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Xvith Collection

"XVITH: A Glimpse into the Renaissance World" Step back in time to the year 1557, where Nostradamus' Almanach of the Year captivated minds with its prophetic wisdom

Background imageXvith Collection: Treats of fardements and jams by Nostradamus, edition of 1555 (photo)

Treats of fardements and jams by Nostradamus, edition of 1555 (photo)
5944632 Treats of fardements and jams by Nostradamus, edition of 1555 (photo); Maison de Nostradamus, Salon de Provence, France; (add.info.: Art France Treats fardements and jams by Nostradamus)

Background imageXvith Collection: Book of the Propheties of Nostradamus, 1568 (print)

Book of the Propheties of Nostradamus, 1568 (print)
5944638 Book of the Propheties of Nostradamus, 1568 (print); Maison de Nostradamus, Salon de Provence, France; (add.info)

Background imageXvith Collection: Book of the Propheties of Nostradamus, 1568 (book)

Book of the Propheties of Nostradamus, 1568 (book)
5944641 Book of the Propheties of Nostradamus, 1568 (book); Maison de Nostradamus, Salon de Provence, France; (add.info.: Art France Book of the Propheties by Nostradamus prints in Lyon in 1568 by)

Background imageXvith Collection: Book of the Propheties of Nostradamus, 1568 (print)

Book of the Propheties of Nostradamus, 1568 (print)
5944640 Book of the Propheties of Nostradamus, 1568 (print); Maison de Nostradamus, Salon de Provence, France; (add.info)

Background imageXvith Collection: Treats of fardements and jams by Nostradamus, edition of 1555 (book)

Treats of fardements and jams by Nostradamus, edition of 1555 (book)
5944634 Treats of fardements and jams by Nostradamus, edition of 1555 (book); Maison de Nostradamus, Salon de Provence, France; (add.info.: Art France Treats fardements and jams by Nostradamus)

Background imageXvith Collection: Book of the Propheties of Nostradamus, 1568 (print)

Book of the Propheties of Nostradamus, 1568 (print)
5944639 Book of the Propheties of Nostradamus, 1568 (print); Maison de Nostradamus, Salon de Provence, France; (add.info)

Background imageXvith Collection: Treats of fardements and jams by Nostradamus, edition of 1555 (book)

Treats of fardements and jams by Nostradamus, edition of 1555 (book)
5944631 Treats of fardements and jams by Nostradamus, edition of 1555 (book); Maison de Nostradamus, Salon de Provence, France; (add.info.: Art France Treats fardements and jams by Nostradamus)

Background imageXvith Collection: Book of the Propheties of Nostradamus, 1568 (print)

Book of the Propheties of Nostradamus, 1568 (print)
5944637 Book of the Propheties of Nostradamus, 1568 (print); Maison de Nostradamus, Salon de Provence, France; (add.info)

Background imageXvith Collection: Almanach of the Year 1557 by Nostradamus, 1557 (book)

Almanach of the Year 1557 by Nostradamus, 1557 (book)
5944633 Almanach of the Year 1557 by Nostradamus, 1557 (book) by French School, (16th century); Maison de Nostradamus, Salon de Provence

Background imageXvith Collection: Almanach of the Year 1557 by Nostradamus, 1557 (book)

Almanach of the Year 1557 by Nostradamus, 1557 (book)
5944635 Almanach of the Year 1557 by Nostradamus, 1557 (book) by French School, (16th century); Maison de Nostradamus, Salon de Provence

Background imageXvith Collection: Almanach of the Year 1557 by Nostradamus, 1557 (book)

Almanach of the Year 1557 by Nostradamus, 1557 (book)
5944636 Almanach of the Year 1557 by Nostradamus, 1557 (book) by French School, (16th century); Maison de Nostradamus, Salon de Provence

Background imageXvith Collection: Bust of King Francois 1st (19th century)

Bust of King Francois 1st (19th century)
5944692 Bust of King Francois 1st (19th century) by Valois, Achille (1785-1862); Musee National Du Chateau De Fontainebleau, Fontainebleau

Background imageXvith Collection: Bust of King Francois 1st (19th century)

Bust of King Francois 1st (19th century)
5944691 Bust of King Francois 1st (19th century) by Valois, Achille (1785-1862); Musee National Du Chateau De Fontainebleau, Fontainebleau

Background imageXvith Collection: Adam of Craponne (sculpture 19th century)

Adam of Craponne (sculpture 19th century)
5944643 Adam of Craponne (sculpture 19th century) by Ramus, Joseph Marius (1805-88); (add.info.: Joseph Marius Ramus (1805 - 1888) Sculpture by Adam de Craponne (or Crapponne 1526 - 1576) engineer

Background imageXvith Collection: Nostradamus, ( painting)

Nostradamus, ( painting)
5944618 Nostradamus, ( painting) by Anonymous; (add.info.: Portrait of Michel de Nostredame dit Nostradamus (1503 - 1566) astrologer, doctor

Background imageXvith Collection: The Chassee Ignorance (fresco of the gallery Francois 1er) 16th century

The Chassee Ignorance (fresco of the gallery Francois 1er) 16th century
5944684 The Chassee Ignorance (fresco of the gallery Francois 1er) 16th century by Rosso Fiorentino, Giovanni Battista (1494-1540); Musee National Du Chateau De Fontainebleau, Fontainebleau

Background imageXvith Collection: The nymph of Fontainebleau (fresco of the gallery Francois 1er) 16th century

The nymph of Fontainebleau (fresco of the gallery Francois 1er) 16th century
5944689 The nymph of Fontainebleau (fresco of the gallery Francois 1er) 16th century by Alaux, Jean (1786-1864); Musee National Du Chateau De Fontainebleau, Fontainebleau

Background imageXvith Collection: The Unite of the State (fresco of the gallery Francois 1st) 16th century

The Unite of the State (fresco of the gallery Francois 1st) 16th century
5944685 The Unite of the State (fresco of the gallery Francois 1st) 16th century by Rosso Fiorentino, Giovanni Battista (1494-1540); Musee National Du Chateau De Fontainebleau, Fontainebleau

Background imageXvith Collection: View of the castle of Fontainebleau around 1535 - 1540 (gallery Francois 1er)

View of the castle of Fontainebleau around 1535 - 1540 (gallery Francois 1er)
5944682 View of the castle of Fontainebleau around 1535 - 1540 (gallery Francois 1er) by Rosso Fiorentino, Giovanni Battista (1494-1540); Musee National Du Chateau De Fontainebleau, Fontainebleau

Background imageXvith Collection: Danae (fresco of the gallery Francois 1er) 16th century

Danae (fresco of the gallery Francois 1er) 16th century
5944690 Danae (fresco of the gallery Francois 1er) 16th century by Primaticcio, Francesco (1504-70); Musee National Du Chateau De Fontainebleau, Fontainebleau

Background imageXvith Collection: Cleobis and Biton (fresco of the gallery Francois 1er) 16th century

Cleobis and Biton (fresco of the gallery Francois 1er) 16th century
5944687 Cleobis and Biton (fresco of the gallery Francois 1er) 16th century by Rosso Fiorentino, Giovanni Battista (1494-1540); Musee National Du Chateau De Fontainebleau, Fontainebleau

Background imageXvith Collection: The twins of Catania (fresco of the gallery Francois 1er) 16th century

The twins of Catania (fresco of the gallery Francois 1er) 16th century
5944686 The twins of Catania (fresco of the gallery Francois 1er) 16th century by Rosso Fiorentino, Giovanni Battista (1494-1540); Musee National Du Chateau De Fontainebleau, Fontainebleau

Background imageXvith Collection: The royal elephant (fresco of the gallery Francois 1er), 16th century

The royal elephant (fresco of the gallery Francois 1er), 16th century
5944683 The royal elephant (fresco of the gallery Francois 1er), 16th century by Rosso Fiorentino, Giovanni Battista (1494-1540); Musee National Du Chateau De Fontainebleau, Fontainebleau

Background imageXvith Collection: The Sacrifice (fresco of the gallery Francois 1er) 16th century

The Sacrifice (fresco of the gallery Francois 1er) 16th century
5944681 The Sacrifice (fresco of the gallery Francois 1er) 16th century by Rosso Fiorentino, Giovanni Battista (1494-1540); Musee National Du Chateau De Fontainebleau, Fontainebleau

Background imageXvith Collection: Cesar of Nostredame

Cesar of Nostredame
5944619 Cesar of Nostredame by French School, (16th century); (add.info.: Anonymous Portrait of Cesar de Nostredame (1553 - 1629) eldest son of Nostradamus

Background imageXvith Collection: Revenge of Nauplius (fresco of the gallery Francois 1er) 16th century

Revenge of Nauplius (fresco of the gallery Francois 1er) 16th century
5944688 Revenge of Nauplius (fresco of the gallery Francois 1er) 16th century by Rosso Fiorentino, Giovanni Battista (1494-1540); Musee National Du Chateau De Fontainebleau, Fontainebleau

Background imageXvith Collection: Adam of Craponne (sculpture 19th century)

Adam of Craponne (sculpture 19th century)
5944642 Adam of Craponne (sculpture 19th century) by Ramus, Joseph Marius (1805-88); (add.info.: Sculpture by Adam de Craponne (or Crapponne 1526 - 1576) engineer

Background imageXvith Collection: Raphael, Raffaello Santi or Sanzio, called (1483-1520). Ital

Raphael, Raffaello Santi or Sanzio, called (1483-1520). Ital
Raphael, Raffaello Santi or Sanzio, called (Urbino, 1483-Rome, 1520). Italian painter. Coronation of Charlemagne. Detail. Work commissioned by Pope Julius II in 1508 to decorate their new rooms

Background imageXvith Collection: Maestro del Rosario. Bishop enthroned. First half of XVI cen

Maestro del Rosario. Bishop enthroned. First half of XVI cen
MAESTRO DEL ROSARIO. Painter active in Catalonia in the first half of XVI century. Bishop enthroned. Museum of Fine Arts. Budapest. Hungary

Background imageXvith Collection: Paracelsus (1493-1541)

Paracelsus (1493-1541)
Paracelsus (Theophrastus Philippus Aureolus Bombastus von Hohenheim) (1493-1541). Swiss physician, botanist, alchemist, astrologer, and general occultist. Engraving

Background imageXvith Collection: Raphael, Raffaello Santi or Sanzio, called (Urbino, 1483-Rom

Raphael, Raffaello Santi or Sanzio, called (Urbino, 1483-Rome, 1520). Italian painter. The fire in the Borgo by Giulio Romano (1514). Detail

Background imageXvith Collection: The Visitation. XVI century. Hungarian National Gallery. Bud

The Visitation. XVI century. Hungarian National Gallery. Bud
The Visitation. XVI century. Master M.S. It comes from Selmecba?nya. Year 1506. Hungarian National Gallery. Budapest. Hungary

Background imageXvith Collection: Balten, Pieter (1527-1584). Flemish painter and engraver. FA

Balten, Pieter (1527-1584). Flemish painter and engraver. FAIR. Museum of Fine Arts. Budapest. Hungary

Background imageXvith Collection: REPUBLIC OF ALBANIA. Butrint. Venetian castle dating from th

REPUBLIC OF ALBANIA. Butrint. Venetian castle dating from the XIV-XVI

Background imageXvith Collection: Venice. Rialto Bridge. Italy

Venice. Rialto Bridge. Italy
ITALY. VENICE. View of the Rialto Bridge on the Grand Canal built in the sixteenth century

Background imageXvith Collection: XVIth century icon depicting the Madonna and Child. Francisc

XVIth century icon depicting the Madonna and Child. Franciscan Monastery Museum. Dubrovnik. Croatia

Background imageXvith Collection: Yuso Monastery. San Millan de la Cogolla. La Rioja. Spain

Yuso Monastery. San Millan de la Cogolla. La Rioja. Spain
Yuso Monastery. It was originally erected in 1053 and rebuilt in Romanesque style after Herrera during the sixteenth and eighteenth centuries. San Millan de la Cogolla. La Rioja. Spain

Background imageXvith Collection: Church of Santa Maria. Caceres. Spain

Church of Santa Maria. Caceres. Spain
Church of Santa Maria. Built between the XII and XV centuries. Transitional style between Romanesque and Gothic. Inside view. Caceres. Extremadura. Spain

Background imageXvith Collection: Forment Damian (c. 1480- 1540). Spanish sculptor. Altarpiece

Forment Damian (c. 1480- 1540). Spanish sculptor. Altarpiece
Forment Damian (c.1480- 1540). Spanish sculptor. Altarpiece of the Cathedral of Barbastro. Unfinished work of the artist who died in 1540, having made the base of alabaster altar

Background imageXvith Collection: Altarpiece of the church of Saint Mary, dated in 1574. Jesus

Altarpiece of the church of Saint Mary, dated in 1574. Jesus
Altarpiece of the church of Saint Mary, dated in 1574. Plateresque style. Detail. Relief depicting Jesus praying in the Garden of Olives, along with his disciples asleep. Alarcon. Province of Cuenca

Background imageXvith Collection: Zurbaran, Francisco de (1598-1664). Spanish painter. Saint A

Zurbaran, Francisco de (1598-1664). Spanish painter. Saint Andrew, c. 1635-1640. Detail. Museum of Fine Arts. Budapest. Hungary

Background imageXvith Collection: GRECO, DomE?nikos TheotokU?pulos, called El (1541-1614). Ago

GRECO, DomE?nikos TheotokU?pulos, called El (1541-1614). Ago
RENAISSANCE ART. SPAIN. GRECO, DomE?nikos TheotokU?pulos, called El (Candia, 1541-Toledo, 1614). Cretan painter, representative of the last phase of Mannerism. Agony in the garden, h. 1610-1612

Background imageXvith Collection: REPUBLIC OF MONTENEGRO. KOTOR. Partial view of the city alon

REPUBLIC OF MONTENEGRO. KOTOR. Partial view of the city along the fjord and the church of Our Lady of Remedy (1518). In 1979 UNESCO declared World Heritage the whole Natural

Background imageXvith Collection: Byzantine icon. Virgin Hodegetria. XVI century. Greece

Byzantine icon. Virgin Hodegetria. XVI century. Greece
BYZANTINE ART. GREECE. Doubled-sided ICON with the crucifixion scene in front and VIRGIN HODEGETRIA or Christ conductive on the back. Dated in the sixteenth century. Byzantine Museum. Athens

Background imageXvith Collection: Desiderius Erasmus of Rotterdam (1466 / 1469-1536). Dutch huma

Desiderius Erasmus of Rotterdam (1466 / 1469-1536). Dutch huma
Desiderius Erasmus Roterodamus (sometimes known as Desiderius Erasmus of Rotterdam) (1466/1469-1536). Dutch Renaissance humanist and a Catholic Christian theologian

Background imageXvith Collection: Capture of Calais from the English in 1558 by Francis de Lor

Capture of Calais from the English in 1558 by Francis de Lorraine, Duke of Guise, (january 1558) which had been under English rule for two centuries

Background imageXvith Collection: Llull, Ramon (1233-1315 or 1316). Majorcan writer and philos

Llull, Ramon (1233-1315 or 1316). Majorcan writer and philosopher. Inventiva Veritatis. Engraving of the martyrdom of Ramon Llull in Tunisia. Printed in Valencia in 1515 by D. of Gumiel

Background imageXvith Collection: Bernal Diaz del Castillo (1496-1584). Spanish soldier and ch

Bernal Diaz del Castillo (1496-1584). Spanish soldier and ch
DIAZ DEL CASTILLO, Bernal (Medina del Campo, Spain, c.1496-Guatemala, 1584). Spanish soldier and chronicler



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"XVITH: A Glimpse into the Renaissance World" Step back in time to the year 1557, where Nostradamus' Almanach of the Year captivated minds with its prophetic wisdom. This book, a treasure trove of knowledge and foresight, offered glimpses into an era filled with remarkable individuals. Among them was Raphael, an Italian artist whose brilliance illuminated canvases and left a lasting legacy. His masterpieces like "Bishop enthroned" showcased his unparalleled talent that defined the first half of the XVI century. Paracelsus, a renowned physician and alchemist, also graced this period. With his groundbreaking ideas and revolutionary approach to medicine, he challenged traditional beliefs and paved the way for modern healing practices. Intriguingly, King Francois 1st emerged as a prominent figure during this time. The busts crafted in his likeness captured both his regal stature and influence on French history—a testament to his reign's significance. Amidst these luminaries stood Adam of Craponne's sculpture—an embodiment of artistic craftsmanship from the 19th century. Its intricate details spoke volumes about the dedication poured into creating timeless works of art. Nostradamus himself found representation through various paintings that immortalized him throughout history. His enigmatic persona continues to intrigue us even today as we unravel his prophecies penned centuries ago. Lastly, "The Chassee Ignorance, " a captivating fresco adorning Francois 1er's gallery walls transported viewers back to the vibrant atmosphere of sixteenth-century France. It served as a reminder that knowledge is power—urging society to chase away ignorance in pursuit of enlightenment. As we delve into XVITH—the world painted by Nostradamus' words—we uncover an era brimming with creativity, intellectuality, and cultural transformation. These hints offer mere glimpses into an extraordinary epoch where art, science, and philosophy converged to shape the Renaissance's golden age.