Waterhouse Collection (page 3)

Writtle Lodge, Essex, engraved by William Tombleson, 1832 (engraving)
XJF451307 Writtle Lodge, Essex, engraved by William Tombleson, 1832 (engraving) by Bartlett, William Henry (1809-54) (after); Private Collection; (add.info.: Writtle Lodge, of the Great Water House)

William, later Dr. Vyse Dr. Vyse Inscribed, upper left: William Vsfe Esq
William, later Dr. Vyse Dr. Vyse Inscribed, upper left: " William Vsfe Esq. | [underlined:] Fellow of Allsouls College" Signed and dated, center right: " T

John Palmer, Barrister of the Inner Temple John Palmer Signed and dated in brown paint, lower left: " W Hogarth pinx+ 1749" [1749 is painted in a different hand], William Hogarth

Mrs. Mary Chauncey a Young Woman Signed and dated in yellow, lower center: F
Mrs. Mary Chauncey a Young Woman Signed and dated in yellow, lower center: " F Hayman P. | 1748", Francis Hayman, 1707/8-1776, British

An Unknown Man Signed and dated by chisel on supporting column on back of bust: Turnerelli
An Unknown Man Signed and dated by chisel on supporting column on back of bust: " Turnerelli | R | Sculp. 1821.", Peter Turnerelli, 1774-1839, British

Seal and Walrus used for: food and tents: clothing: canoes: fur: oil: glue: false teeth. Hand-coloured lithograph by Waterhouse Hawkins published London c1850

Cochineal and Lac Insects (Scale insects). Lacquer, varnish and scarlet dye derived from lac insect: red colour used in cooking from cochineal

Dinner given by Waterhouse Hawkins (the maker) to celebrate the completion of two Iguanadon statues to be put on display at the Crystal Palace, Sydenham, New Years Eve, 1853

Duck, Geese and Swans. Wildfowling: Farmyard: Food: Swansdown trimming: Quill pen: Feather bed: Ornamental waterfowl. Hand-coloured lithograph by Waterhouse Hawkins published London c.1850

The Pig: Pannage: Boar hunting: Meat: Lard: Paint brush: Broom: Saddle. Hand-coloured lithograph by Waterhouse Hawkins published London c.850

The Goat: Used for milk: cheese: meat: leather: textiles: gloves: shoes: draught. Hand-coloured lithograph by Waterhouse Hawkins

The Donkey: Used for milk: As a pack animal: for riding: as a draught animal: as drum skins. Hand-coloured lithograph by Waterhouse Hawkins published London c1850

The Camel: used for transport: milk: meat: cloth. Hand-coloured lithograph by Waterhouse Hawkins, creator of the prehistoric animals for the Crystal Palace exhibition of 1851

Hare and Rabbit: used for meat: fur: beaver hats : pets and for coursing. Hand-coloured lithograph by Waterhouse Hawkins published London c1850

The Extinct Animals model room at Crystal Palace, Sydenham, showing models of dinosaurs being prepared for display. Benjamin Waterhouse Hawkins (1807-1889) prepared the display

John William Waterhouse - Undine

Honeysuckle (Lonicera periclymenum) C016 / 5922
Honeysuckle (Lonicera periclymenum). One of the 162 decorative panels depicting flora that form the ceiling of the Central Hall at the Natural History Museum, London, UK

Gargoyle
One of the many gargoyles which adorn the exterior of the Natural History Museum, London. Alfred Waterhouse (1830-1905) designed the museum in the 1860s

The Waterhouse Building
A floodlit exterior view of the Waterhouse Builiding at the Natural History Museum, London. Designed by Alfred Waterhouse (1830-1905) and opened to the public on Easter Monday 1881

Snake and plant design
Drawing by Alfred Waterhouse for the ornamentation of the Natural History Museum, London, 1875-1876. Waterhouse designed the museum in the 1860s, and it first opened its doors on Easter Monday 1881

Gargoyle design
Drawing by Alfred Waterhouse for the ornamentation of the Natural History Museum, London, 1875-1876. Waterhouse designed the museum in the 1860s, and it first opened its doors on Easter Monday 1881

Panther design
Drawing by Alfred Waterhouse for the ornamentation of the Natural History Museum, London, 1875-1876. Waterhouse designed the museum in the 1860s, and it first opened its doors on Easter Monday 1881

Leaves and plant
Drawing by Alfred Waterhouse for the ornamentation of the Natural History Museum, London, 1875-1876. Waterhouse designed the museum in the 1860s, and it first opened its doors on Easter Monday 1881

Fossil and plant illustration
Drawing by Alfred Waterhouse for the ornamentation of the Natural History Museum, London, 1875-1876. Waterhouse designed the museum in the 1860s, and it first opened its doors on Easter Monday 1881

Plant design
Drawing by Alfred Waterhouse for the ornamentation of the Natural History Museum, London, 1875-1876. Waterhouse designed the museum in the 1860s, and it first opened its doors on Easter Monday 1881

Detail of terracotta moulding of a dragonfly in the Waterhou
The Waterhouse Buiding at the Natural History Museum, London was designed by Alfred Waterhouse (1830-1905) and first opened its doors on Easter Monday 1881

Lonicera periclymenum, honeysuckle
One of the 36 decorative panels depicting flora that form the ceiling of the North Hall at the Natural History Museum, London

Exterior view of the Waterhouse Building, detail of spire
The Waterhouse Buiding at the Natural History Museum, London was designed by Alfred Waterhouse (1830-1905) and first opened its doors on Easter Monday 1881

Polygonum bistorta, meadow bistort
One of the 36 decorative panels depicting flora that form the ceiling of the North Hall at the Natural History Museum, London

Detail of terracotta moulding of a dodo in the Waterhouse Bu
The Waterhouse Buiding at the Natural History Museum, London was designed by Alfred Waterhouse (1830-1905) and first opened its doors on Easter Monday 1881

Drawing of the Cromwell Road facade of the Natural History M
The Waterhouse building was designed by Alfred Waterhouse and opened to the public in 1881

Drawing of the Cromwell Road facade of the Natural History
The Waterhouse building was designed by Alfred Waterhouse and opened to the public in 1881

Asps design
Drawing by Alfred Waterhouse for the ornamentation of the Natural History Museum, London, 1875-1876. Waterhouse designed the museum in the 1860s, and it first opened its doors on Easter Monday 1881

Flowers and leaves design
Drawing by Alfred Waterhouse for the ornamentation of the Natural History Museum, London, 1875-1876. Waterhouse designed the museum in the 1860s, and it first opened its doors on Easter Monday 1881

Plant design for museum architecture
Drawing by Alfred Waterhouse for the ornamentation of the Natural History Museum, London, 1875-1876. Waterhouse designed the museum in the 1860s, and it first opened its doors on Easter Monday 1881

Leaves design
Drawing by Alfred Waterhouse for the ornamentation of the Natural History Museum, London, 1875-1876. Waterhouse designed the museum in the 1860s, and it first opened its doors on Easter Monday 1881

Flowers design
Drawing by Alfred Waterhouse for the ornamentation of the Natural History Museum, London, 1875-1876. Waterhouse designed the museum in the 1860s, and it first opened its doors on Easter Monday 1881

Palaeotherium Anoplotherium vulgaris
Drawing by Alfred Waterhouse for the ornamentation of the Natural History Museum, London, 1875-1876. Waterhouse designed the museum in the 1860s, and it first opened its doors on Easter Monday 1881

Bat design
Drawing by Alfred Waterhouse for the ornamentation of the Natural History Museum, London, 1875-1876. Waterhouse designed the museum in the 1860s, and it first opened its doors on Easter Monday 1881

Golden pheasant design
Drawing 30 Vol 2 by Alfred Waterhouse for the ornamentation of the Natural History Museum, London, 1876. Waterhouse designed the museum in the 1860s

Datura stramonium, jimsonweed
One of the 36 decorative panels depicting flora that form the ceiling of the North Hall at the Natural History Museum, London

Epilobium angustifolium, fireweed
One of the 36 decorative panels depicting flora that form the ceiling of the North Hall at the Natural History Museum, London

Helleborus viridis, green hellebore
Hellebores contain a powerful cardiac poison & narcotic. Used medicinally for a variety of conditions, it needed to be administered with care to avoid being fatal to the patient

Sambucus nigra, elder

All Professionally Made to Order for Quick Shipping

Waterhouse, the renowned artist of the late 19th and early 20th centuries, captivated audiences with his mesmerizing paintings. One of his most famous works is "Lady of Shalott" from 1888, which depicts a tragic figure trapped in her own world. The haunting beauty and intricate details in this masterpiece showcase Waterhouse's exceptional talent. In another notable piece titled "I am half sick of shadows, " created around 1911, Waterhouse explores themes of introspection and longing. The painting exudes a sense of melancholy as it portrays a woman lost in thought amidst an ethereal backdrop. Waterhouse's fascination with mythology is evident in his artwork as well. In "Circe Invidiosa" from 1892, he brings to life the enchantress Circe who holds a venomous snake while casting her spell. This captivating portrayal showcases Waterhouse's ability to capture both beauty and danger within one composition. The artist also delved into literature for inspiration, as seen in his depiction of Miranda from Shakespeare's play "The Tempest. " Painted in 1916, this piece captures the innocence and curiosity that define Miranda's character. Not limited to mythological or literary subjects, it also explored other themes such as mermaids. His painting simply titled "A Mermaid" showcases his mastery over capturing delicate features and creating an atmosphere filled with mystery. Narcissus and Echo are brought to life through Waterhouse's artistic interpretation as well. His rendition reflects Narcissus' self-absorption mirrored by Echo's unrequited love—a poignant representation of human emotions entwined with Greek mythology. Aside from John William Waterhouse’s artworks, it is important not to confuse him with Alfred Waterhouse—the architect responsible for designing London’s iconic Natural History Museum. This architectural marvel stands tall today thanks to Alfred’s vision and creativity. Even beyond artistry lies another connection to the Waterhouse name.