Vengeful Collection

An avenging expedition by a northern tribe of Central Australia. The men danced just before leaving to take vengeance
3033725 An avenging expedition by a northern tribe of Central Australia. The men danced just before leaving to take vengeance on another group of natives for the death of a relative

"The Outrage upon Sir John Coventry", by T.H. Maguire, in the Royal Academy Exhibition, 1860. Creator: W
"The Outrage upon Sir John Coventry", by T.H. Maguire, in the Royal Academy Exhibition, 1860. Engraving after a painting. Sir John Coventry, who was created a K.B

Choleric, from Exercices d Imagination de Differens Characteres et Formes Humaines, engraved by R
CHT237298 Choleric, from Exercices d Imagination de Differens Characteres et Formes Humaines, engraved by R. Brichet, published in Augsbourg, 1783-84 (engraving) (b/w photo) by Goez

Morgan le Fays treason, illustration from The romance of King Arthur and his knights of the Round Table by Alfred W
STC398621 Morgan le Fays treason, illustration from The romance of King Arthur and his knights of the Round Table by Alfred W

God frightens Heliodorus in a temple, 2 Maccabees (3: 21-28), 1695 (engraving)
937193 God frightens Heliodorus in a temple, 2 Maccabees (3:21-28), 1695 (engraving) by Weigel, Christoph (1654-1725); Private Collection; (add.info)

The Jealous Husband (oil on canvas)
LST204406 The Jealous Husband (oil on canvas) by Ducreux, Joseph (1735-1802) (studio of); 57.2x76.2 cm; Private Collection; eLawrence Steigrad Fine Arts, New York; French, out of copyright

"There was an Old Man of the Cape, who possessed a large Barbary Ape", from A Book of Nonsense
LLM386711 " There was an Old Man of the Cape, who possessed a large Barbary Ape", from A Book of Nonsense, published by Frederick Warne and Co

"I ll do for you when I come out"(engraving)
3101383 " I ll do for you when I come out" (engraving) by Bernard, Frederick L. (1846-1896); Private Collection; (add.info.: " I ll do for you when I come out")

Nemesis (The Great Fortune), 1501-02 (engraving)
877242 Nemesis (The Great Fortune), 1501-02 (engraving) by DAorer or Duerer, Albrecht (1471-1528); 33.2x22.9 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA; German

Revengeful Monsters, January 25, 1780. Creator: John Hamilton Mortimer
Revengeful Monsters, January 25, 1780

The last visit of Heyling to the old man, illustration from The Pickwick Papers
KW259127 The last visit of Heyling to the old man, illustration from The Pickwick Papers by Charles Dickens (1812-70) published 1837 (litho) by Browne

Waterloo / Scott Poem 30
List - frequent to the hurrying rout, the stern pursuers vengeful shout tells, that upon their broken rear rages the Prussians bloody spear

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In a world consumed by vengeance, the depths of human wrath are unveiled. A chilling scene unfolds as a bloodthirsty lynch mob descends upon a couple accused of heinous crimes against their own daughter. The lithograph captures the sinister atmosphere, with hues of darkness and despair permeating every stroke. From centuries past, the engravings tell tales souls seeking retribution. Choleric characters leap from the pages, their anger palpable as they navigate through exercises in imagination. Morgan le Fay's treason is immortalized in an illustration from Alfred W. Pollard's epic tale of King Arthur and his knights - her betrayal leaving no room for forgiveness. Achilles, fueled by rage, unleashes his fury upon Hector in Domenico Cunego's engraving. The intensity emanates from each etched line, showcasing the destructive power that vengeance holds over even the mightiest warriors. Medea's pen and ink portrayal reveals her twisted mind before she commits unspeakable acts to avenge herself. The Ghost of Kohada Koheiji haunts our senses through vibrant woodblock prints; its spectral presence serving as a reminder that revenge knows no boundaries – not even death itself can quell its thirst for justice or destruction. Divine intervention takes form in God frightening Heliodorus within temple walls; an engraving depicting how divine forces can be summoned to exact punishment on those who have wronged others unjustly. Even everyday life is not immune to vengeful emotions - "The Jealous Husband" oil painting portrays jealousy morphing into vindictiveness within domestic confines; love turned sour leading down treacherous paths towards ruin and regret. In Frederick Warne and Co. 's colorful lithograph titled "There was an Old Man of the Cape, " we witness how simmering resentment can drive one to unimaginable lengths when provoked – even resorting to using a Barbary Ape as a weapon of revenge.