Fraud Blocker Skip to main content

Wooden Leg Collection (page 2)

In the quaint coastal town of Dick Dock, known for its maritime history, there lies a legendary tale that has been passed down through generations

Background imageWooden Leg Collection: N: Non-for

N: Non-for
6523540 N: Non-for by French School, (19th century); Private Collection; (add.info.: in " Comic Military Alphabet. Pellerin & Cie, printer and publisher, circa 1890)

Background imageWooden Leg Collection: Having said that, this poor invalid gives us a curtsy, and goes hobbling off from S

Having said that, this poor invalid gives us a curtsy, and goes hobbling off from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageWooden Leg Collection: No. 4: Cook, February 15, 1799. Creator: Henri Merke

No. 4: Cook, February 15, 1799. Creator: Henri Merke
No. 4: Cook, February 15, 1799

Background imageWooden Leg Collection: Chambermaid pulling on a sleeping guests wooden leg

Chambermaid pulling on a sleeping guests wooden leg
5893702 Chambermaid pulling on a sleeping guests wooden leg. by Rowlandson, Thomas (1756-1827); (add.info.: Chambermaid pulling on a sleeping guests wooden leg mistaking it for a warming pan)

Background imageWooden Leg Collection: For all the world, I was led like a dancing bear, an illustration from Treasure Island by Robert

For all the world, I was led like a dancing bear, an illustration from Treasure Island by Robert Louis Stevenson, pub
3664666 For all the world, I was led like a dancing bear, an illustration from Treasure Island by Robert Louis Stevenson, pub.by Charles Scribner's Sons, 1911 (colour litho) by Wyeth

Background imageWooden Leg Collection: Vieux Poilus... Vieux Souvenirs, from Histoire de la Troisieme Republique, Vol

Vieux Poilus... Vieux Souvenirs, from Histoire de la Troisieme Republique, Vol
3504440 Vieux PoilusA... Vieux Souvenirs, from Histoire de la Troisieme Republique, Vol. I, l Histoire Politique, pub.1933 (litho) by French Photographer (20th century); (add.info)

Background imageWooden Leg Collection: Beggar with a wooden leg, c. 1630 (etching)

Beggar with a wooden leg, c. 1630 (etching)
5981337 Beggar with a wooden leg, c.1630 (etching) by Rembrandt Harmensz. van Rijn (1606-69); 11.4x6.6 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Beggar with a wooden leg (NH.49.I)

Background imageWooden Leg Collection: View of a terrace on the outskirts of Paris, c. 1810 (gouache on paper)

View of a terrace on the outskirts of Paris, c. 1810 (gouache on paper)
MMT386424 View of a terrace on the outskirts of Paris, c.1810 (gouache on paper) by Mongin, Antoine Pierre (1761-1827); 34x51 cm; Musee Marmottan Monet, Paris

Background imageWooden Leg Collection: Dick Dock: Or, the Lobster and Crab ( The Veterans ), pub

Dick Dock: Or, the Lobster and Crab ( The Veterans ), pub
2494468 Dick Dock: Or, the Lobster and Crab ( The Veterans ), pub. 1806 (hand coloured engraving) by Cruikshank, George (1792-1878) & Isaac (1756-1811)

Background imageWooden Leg Collection: The Retturn to Port, from The English Spy, pub. 1824 (hand coloured engraving)

The Retturn to Port, from The English Spy, pub. 1824 (hand coloured engraving)
3085948 The Retturn to Port, from The English Spy, pub. 1824 (hand coloured engraving) by Cruikshank, Isaac Robert (1789-1856); Private Collection; (add.info.: Sailors Carousing)

Background imageWooden Leg Collection: The Greenwich Pensioner, pub. 1791 (hand coloured engraving)

The Greenwich Pensioner, pub. 1791 (hand coloured engraving)
2636956 The Greenwich Pensioner, pub. 1791 (hand coloured engraving) by Cruikshank, Isaac Robert (1789-1856); Private Collection; The Stapleton Collection; English, out of copyright

Background imageWooden Leg Collection: For all the world, I was led like a dancing bear, an illustration from

For all the world, I was led like a dancing bear, an illustration from
STC321030 For all the world, I was led like a dancing bear, an illustration from Treasure Island by Robert Louis Stevenson, pub

Background imageWooden Leg Collection: John Bull & his Dog Faithful, published by Hannah Humphrey in 1796 (hand-coloured etching

John Bull & his Dog Faithful, published by Hannah Humphrey in 1796 (hand-coloured etching
NCO191226 John Bull & his Dog Faithful, published by Hannah Humphrey in 1796 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageWooden Leg Collection: The Hospital, plate 15 from The Miseries and Misfortunes of War

The Hospital, plate 15 from The Miseries and Misfortunes of War
XIR172408 The Hospital, plate 15 from The Miseries and Misfortunes of War, engraved by Israel Henriet (c.1590-1661) 1633 (engraving) (b/w photo) by Callot

Background imageWooden Leg Collection: A landscape with a cottage and horsemen (oil on panel)

A landscape with a cottage and horsemen (oil on panel)
BAL31905 A landscape with a cottage and horsemen (oil on panel) by Wouwermans or Wouwerman, Pieter (1623-82); Johnny van Haeften Gallery, London, UK; Dutch, out of copyright

Background imageWooden Leg Collection: Pensioners

Pensioners
LLM459977 Pensioners by Fox, George (1851-fl.1889); Private Collection; (add.info.: Pensioners. Illustration for The Boys Own Annual (1897).); © Look and Learn

Background imageWooden Leg Collection: Peter Stuyvesant (1592-1672) and the Trumpeter, 1835 (oil on canvas)

Peter Stuyvesant (1592-1672) and the Trumpeter, 1835 (oil on canvas)
NYH150011 Peter Stuyvesant (1592-1672) and the Trumpeter, 1835 (oil on canvas) by Durand, Asher Brown (1796-1886); 61.6x76.8 cm; Collection of the New-York Historical Society

Background imageWooden Leg Collection: Poster for the Association des Mutiles de la Guerre, c. 1920 (colour litho)

Poster for the Association des Mutiles de la Guerre, c. 1920 (colour litho)
CHT236367 Poster for the Association des Mutiles de la Guerre, c.1920 (colour litho) by French School, (20th century); Musee d Histoire Contemporaine, B.D.I.C

Background imageWooden Leg Collection: Governor Peter Stuyvesant surrenders New Amsterdam to the British in 1664 (litho)

Governor Peter Stuyvesant surrenders New Amsterdam to the British in 1664 (litho)
PNP377427 Governor Peter Stuyvesant surrenders New Amsterdam to the British in 1664 (litho) by American School; Private Collection; (add.info.: Peter Stuyvesant (1616-72)

Background imageWooden Leg Collection: 'Two guineas'shouted Merry, shaking it at Silver

"Two guineas"shouted Merry, shaking it at Silver
IL370477 " Two guineas" shouted Merry, shaking it at Silver, illustration from Treasure Island by Robert Louis Stevenson (colour litho) by Cameron

Background imageWooden Leg Collection: The young Prince siad 'I am not afraid;I am determined to go

The young Prince siad "I am not afraid;I am determined to go
3474192 The young Prince siad " I am not afraid; I am determined to go and look upon the lovely Briar Rose" A... from The Fairy Tales of the Brothers Grimm, pub

Background imageWooden Leg Collection: Very Unpleasant Weather or the Old Saying verified Raining Cats

Very Unpleasant Weather or the Old Saying verified Raining Cats
2492425 Very Unpleasant Weather or the Old Saying verified Raining Cats, Dogs and Pitchforks, published by Thomas McLean, 26 Haymarket, August 1st 1835 (hand coloured engraving) by Cruikshank

Background imageWooden Leg Collection: Letter I (chromolitho)

Letter I (chromolitho)
3626570 Letter I (chromolitho) by Zweigle, Walter (1859-1904); Private Collection; (add.info.: Letter I. Illustration from Welt-ABC (Gustav Weise, Stuttgart, c1894).); © Look and Learn

Background imageWooden Leg Collection: Posting in Ireland, 1805 (coloured etching) (see also 266475)

Posting in Ireland, 1805 (coloured etching) (see also 266475)
BSA266474 Posting in Ireland, 1805 (coloured etching) (see also 266475) by Smith, Charles Lorraine (1751-1835); 51x61 cm; Private Collection; eThe British Sporting Art Trust; English, out of copyright

Background imageWooden Leg Collection: Peter Stuyvesant chastises Willem Wickendam for preaching a Baptist sermon (litho)

Peter Stuyvesant chastises Willem Wickendam for preaching a Baptist sermon (litho)
PNP377426 Peter Stuyvesant chastises Willem Wickendam for preaching a Baptist sermon (litho) by American School; Private Collection; (add.info)

Background imageWooden Leg Collection: The Army (oil on canvas)

The Army (oil on canvas)
TW427174 The Army (oil on canvas) by Kidd, William (1796-1863); 70.2 x 51.7 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; Scottish, out of copyright

Background imageWooden Leg Collection: So he said 'Heres Jim Hawkins, shiver my timbers'

So he said "Heres Jim Hawkins, shiver my timbers"
IL370475 So he said " Heres Jim Hawkins, shiver my timbers", illustration from Treasure Island by Robert Louis Stevenson (colour litho) by Cameron

Background imageWooden Leg Collection: Renewal of the Triple Alliance (colour litho)

Renewal of the Triple Alliance (colour litho)
2818757 Renewal of the Triple Alliance (colour litho) by Meyer, Henri (1841-99) (after); Private Collection; (add.info.: Renewal of the Triple Alliance. Cauterising a wooden leg)

Background imageWooden Leg Collection: Amputees race (colour litho)

Amputees race (colour litho)
2818622 Amputees race (colour litho) by Meyer, Henri (1841-99) (after); Private Collection; (add.info.: Amputees race. La course des jambes de bois)

Background imageWooden Leg Collection: A Bundle of Truths, 1811 (hand-coloured engraving)

A Bundle of Truths, 1811 (hand-coloured engraving)
2562170 A Bundle of Truths, 1811 (hand-coloured engraving) by Cruikshank, George (1792-1878); Private Collection; The Stapleton Collection; English, out of copyright

Background imageWooden Leg Collection: Peter Stuyvesant and the Cobbler, c. 1850 (oil on canvas)

Peter Stuyvesant and the Cobbler, c. 1850 (oil on canvas)
NYH154525 Peter Stuyvesant and the Cobbler, c.1850 (oil on canvas) by Ehninger, John Whetten (1827-89); 91.4x122.2 cm; Collection of the New-York Historical Society

Background imageWooden Leg Collection: Les malins unipieds. Illustration for Le Pele-Mele, 1906 (colour litho)

Les malins unipieds. Illustration for Le Pele-Mele, 1906 (colour litho)
3101421 Les malins unipieds. Illustration for Le Pele-Mele, 1906 (colour litho) by French School, (20th century); Private Collection; (add.info.: Les malins unipieds)

Background imageWooden Leg Collection: The Battle of the Nile, from Greenwich Hospital, a Series of Naval Sketches

The Battle of the Nile, from Greenwich Hospital, a Series of Naval Sketches
2637000 The Battle of the Nile, from Greenwich Hospital, a Series of Naval Sketches, Descriptive of a Life of a Man-of-Wars Man, pub

Background imageWooden Leg Collection: Chelsea Pensioners, Cavalry and Infantry, from Costumes of the Army of the British

Chelsea Pensioners, Cavalry and Infantry, from Costumes of the Army of the British
NAM254149 Chelsea Pensioners, Cavalry and Infantry, from Costumes of the Army of the British Empire, according to the last regulations 1812, engraved by J.C. Stadler, published by Colnaghi & Co

Background imageWooden Leg Collection: The Battle of the Nile, published by James Robins & Co. 1st July 1825 (coloured etching)

The Battle of the Nile, published by James Robins & Co. 1st July 1825 (coloured etching)
RNM286340 The Battle of the Nile, published by James Robins & Co. 1st July 1825 (coloured etching) by Cruikshank, George (1792-1878); National Museum of the Royal Navy, Portsmouth, Hampshire

Background imageWooden Leg Collection: A soldier in uniform with three medals is standing next to a cannon in Paris

A soldier in uniform with three medals is standing next to a cannon in Paris
699205 A soldier in uniform with three medals is standing next to a cannon in Paris, 1918 (autochrome) by Gervais-Courtellemont

Background imageWooden Leg Collection: Chelsea Pensioners, Cavalry and Infantry, from Costume of the Army of the British

Chelsea Pensioners, Cavalry and Infantry, from Costume of the Army of the British
STC174270 Chelsea Pensioners, Cavalry and Infantry, from Costume of the Army of the British Empire, engraved by Joseph Constantine Stadler (fl.1780-1812), published 1812-15 (colour litho) by Smith

Background imageWooden Leg Collection: Point Street, Portsmouth, from 'The English Spy', pub

Point Street, Portsmouth, from "The English Spy", pub
3085947 Point Street, Portsmouth, from " The English Spy", pub. 1824 (hand coloured engraving) by Cruikshank, Isaac Robert (1789-1856); Private Collection; (add.info)

Background imageWooden Leg Collection: 'He soon found many of his former cronies, though all rather the worse for the wear

"He soon found many of his former cronies, though all rather the worse for the wear
3100482 " He soon found many of his former cronies, though all rather the worse for the wear and tear of time.", from Rip Van Winkle by Washington Irving, pub

Background imageWooden Leg Collection: Punch cartoon: A Trifling Chronological Error (engraving)

Punch cartoon: A Trifling Chronological Error (engraving)
6034742 Punch cartoon: A Trifling Chronological Error (engraving) by English School, (19th century); Private Collection; (add.info.: Punch cartoon: A Trifling Chronological Error)

Background imageWooden Leg Collection: Itinerant Musicians playing in a poor part of town (w / c on paper)

Itinerant Musicians playing in a poor part of town (w / c on paper)
STC205073 Itinerant Musicians playing in a poor part of town (w/c on paper) by Sandby, Paul (1725-1809); Victoria & Albert Museum, London, UK; The Stapleton Collection; English, out of copyright

Background imageWooden Leg Collection: Beggar with Wooden Leg. Creator: Unknown

Beggar with Wooden Leg. Creator: Unknown
Beggar with Wooden Leg

Background imageWooden Leg Collection: Beggar with a Wooden Leg, 1632. Creator: Jan Georg van Vliet

Beggar with a Wooden Leg, 1632. Creator: Jan Georg van Vliet
Beggar with a Wooden Leg, 1632

Background imageWooden Leg Collection: Cripple with Crutch and Wooden Leg, c. 1622. Creator: Jacques Callot

Cripple with Crutch and Wooden Leg, c. 1622. Creator: Jacques Callot
Cripple with Crutch and Wooden Leg, c. 1622

Background imageWooden Leg Collection: Beggar with Wooden Leg, c. 1622. Creator: Jacques Callot

Beggar with Wooden Leg, c. 1622. Creator: Jacques Callot
Beggar with Wooden Leg, c. 1622

Background imageWooden Leg Collection: Hudibras Triumphant (Twelve Large Illustrations for Samuel Butlers Hudibras, Plate 4)

Hudibras Triumphant (Twelve Large Illustrations for Samuel Butlers Hudibras, Plate 4), 1725-68



All Professionally Made to Order for Quick Shipping

In the quaint coastal town of Dick Dock, known for its maritime history, there lies a legendary tale that has been passed down through generations. It all began in the year 1806 at a local tavern called The Lobster and Crab. As the story goes, there was a sailor named Pierre Daumesnil who had lost his leg during a fierce battle at sea. Determined not to let this setback define him, he made a vow to reclaim his place on board once he retrieved his wooden leg. This courageous promise inspired many and became an emblem of resilience. Centuries later, in 1896, an illustration captured this remarkable scene from Pierre's life. The intricate artwork depicted him standing tall with his prosthetic limb held high as if proclaiming victory over adversity. It was titled "When you give me back my leg, I'll give you my place back. " Wooden legs have long symbolized strength and perseverance throughout history. In Francois Voltaire's renowned novel Candide, published in 1787, an engraving showcased the harsh reality behind Europe's sugar consumption: slaves forced to work on plantations while wearing wooden legs. The significance of these limbs extended beyond their practical use; they brought people together too. In 1831, members of The Quidam Association - old sailors who had experienced life on choppy waters - gathered in a cozy pub to share stories and camaraderie. Meanwhile, another engraving from that same year portrayed a rich miser attentively listening to a poor soldier using an ear trumpet. This image served as a reminder that wealth could never replace empathy or understanding. Amidst bustling London streets also thrived one-legged sailors proudly displaying their wooden appendages alongside majestic sailing ships. Their presence added color and character to the vibrant cityscape while embodying tales of adventure and resilience. Literature often drew inspiration from these captivating figures too.