Victorian Art Collection (page 3)

A Prelude by Bach, 1868 (pencil and w / c on paper)
1199599 A Prelude by Bach, 1868 (pencil and w/c on paper) by Solomon, Simeon (1840-1905); 43.2x65 cm; Private Collection; Photo eChristies Images; English, out of copyright

Venus and Aeneas, 1874-c. 1919 (w / c on vellum)
1195384 Venus and Aeneas, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo eChristies Images; English, out of copyright

Ophelia, (pencil, pen and black ink and brown wash, on paper)
1199574 Ophelia, (pencil, pen and black ink and brown wash, on paper) by Rossetti, Dante Gabriel Charles (1828-82); 22.3x17.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

Portrait of Mrs. W. K. D Arcy, 1902 (oil on canvas)
1199555 Portrait of Mrs. W. K. D Arcy, 1902 (oil on canvas) by Dicksee, Frank (1853-1928); 137.2x156.2 cm; Private Collection; Photo eChristies Images; English, out of copyright

A Young Girl Seated in a Chair, a Bowl of Cherries in her Hand
1199534 A Young Girl Seated in a Chair, a Bowl of Cherries in her Hand, (pencil and w/c on paper) by Greenaway, Kate (1846-1901); 45.4x35.5 cm; Private Collection; Photo eChristies Images; English

The Fisher Boy, 1870 (oil on canvas)
1199525 The Fisher Boy, 1870 (oil on canvas) by McTaggart, William (1835-1910); 45.2x32.4 cm; Private Collection; Photo eChristies Images; Scottish, out of copyright

Study of a Rhododendron, 1915 (pencil and w / c on paper)
1199519 Study of a Rhododendron, 1915 (pencil and w/c on paper) by Mackintosh, Charles Rennie (1868-1928) & MacDonald Mackintosh

Girl in a Large Hat, 1892 (oil on canvas)
1199511 Girl in a Large Hat, 1892 (oil on canvas) by Steer, Philip Wilson (1860-1942); 61x50.8 cm; Private Collection; Photo eChristies Images; English, out of copyright

Christ Church, Oxford (pencil and w / c on paper)
1199497 Christ Church, Oxford (pencil and w/c on paper) by Rayner, Louise Ingram (1832-1924); 53.3x76.2 cm; Private Collection; (add.info.: Rayner)

The House Builders, 1880 (oil on canvas)
1199486 The House Builders, 1880 (oil on canvas) by Dicksee, Frank (1853-1928); 138.4x156.2 cm; Private Collection; Photo eChristies Images; English, out of copyright

Mary in Black, (oil on panel)
1197388 Mary in Black, (oil on panel) by Lavery, John (1856-1941); 35.5x26 cm; Private Collection; Photo eChristies Images; Irish, out of copyright

Gathering Flowers, (watercolour and gouache heightened with white and gum arabic on)
989635 Gathering Flowers, (watercolour and gouache heightened with white and gum arabic on) by Morgan, Frederick (1856-1927); 57.2x38.1 cm; Private Collection; (add.info.: Gathering Flowers)

The Oracle, (oil on canvas)
989553 The Oracle, (oil on canvas) by Robertson, George Edward (1864-1926); 145.5x250.2 cm; Private Collection; (add.info.: The Oracle. George Edward Robertson (1864-1926). Oil on canvas

St Cecilia (watercolour with bodycolour on paper)
989550 St Cecilia (watercolour with bodycolour on paper) by Murray, Charles Fairfax (1849-1919); 163.2x57.8 cm; Private Collection; (add.info.: St Cecilia)

For the King, (oil on canvas)
989282 For the King, (oil on canvas) by Hillingford, Robert Alexander (1825-1904); 43.2x66 cm; Private Collection; (add.info.: For the King. Robert Alexander Hillingford (1825-1904). Oil on canvas

Study for the Prodigal Son in Modern Life: The Departure, c. 1881 (oil on panel)
827068 Study for the Prodigal Son in Modern Life: The Departure, c.1881 (oil on panel) by Tissot, James Jacques Joseph (1836-1902); 22.6x34.5 cm; Private Collection; (add.info)

The Fair Conchologist, (pencil and watercolour with gum arabic)
991386 The Fair Conchologist, (pencil and watercolour with gum arabic) by Bayes, Alfred Walter (1858-1903); 37.5x27.3 cm; Private Collection; (add.info.: The Fair Conchologist)

Spring Showers, (oil on canvas)
650794 Spring Showers, (oil on canvas) by Boughton, George Henry (1833-1905); 33x22.5 cm; Private Collection; (add.info.: Spring Showers. George Henry Boughton (1833-1905). Oil on canvas

The Pet Dove, (oil on canvas)
989856 The Pet Dove, (oil on canvas) by Hardy, Heywood (1842-1933); 153.6x90.3 cm; Private Collection; (add.info.: The Pet Dove. Heywood Hardy (1842-1933). Oil on canvas

Certain ladies of her companionship gathered themselves with Beatrice when she kept alone
989855 Certain ladies of her companionship gathered themselves with Beatrice when she kept alone in her weeping, and as they passed in and out, I would hear them speak concerning her

The Lover, (painted enamelled earthenware, hammered copper frame)
985572 The Lover, (painted enamelled earthenware, hammered copper frame) by Marks, Henry Stacey (1829-98) (after); 44.6x72.8 cm; Private Collection; (add.info.: The Lover)

A Spring Idyll, 1901 (oil on canvas)
985380 A Spring Idyll, 1901 (oil on canvas) by Boughton, George Henry (1833-1905); 51x76.3 cm; Private Collection; (add.info.: A Spring Idyll. George Henry Boughton (1833-1905). Oil on canvas

The Setters Three, Bob, Bill and Ginger on a triple point, 1927 (oil on canvas)
985107 The Setters Three, Bob, Bill and Ginger on a triple point, 1927 (oil on canvas) by Rosseau, Percival Leonard (1859-1937); 62.3x101.7 cm; Private Collection; (add.info.: The Setters Three, Bob)

Bonaparte in Egypt, 21st July, 1798, 1911 (oil on canvas)
991620 Bonaparte in Egypt, 21st July, 1798, 1911 (oil on canvas) by Woodville, Richard Caton II (1856-1927); 96.5x122 cm; Private Collection; (add.info.: Bonaparte in Egypt, 21st July, 1798)

Adonis, King George IIIs Favourite Charger, (oil on panel)
990569 Adonis, King George IIIs Favourite Charger, (oil on panel) by Ward, James (1769-1859); 62.2x71.1 cm; Private Collection; (add.info.: Adonis, King George IIIs Favourite Charger)

A Dairy Farm on the Marshes, East Kent, 1859 (oil on canvas)
659907 A Dairy Farm on the Marshes, East Kent, 1859 (oil on canvas) by Cooper, Thomas Sidney (1803-1902); 116.8x198.1 cm; Private Collection; (add.info.: A Dairy Farm on the Marshes, East Kent)

Lead, Kindly Light, amid the Encircling Gloom, lead thou me on
659901 Lead, Kindly Light, amid the Encircling Gloom, lead thou me on!...and with the Morn those Angel Faces Smile, which I Have Loved Long Since, and Lost Awhile, 1894 (oil on board) by Paton

A Mallard, a Jug, a Peeled Lemon, Grapes and Shrimps on Draped Ledge, (oil on canvas)
659881 A Mallard, a Jug, a Peeled Lemon, Grapes and Shrimps on Draped Ledge, (oil on canvas) by Ladell, Edward (1821-86); 30.5x36 cm; Private Collection; (add.info.: A Mallard, a Jug, a Peeled Lemon)

The Countess of Derbys Departure from Martindale Castle, 1842 (oil on canvas)
659851 The Countess of Derbys Departure from Martindale Castle, 1842 (oil on canvas) by Herring Snr, John Frederick (1795-1865); 101.6x132 cm; Private Collection; (add.info)

John Knoxs House, Edinburgh, (pencil, watercolour and bodycolour)
659829 John Knoxs House, Edinburgh, (pencil, watercolour and bodycolour) by Rayner, Louise Ingram (1832-1924); 31.8x47.2 cm; Private Collection; (add.info.: John Knoxs House, Edinburgh)

The Broken Chord, (oil on canvas)
659790 The Broken Chord, (oil on canvas) by Breakspeare, William A. (1855-1914); 41.9x62.5 cm; Private Collection; (add.info.: The Broken Chord. William A. Breakspeare (1855-1914). Oil on canvas

The Fishermans Family, 1861 (oil on canvas)
659783 The Fishermans Family, 1861 (oil on canvas) by Parker, Henry Perlee (1795-1873); 76.5x64 cm; Private Collection; (add.info.: The Fishermans Family. Henry Perlee Parker (1795-1873)

The Carpenter, (pen and ink and watercolour)
659767 The Carpenter, (pen and ink and watercolour) by Hughes, Arthur (1832-1915); 13.3x17.8 cm; Private Collection; (add.info.: The Carpenter. Arthur Hughes (1832-1915). Pen and ink and watercolour

A Study for - The Birth of Love, (red chalk)
659766 A Study for - The Birth of Love, (red chalk) by Solomon, Solomon Joseph (1860-1927); 45.5x26.3 cm; Private Collection; (add.info.: A Study for - The Birth of Love)

Distant Thoughts, 1887 (watercolour and bodycolour)
657358 Distant Thoughts, 1887 (watercolour and bodycolour) by Langley, Walter (1852-1922); 46.5x60.5 cm; Private Collection; (add.info.: Distant Thoughts. Walter Langley (1852-1922)

Distant Thoughts, (oil on canvas)
657033 Distant Thoughts, (oil on canvas) by Langley, Walter (1852-1922); Private Collection; (add.info.: Distant Thoughts. Walter Langley (1852-1922). Oil on canvas

A Liverpool to Manchester Race with a Hunt Beyond, 1880 (oil on canvas)
659135 A Liverpool to Manchester Race with a Hunt Beyond, 1880 (oil on canvas) by Maggs, J.C. (1819-96); 51.4x94 cm; Private Collection; (add.info.: A Liverpool to Manchester Race with a Hunt Beyond)

The Hero of the Hour, (oil on canvas)
658984 The Hero of the Hour, (oil on canvas) by Morgan, Frederick (1856-1927); 93x125.7 cm; Private Collection; (add.info.: The Hero of the Hour. Frederick Morgan (1856-1927). Oil on canvas

Portrait of Mrs. Joseph Chamberlain, seated three-quarter length at a tea-table
658952 Portrait of Mrs. Joseph Chamberlain, seated three-quarter length at a tea-table, wearing a grey and white dress, 1891 (oil on canvas) by Millais

The Autumns Golden Glory, (oil on canvas)
658400 The Autumns Golden Glory, (oil on canvas) by Grimshaw, John Atkinson (1836-93); 28.5x44.5 cm; Private Collection; (add.info.: The Autumns Golden Glory. John Atkinson Grimshaw (1836-1893)

A View of Windsor Castle from the Brocas Meadows, 1856
658392 A View of Windsor Castle from the Brocas Meadows, 1856 () by Vickers, Alfred (1786-1868); 64x99.6 cm; Private Collection; (add.info.: A View of Windsor Castle from the Brocas Meadows)

The Ramparts of Gods House, 1890 (oil on canvas)
659011 The Ramparts of Gods House, 1890 (oil on canvas) by Strudwick, John Melhuish (1849-1937); 61x85.1 cm; Private Collection; Photo eChristies Images; English, out of copyright

A Boy with Poultry and a Goat in a Farmyard, 1903 (oil on canvas)
658704 A Boy with Poultry and a Goat in a Farmyard, 1903 (oil on canvas) by Hunt, Charles (1829-1900); 49.5x75 cm; Private Collection; (add.info.: A Boy with Poultry and a Goat in a Farmyard)

The Labour of the Danaids, 1878 (oil on canvas)
658685 The Labour of the Danaids, 1878 (oil on canvas) by Weguelin, John Reinhard (1849-1927); 114x92 cm; Private Collection; (add.info.: The Labour of the Danaids)

A Portrait of Kathleen Newton, 1877 (oil on canvas)
658507 A Portrait of Kathleen Newton, 1877 (oil on canvas) by Tissot, James Jacques Joseph (1836-1902); 90x67 cm; Private Collection; (add.info.: A Portrait of Kathleen Newton)

Removing the Thorn, (oil on canvas)
658316 Removing the Thorn, (oil on canvas) by Lejeune, Henry (1819-1904); 35.5x27.3 cm; Private Collection; (add.info.: Removing the Thorn. Henry Lejeune (1820-1904). Oil on canvas

Judith and Her Attendant, 1867 (oil on canvas)
658312 Judith and Her Attendant, 1867 (oil on canvas) by Solomon, Simeon (1840-1905); 82x56.5 cm; Private Collection; (add.info.: Judith and Her Attendant. Simeon Solomon (1840-1905). Oil on canvas

At the Crossing, (oil on canvas)
658297 At the Crossing, (oil on canvas) by King, Henry John Yeend (1855-1924); 46x61 cm; Private Collection; (add.info.: At the Crossing. Henry John Yeend King (1855-1924). Oil on canvas

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Step back in time and immerse yourself in the enchanting world of Victorian art. From the grandeur of Orlando, a Bay Racehorse in a Loosebox, to the delicate strokes of The Milkmaid, this era captivates with its diverse range of artistic expressions. In 1845, Orlando takes center stage as his majestic presence is captured on an oil panel. The artist's attention to detail brings forth every muscle and sinew, showcasing the power and grace of this magnificent creature. Moving forward to 1902, we encounter The Milkmaid rendered through pencil and watercolor. This gentle portrayal evokes a sense of tranquility as she goes about her daily chores. The subtle hues create a soft ambiance that transports us to simpler times. The Wappenshaw: A Shooting Match invites us into an oil-painted paper scene filled with excitement and camaraderie. As participants take aim at their targets, we witness the thrill that comes from friendly competition amidst stunning landscapes. Shakespearean tales come alive through Victorian art as seen in The Wrestling Scene in As You Like It. Painted in 1854 on canvas, this masterpiece captures the intensity and athleticism displayed by actors portraying these iconic characters. Teatime offers a glimpse into domestic life during this period using pencil and watercolor heightened with white on card technique. Delicate teacups rest upon lace doilies while conversation flows freely among friends gathered around a table adorned with floral arrangements. The Fortune Teller enchants viewers with its vivid colors painted onto canvas in 1907. Mysterious figures gather under dim candlelight as secrets are whispered between fortune teller and client - an intriguing narrative unfolds before our eyes. A Stroll in the Garden showcases nature's beauty through skillful brushstrokes on canvas. Lush foliage surrounds elegantly dressed individuals who find solace within these serene surroundings - an escape from bustling city life.