Vaud (litho)

The Vintage in the Canton of Vaud (litho)
1048160 The Vintage in the Canton of Vaud (litho) by Destez, Paul (19th century); Private Collection; (add.info.: The Vintage in the Canton of Vaud)

Background imageTurned Collection: After the Death of Jane Seymour, Henry VIII, turned his attention to the selection of a new queen

After the Death of Jane Seymour, Henry VIII, turned his attention to the selection of a new queen
1090832 After the Death of Jane Seymour, Henry VIII, turned his attention to the selection of a new queen, deciding on anne of cleves

Background imageTurned Collection: Incubation of a chicken, Page from The Pictorial Museum of Animated Nature (engraving)

Incubation of a chicken, Page from The Pictorial Museum of Animated Nature (engraving)
979992 Incubation of a chicken, Page from The Pictorial Museum of Animated Nature (engraving) by English School, (19th century); Private Collection; (add.info.: chick growing in an egg)

Background imageTurned Collection: Two of the pillars (nails) before the Exchange (w / c on paper)

Two of the pillars (nails) before the Exchange (w / c on paper)
2831849 Two of the pillars (nails) before the Exchange (w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageTurned Collection: The Venus Callipigia (marble)

The Venus Callipigia (marble)
615869 The Venus Callipigia (marble) by Roman, (1st century BC); Museo Archeologico Nazionale, Naples, Campania, Italy; (add.info.: The Venus Callipyge, also known as the Aphrodite Kallipygos)

Background imageTurned Collection: Jones, Brown & Co, Victoria Iron Works, trade card (engraving)

Jones, Brown & Co, Victoria Iron Works, trade card (engraving)
731527 Jones, Brown & Co, Victoria Iron Works, trade card (engraving) by English School, (19th century); Private Collection; (add.info.: Jones, Brown & Co, Victoria Iron Works)

Background imageTurned Collection: Poulet en cocotte aux primeurs (photo)

Poulet en cocotte aux primeurs (photo)
5991437 Poulet en cocotte aux primeurs (photo) by English Photographer, (20th century); Private Collection; (add.info.: Poulet en cocotte aux primeurs)

Background imageTurned Collection: Gleaning for fuel in London, When the cats away (engraving)

Gleaning for fuel in London, When the cats away (engraving)
583445 Gleaning for fuel in London, When the cats away (engraving) by Barnes, Robert (1840-95); Private Collection; (add.info.: Gleaning for fuel in London)

Background imageTurned Collection: Vargueno Cabinet of Chestnut, Ivory, etc. Painted and Gilt with Wrought-Iron and Steel Mounts

Vargueno Cabinet of Chestnut, Ivory, etc. Painted and Gilt with Wrought-Iron and Steel Mounts: Upon Twisted, Turned
LLM461203 Vargueno Cabinet of Chestnut, Ivory, etc. Painted and Gilt with Wrought-Iron and Steel Mounts: Upon Twisted, Turned, and Carved Stand by Foley

Background imageTurned Collection: Reception of the Russian Agents in Bulgaria (engraving)

Reception of the Russian Agents in Bulgaria (engraving)
1624721 Reception of the Russian Agents in Bulgaria (engraving) by Schonberg, Johann Nepomuk (1780-1863) (after); Private Collection; (add.info.: Reception of the Russian Agents in Bulgaria)

Background imageTurned Collection: Christmas in Topsyturvydom (engraving)

Christmas in Topsyturvydom (engraving)
1622246 Christmas in Topsyturvydom (engraving) by Furniss, Harry (1854-1925) (after); Private Collection; (add.info.: Christmas in Topsyturvydom)

Background imageTurned Collection: From Buffalo to Pittsburg (litho)

From Buffalo to Pittsburg (litho)
1597223 From Buffalo to Pittsburg (litho) by English School, (19th century); Private Collection; (add.info.: From Buffalo to Pittsburg. Illustration for The Illustrated London News, 27 February 1897)

Background imageTurned Collection: Come Back to Me! Tale by Clement Scott (engraving)

Come Back to Me! Tale by Clement Scott (engraving)
1614421 Come Back to Me! Tale by Clement Scott (engraving) by Overend, William Heysham (1851-98) (after); Private Collection; (add.info.: Come Back to Me! Tale by Clement Scott)

Background imageTurned Collection: Pallinghurst Barrow, by Grant Allen (engraving)

Pallinghurst Barrow, by Grant Allen (engraving)
1603862 Pallinghurst Barrow, by Grant Allen (engraving) by Forestier, Amedee (1854-1930) (after); Private Collection; (add.info.: Pallinghurst Barrow, by Grant Allen)

Background imageTurned Collection: A Ward of the Golden Gate, by Bret Harte (engraving)

A Ward of the Golden Gate, by Bret Harte (engraving)
1627173 A Ward of the Golden Gate, by Bret Harte (engraving) by Forestier, Amedee (1854-1930) (after); Private Collection; (add.info.: A Ward of the Golden Gate, by Bret Harte)

Background imageTurned Collection: Armorel of Lyonesse, A Romance of To-Day, by Walter Besant (engraving)

Armorel of Lyonesse, A Romance of To-Day, by Walter Besant (engraving)
1626662 Armorel of Lyonesse, A Romance of To-Day, by Walter Besant (engraving) by Barnard, Frederick (1846-96) (after); Private Collection; (add.info.: Armorel of Lyonesse, A Romance of To-Day)

Background imageTurned Collection: River Thieves (litho)

River Thieves (litho)
5214957 River Thieves (litho) by American School, (19th century); Private Collection; (add.info.: River Thieves. Illustration for The New Metropolis edited by E Idell Zeisloft (D Appleton)

Background imageTurned Collection: She staggered back, and turned as pale as death, and put her hands before her face (colour litho)

She staggered back, and turned as pale as death, and put her hands before her face (colour litho)
973810 She staggered back, and turned as pale as death, and put her hands before her face (colour litho) by Ford, Henry Justice (1860-1941); Private Collection; (add.info.: She staggered back)

Background imageTurned Collection: Turned armchair, 1850-99 (ash, elm & sycamore)

Turned armchair, 1850-99 (ash, elm & sycamore)
3664214 Turned armchair, 1850-99 (ash, elm & sycamore) by Clissett, Philip (1817-1913); 104x53x38 cm; Leeds Museums and Galleries (Lotherton Hall) U.K.; (add.info.: Production: Bosbury)

Background imageTurned Collection: Turned Carrots and Turnips for Soups and Garnish (engraving)

Turned Carrots and Turnips for Soups and Garnish (engraving)
3658197 Turned Carrots and Turnips for Soups and Garnish (engraving) by English School, (19th century); Private Collection; (add.info.: Turned Carrots and Turnips for Soups and Garnish)

Background imageTurned Collection: A Days Crocodile Fishing, a Shikaris First and only Experience (engraving)

A Days Crocodile Fishing, a Shikaris First and only Experience (engraving)
1051260 A Days Crocodile Fishing, a Shikaris First and only Experience (engraving) by Ralston, William (1848-1911) (after); Private Collection; (add.info.: A Days Crocodile Fishing)

Background imageTurned Collection: A Canoeing Expedition on a West African River, a Traders Story (engraving)

A Canoeing Expedition on a West African River, a Traders Story (engraving)
1051131 A Canoeing Expedition on a West African River, a Traders Story (engraving) by Ralston, William (1848-1911) (after); Private Collection; (add.info)

Background imageTurned Collection: Woman dressed as a butterfly (colour litho)

Woman dressed as a butterfly (colour litho)
3094636 Woman dressed as a butterfly (colour litho) by French School, (20th century); Private Collection; (add.info.: Woman dressed as a butterfly)

Background imageTurned Collection: St George and St Michael (engraving)

St George and St Michael (engraving)
1053595 St George and St Michael (engraving) by Hall, Sydney Prior (1842-1922) (after); Private Collection; (add.info.: St George and St Michael)

Background imageTurned Collection: The War between Servia and Bulgaria (engraving)

The War between Servia and Bulgaria (engraving)
1041289 The War between Servia and Bulgaria (engraving) by Villiers, Frederic (1851-1922) (after); Private Collection; (add.info.: The War between Servia and Bulgaria)

Background imageTurned Collection: Sewing Bird, 1935 / 1942. Creator: Edward A Darby

Sewing Bird, 1935 / 1942. Creator: Edward A Darby
Sewing Bird, 1935/1942

Background imageTurned Collection: April Showers - Budget day version - Day turned to night in Hull this afternoon as

April Showers - Budget day version - Day turned to night in Hull this afternoon as the light dimmed and a strong wind, accompanied by rain, sprang up

Background imageTurned Collection: Turning wood on a pole lathe, which is turned by a foot pedal. Date: 1930s

Turning wood on a pole lathe, which is turned by a foot pedal. Date: 1930s

Background imageTurned Collection: Battered Old Shoes Date: 1954

Battered Old Shoes Date: 1954



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"The Turning Point: From Denial to Redemption, Jesus' gaze upon Peter" In the midst of darkness and doubt, a divine moment unfolds. As Jesus faced his impending fate, he turned to look at Peter - a glance that pierced through layers of guilt and shame. In that instant, Peter's heart was transformed; his denial shattered by the Lord's unwavering love. From literature to mythology, turning points shape our narratives. Just like Jeeves & Wooster in their comical escapades or Philemon and Baucis with their humble cottage tale, we encounter pivotal moments that alter our paths forever. Possession is nine points of the law they say, but true possession lies within our hearts. Louis Wain reminds us that material belongings pale in comparison to the intangible treasures we hold dear. Even royalty experiences profound turns in life. Queen Victoria and her children mourned at Windsor Castle - an unexpected twist that united them in grief but also strengthened their bond as a family. Sometimes it takes diagrams of bones to understand how intricately we are connected. The skeletal structure of hand and arm reveals the marvels hidden beneath our skin - reminding us that every turn matters for this delicate machinery called life. The ancient myth of Philemon and Baucis teaches us about humility found amidst grandeur. These classical cottagers embraced simplicity while welcoming gods disguised as strangers into their home - proving kindness can lead to extraordinary transformations. As a garden fork delves into freshly dug soil on an English allotment, August brings promises of growth and renewal. Each turn unearths potential waiting patiently beneath the surface - nature's reminder that change is essential for blooming gardens and flourishing souls alike. Yet not all turns lead towards enlightenment; some bring us face-to-face with our own flaws. Like dogs returning to vomit despite knowing better, we must confront these patterns if we seek personal growth on this winding journey called life.