Waterhouse Collection (page 4)

Lonicera periclymenum, honeysuckle
One of the 36 decorative panels depicting flora that form the ceiling of the North Hall at the Natural History Museum, London

Exterior view of the Waterhouse Building, detail of spire
The Waterhouse Buiding at the Natural History Museum, London was designed by Alfred Waterhouse (1830-1905) and first opened its doors on Easter Monday 1881

Polygonum bistorta, meadow bistort
One of the 36 decorative panels depicting flora that form the ceiling of the North Hall at the Natural History Museum, London

Detail of terracotta moulding of a dodo in the Waterhouse Bu
The Waterhouse Buiding at the Natural History Museum, London was designed by Alfred Waterhouse (1830-1905) and first opened its doors on Easter Monday 1881

Drawing of the Cromwell Road facade of the Natural History M
The Waterhouse building was designed by Alfred Waterhouse and opened to the public in 1881

Drawing of the Cromwell Road facade of the Natural History
The Waterhouse building was designed by Alfred Waterhouse and opened to the public in 1881

Asps design
Drawing by Alfred Waterhouse for the ornamentation of the Natural History Museum, London, 1875-1876. Waterhouse designed the museum in the 1860s, and it first opened its doors on Easter Monday 1881

Flowers and leaves design
Drawing by Alfred Waterhouse for the ornamentation of the Natural History Museum, London, 1875-1876. Waterhouse designed the museum in the 1860s, and it first opened its doors on Easter Monday 1881

Plant design for museum architecture
Drawing by Alfred Waterhouse for the ornamentation of the Natural History Museum, London, 1875-1876. Waterhouse designed the museum in the 1860s, and it first opened its doors on Easter Monday 1881

Leaves design
Drawing by Alfred Waterhouse for the ornamentation of the Natural History Museum, London, 1875-1876. Waterhouse designed the museum in the 1860s, and it first opened its doors on Easter Monday 1881

Flowers design
Drawing by Alfred Waterhouse for the ornamentation of the Natural History Museum, London, 1875-1876. Waterhouse designed the museum in the 1860s, and it first opened its doors on Easter Monday 1881

Palaeotherium Anoplotherium vulgaris
Drawing by Alfred Waterhouse for the ornamentation of the Natural History Museum, London, 1875-1876. Waterhouse designed the museum in the 1860s, and it first opened its doors on Easter Monday 1881

Bat design
Drawing by Alfred Waterhouse for the ornamentation of the Natural History Museum, London, 1875-1876. Waterhouse designed the museum in the 1860s, and it first opened its doors on Easter Monday 1881

Golden pheasant design
Drawing 30 Vol 2 by Alfred Waterhouse for the ornamentation of the Natural History Museum, London, 1876. Waterhouse designed the museum in the 1860s

Datura stramonium, jimsonweed
One of the 36 decorative panels depicting flora that form the ceiling of the North Hall at the Natural History Museum, London

Epilobium angustifolium, fireweed
One of the 36 decorative panels depicting flora that form the ceiling of the North Hall at the Natural History Museum, London

Helleborus viridis, green hellebore
Hellebores contain a powerful cardiac poison & narcotic. Used medicinally for a variety of conditions, it needed to be administered with care to avoid being fatal to the patient

Sambucus nigra, elder

North Hall of the Natural History Museum, London
Front entrance and Cromwell Road facade of the Waterhouse building. The museum was designed by Alfred Waterhouse (1830-1905) and first opened its doors on Easter Monday 1881. Photographed by Paul Lund

Window detail, the Natural History Museum, London
Windows on the west pavilion of the Natural History Museum, London. Alfred Waterhouse (1830-1905) designed the museum in the 1860s, and it first opened its doors on Easter Monday 1881

Floodlit view of the Waterhouse Building
Alfred Waterhouse (1830-1905) designed the museum in the 1860s, and it first opened its doors on Easter Monday 1881

Exterior detail of The Natural History Museum, London
Detail of terracotta panel designed by Alfred Waterhouse (1830-1905). Waterhouse designed the museum in the 1860s, and it first opened its doors on Easter Monday 1881

The Main Entrance and Cromwell Road Facade of the Natural Hi
Alfred Waterhouse (1830-1905) designed the museum in the 1860s, and it first opened its doors on Easter Monday 1881

View of statue of Sir Richard Owen (1804-1892)
The Central Hall, the Natural History Museum, London. Superintendent of the Natural History Departments of the British Museum 1856-1883

Detail of columns on the Waterhouse Building
Alfred Waterhouse (1830-1905) designed the museum in the 1860s, and it first opened its doors on Easter Monday 1881

Detail of interior columns, the Natural History Museum, Lond
Alfred Waterhouse (1830-1905) designed the museum in the 1860s, and it first opened its doors on Easter Monday 1881

Interior view of the Natural History Museum, London

The Mary Anning room within the Natural History Museum, London

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Waterhouse, the renowned artist of the late 19th and early 20th centuries, captivated audiences with his mesmerizing paintings. One of his most famous works is "Lady of Shalott" from 1888, which depicts a tragic figure trapped in her own world. The haunting beauty and intricate details in this masterpiece showcase Waterhouse's exceptional talent. In another notable piece titled "I am half sick of shadows, " created around 1911, Waterhouse explores themes of introspection and longing. The painting exudes a sense of melancholy as it portrays a woman lost in thought amidst an ethereal backdrop. Waterhouse's fascination with mythology is evident in his artwork as well. In "Circe Invidiosa" from 1892, he brings to life the enchantress Circe who holds a venomous snake while casting her spell. This captivating portrayal showcases Waterhouse's ability to capture both beauty and danger within one composition. The artist also delved into literature for inspiration, as seen in his depiction of Miranda from Shakespeare's play "The Tempest. " Painted in 1916, this piece captures the innocence and curiosity that define Miranda's character. Not limited to mythological or literary subjects, it also explored other themes such as mermaids. His painting simply titled "A Mermaid" showcases his mastery over capturing delicate features and creating an atmosphere filled with mystery. Narcissus and Echo are brought to life through Waterhouse's artistic interpretation as well. His rendition reflects Narcissus' self-absorption mirrored by Echo's unrequited love—a poignant representation of human emotions entwined with Greek mythology. Aside from John William Waterhouse’s artworks, it is important not to confuse him with Alfred Waterhouse—the architect responsible for designing London’s iconic Natural History Museum. This architectural marvel stands tall today thanks to Alfred’s vision and creativity. Even beyond artistry lies another connection to the Waterhouse name.