Unsigned Collection

Battle of Waterloo, 1815 - The Battle of Waterloo, 1815. Watercolour by William Heath, unsigned, 1818 (c).Possibly the original design for Wellingtons Victories plate 29, drawn and etched by W Heath

Nina Hard nude full figure putting make-up 1921
Nina Hard, nude in full figure, putting on make-up, 1921, photograph, 17 x 12.5 cm, unsigned, Ernst Ludwig Kirchner, Aschaffenburg 1880-1938 Davos Frauenkirch

Portrait young man oil copper 39. 5 x 23 cm unsigned
Portrait of a young man, oil on copper, 39.5 x 23 cm, unsigned, Alessandro Allori, (zugeschrieben / attributed to), Florenz 1535-1607 Florenz

Rider Forest oil canvas 45 x 37. 5 cm unsigned
Rider in the Forest, oil on canvas, 45 x 37.5 cm, unsigned, Jan Vermeer van Haarlem d. A. Haarlem 1628-1691 Haarlem

Landscape shepherds oil canvas 71 x 87. 5 cm unsigned
Landscape with shepherds, oil on canvas, 71 x 87.5 cm, unsigned, Jan Vermeer van Haarlem d. A. Haarlem 1628-1691 Haarlem

Dagobert Peche Lithographische Anstalt Albert Berger
Dagobert Peche, Lithographische Anstalt Albert Berger, Wiener Werkstatte G.m.b.H. Vienna - Fashion, Arts and Crafts, Hand-printed silk, paper, offset lithography, Total: height: 94, 5 cm; width: 63

Carriage coachman servant pen black washed sheet
Carriage with coachman and servant, pen in black, washed, sheet: 16.9 x 20 cm, unsigned, Constantin Guys, Vlissingen 1802-1892 Paris

Vintage Press Monthly picture September c. 1516 / 25
Vintage and Press: Monthly picture for September, c. 1516/25, oil on panel, 32.3 x 39.2 cm, unsigned, Hans Wertinger, Landshut um 1465/70-1533 Landshut

prophets Obadja Jonas oil canvas 104 x 76. 5 cm
The prophets Obadja and Jonas, oil on canvas, 104 x 76.5 cm, unsigned. About the figures: ABDIAS and IONAS, Bottom left: Esau the Jacob, still hate, therefore I announce to him, God smelled

Portrait Hugues Doneau oil canvas 81. 5 x 67. 5 cm
Portrait of the Hugues Doneau, oil on canvas, 81.5 x 67.5 cm, unsigned. Above: HVGO DONNELLVS, Schweizerischer Meister, 17. Jh

Prophets Haggai Baruch oil canvas 104 x 76. 5 cm
The Prophets Haggai and Baruch, oil on canvas, 104 x 76.5 cm, unsigned. About the figures: AGGEVS and BARVCH, Bottom left: The buck buaden, the temple mur, I forced the Jews, to the figure

Portrait Pope Pius II Enea Silvio Piccolomini
Portrait of Pope Pius II (Enea Silvio Piccolomini), oil on canvas, 77.5 x 64.5 cm, unsigned. Top left: ÔÇó PIVS ÔÇó II ÔÇó PONT ÔÇó MAX ÔÇó, Cristofano (di Papi) dell Altissimo

prophets Daniel Hosea oil canvas 104. 5 x 75. 5 cm
The prophets Daniel and Hosea, oil on canvas, 104.5 x 75.5 cm, unsigned. About the figures: DANIEL and OSEAS, Bottom left: rent: schenck: gave: givaln, Sach I nitt, the warheitt b richt I

Portrait Laurens Coster oil canvas 57. 5 x 52. 5 cm
Portrait of Laurens Coster, oil on canvas, 57.5 x 52.5 cm, unsigned. Above: LAVRENTIVS COSTERVS ÔÇó HARLEM ÔÇó, INVENTOR ARTIS TYPOGR. [APHIAE], Schweizerischer Meister, 17. Jh

Blazon Bonifacius Amerbach 1560 stained glass
Blazon of the Bonifacius Amerbach, 1560, stained glass, 42 x 30.5 cm |, 31 x 42.5 x 2 cm, unsigned, but dated. In the scroll cartridge in the base

Coat Arms Basel Theology Professor Simon Sulzer
Coat of Arms of the Basel Theology Professor Simon Sulzer, 1560, stained glass, 42.5 x 31.5 cm |, 31.3 x 42.5 x 2 cm, unsigned, but dated

Napoleon III. parade cavalry feather washed sheet
Napoleon III. during the parade of the cavalry, feather, washed, sheet: 13.6 x 16.9 cm, unsigned, Constantin Guys, Vlissingen 1802-1892 Paris

Two old officers conversation pencil quill washed
Two old officers in conversation, pencil and quill, washed, sheet: 18 x 12 cm, unsigned, Constantin Guys, Vlissingen 1802-1892 Paris

Riding group riders feather black washed gray
Riding group of riders, feather in black, washed in gray and wiped, sheet: 11.6 x 17.4 cm, unsigned, Constantin Guys, Vlissingen 1802-1892 Paris

Rider horseback feather black washed gray wiped
Rider on horseback, feather in black, washed in gray and wiped, sheet: 14.5 x 13.1 cm, unsigned, Constantin Guys, Vlissingen 1802-1892 Paris

Italian Landscape Women Fountain Landscape Tivoli
Italian Landscape with Women at the Fountain (Landscape near Tivoli), oil on canvas, 54.5 x 56.5 cm, unsigned, Samuel Birmann, Basel 1793-1847 Basel

Portrait Philipp Melanchthon c. 1560-1580 oil
Portrait of Philipp Melanchthon, c. 1560-1580, oil on canvas, 72 x 55 cm, unsigned, Lucas Cranach d. J. Wittenberg 1515-1586 Weimar

Portrait gray-haired man ruff oil canvas 94. 5 x 76. 5 cm
Portrait of a gray-haired man with a ruff, oil on canvas, 94.5 x 76.5 cm, unsigned, Deutscher Meister, 17. Jh

Portrait Johann Rudolf Wettstein 1651 oil canvas
Portrait of Johann Rudolf Wettstein, after 1651, oil on canvas, 81.5 x 62 cm, unsigned, Basler Meister, 17. Jh

Italian landscape shepherds oil canvas 91. 5 x 120. 5 cm
Italian landscape with shepherds, oil on canvas, 91.5 x 120.5 cm, unsigned, Peter Birmann, Basel 1758-1844 Basel

La route 1871 oil canvas 59. 5 x 72. 7 cm unsigned
La route, around 1871, oil on canvas, 59.5 x 72.7 cm, unsigned, Paul Cezanne, Aix-en-Provence 1839-1906 Aix-en-Provence

Madonna Child oil panel 58 x 48. 5 cm unsigned
Madonna and Child, oil on panel, 58 x 48.5 cm, unsigned, Rosso Fiorentino, (Nachahmer / imitator), Florenz 1494-1540 Paris/Fontainebleau

Study Head Mann Halsberge Beret half profile
Study Head (Mann in Halsberge and Beret), half profile to the left, oil on canvas on panel, 14.8 x 11.9 cm, unsigned, Johann Georg Trautmann, Zweibrucken 1713-1769 Frankfurt a. M

St. Catherine oil panel 60. 5 x 60. 5 cm unsigned
St. Catherine, oil on panel, 60.5 x 60.5 cm, unsigned, Cesare da Sesto, (Art (?) / style of (?)), Sesto Calende 1477-1523 Mailand

Madonna Child Johannesknaben mixed media poplar wood
Madonna with Child and the Johannesknaben, mixed media on poplar wood, 78.5 x 64.3 cm, unsigned, Sandro Botticelli, (Schule / school), Florenz um 1445-1510 Florenz

Madonna child hll. Maria Magdalena Katharina
Madonna with child and the hll. Maria Magdalena and Katharina, oil on panel, 75.9 x 61.4 cm, unsigned, Giovanni Francesco Caroto, Verona 1478/82-1555 Verona

Ecce homo oil panel 64 x 48. 5 cm unsigned Italienischer Meister
Ecce homo, oil on panel, 64 x 48.5 cm, unsigned, Italienischer Meister, 16. Jh

Double Portrait John Wyclif Johannes Oekolampad
Double Portrait of John Wyclif and Johannes Oekolampad, c. 1600, oil on panel, 29 x 43 cm, unsigned, Hans Bock d. A. (?), Zabern/Elsass um 1550/52-1624 Basel, Hans Asper, (Kopie nach / copy after)

Portrait Samuel Birmann 1819 oil panel 20. 9 x 16 cm
Portrait Samuel Birmann, 1819, oil on panel, 20.9 x 16 cm, unsigned, Hieronymus Hess, (?), Basel 1799-1850 Basel

Woman Girl 1924 oil canvas 114. 7 x 150. 5 cm unsigned
Woman and Girl, 1924, oil on canvas, 114.7 x 150.5 cm, unsigned, Albert Muller, Basel 1897-1926 Obino/Tessin

Prophets Zechariah Malachi oil canvas 104. 5 x 75. 5 cm
The Prophets Zechariah and Malachi, oil on canvas, 104.5 x 75.5 cm, unsigned. About the figures: ZACHARIAS and MALACHIAS, Bottom left: Judah, far for unbuebah:, God will give you, you will find ruw

corpse St. Catherine angels Mount Sinai c. 1450
The corpse of St. Catherine is taken by angels to Mount Sinai, c. 1450, mixed media on wood, 22.5 x 19.2 cm, unsigned, Meister der Wasserburger Katharinenlegende, tatig um 1460

Prophets Micah Nahum oil canvas 104 x 76. 5 cm
The Prophets Micah and Nahum, oil on canvas, 104 x 76.5 cm, unsigned. About the figures: MICHEAS and NAVM, Bottom left: Dreij kunig tightens me, mitt sampt the volck, That let it abgo [e] ttereij

Christ John Baptist Children Hugging 16th C
Christ and John the Baptist as Children, Hugging Each Other, 16th C. Oil on panel, 26.5 x 36.5 cm, Unsigned, Joos van Cleve (Joos van der Beke), (Nachfolger / follower), Cleve ()

History Samson c. 1525 / 30 oil lime wood 97. 5 x 76. 5 cm
The History of Samson, c. 1525/30, oil on lime wood, 97.5 x 76.5 cm, unsigned, Jorg Breu d. A. Augsburg um 1475/80-1537 Augsburg

Landscape Monastery 1640 oil oak 37. 5 x 58 cm
Landscape with Monastery, around 1640, oil on oak, 37.5 x 58 cm, unsigned, Lucas van Uden, Antwerpen 1595-1672 Antwerpen, David Teniers d. J. Antwerpen 1610-1690 Brussel

Calvary 2nd quarter 16th century oil oakwood
Calvary, 2nd quarter of the 16th century, oil on oakwood, 29.3 x 38.7 cm, unsigned, Braunschweiger Monogrammist, tatig, 2. Viertel 16. Jh. in Antwerpen

Homesteads c. 1633 / 34 oil oak 37 x 54. 6 cm unsigned
Homesteads, c. 1633/34, oil on oak, 37 x 54.6 cm, unsigned, Jan van Goyen, Leiden 1596-1656 Den Haag

Two bishops St. Ulrich St. Blaise 16th century
Two bishops (St. Ulrich and St. Blaise), 16th century, oil on oak wood, (St. Ulrich, St. Blaise: 54.5 x 22.8) 54.5 x 19.3 cm, unsigned, Jakob Cornelisz

Christ Child Solothurn Madonna 1587 oil lime wood
Christ Child from the Solothurn Madonna, before 1587, oil on lime wood, 35 x 27.5 cm, unsigned, Hans Bock d. A. Zabern/Elsass um 1550/52-1624 Basel, Hans Holbein d. J

River landscape anglers boat 1640 / 45 oil oak
River landscape with anglers in a boat, around 1640/45, oil on oak, 21.5 x 28.5 cm, unsigned, Aelbert Cuyp, Dordrecht 1620-1691 Dordrecht

Portrait young woman oil oak 62 x 49. 5 cm unsigned
Portrait of a young woman, oil on oak, 62 x 49.5 cm, unsigned, Michiel Jansz. van Mierevelt, Delft 1566-1641 Delft

temple passage Mary 1509 oil spruce wood 64. 5 x 69. 5 cm
The temple passage of Mary, 1509, oil on spruce wood, 64.5 x 69.5 cm, unsigned, but dated on the pillar base left front: 1509, Bayerischer Meister, 16. Jh

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"Unraveling the Enigma: The Untold Stories Behind Unsigned Artworks" In the vast realm of art history, there exist numerous unsigned masterpieces that continue to intrigue and captivate enthusiasts. From the Battle of Waterloo in 1815 to a mysterious portrait of a young man on copper, these enigmatic creations have left their mark on our collective imagination. One such piece takes us back to the historic Battle of Waterloo, where soldiers from the ?28th Foot 1694? fought valiantly. Though their names may be lost to time, this unsigned artwork immortalizes their bravery. Another hints at Lieutenant-Colonel Robert Watson's remarkable achievements during his military career. Delving into more personal narratives, we encounter Lady Louisa Lennox with her husband's regiment. This poignant portrayal offers a glimpse into her life as she stood by her loved ones amidst turmoil and uncertainty. Shifting gears entirely, we stumble upon an intriguing depiction of Nina Hard in 1921. In this nude full-figure composition putting on makeup, we are left wondering about the artist's intentions and why they chose not to sign it. The world of portraiture also holds its share of mysteries. A small oil painting on copper showcases an unknown young man whose identity remains elusive despite his captivating gaze. Similarly, an equestrian scene set within a forest landscape leaves us yearning for answers about both artist and subject. Venturing further into landscapes, we discover another unsigned masterpiece depicting shepherds against nature's backdrop. With its vibrant colors and meticulous brushwork, this canvas invites contemplation about who crafted such beauty without leaving behind any trace. A departure from traditional mediums leads us to Dagobert Peche Lithographische Anstalt Albert Berger—an unsigned lithograph that challenges our understanding of artistic expression through unconventional techniques. Beyond visual arts lies a pen-and-ink drawing capturing the essence of carriage coachmen servants—a testament to the skill of an unknown artist who chose anonymity over recognition.