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HAIDA HOUSE, 1900. Wooden model of the house of Haida chief Albert Edward Edenshaw

HAIDA HOUSE, 1900. Wooden model of the house of Haida chief Albert Edward Edenshaw


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HAIDA HOUSE, 1900. Wooden model of the house of Haida chief Albert Edward Edenshaw

HAIDA HOUSE, 1900.
Wooden model of the house of Haida chief Albert Edward Edenshaw, known as Story House, in the village of Kiusta in the Queen Charlotte Islands, British Columbia, Canada, constructed by the chiefs nephew, the Haida artist Charles Edenshaw, c1900, and aquired for display by the American Museum of Natural History in New York City

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 12226676

1890s 1900 1900s Decade Albert British Columbia Canadian Carving Chief Display Edward Exhibit First Nation Haida Manhattan Model Museum Natural History Northwest Object Pacific Northwest Pole Post Story Totem Tradition Wooden


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EDITORS COMMENTS
This print showcases the remarkable Haida House, a wooden model of the house belonging to Haida chief Albert Edward Edenshaw. Known as Story House, this architectural masterpiece was constructed by Charles Edenshaw, the talented nephew of the chief, in the village of Kiusta on Queen Charlotte Islands in British Columbia, Canada around 1900. The intricate craftsmanship and attention to detail evident in this wooden model are truly awe-inspiring. Each delicate carving tells a story deeply rooted in Haida tradition and culture. The towering totem poles and intricately designed posts stand tall against the backdrop of lush Pacific Northwest scenery. Acquired for display by the American Museum of Natural History in New York City, this photograph captures an early exhibit that transported visitors from Manhattan to the North West coast. It offers a glimpse into First Nation heritage and serves as a testament to both artistic skill and cultural preservation. As we turn back time to explore this turn-of-the-century treasure through our lens, we are reminded of how art can bridge gaps between different cultures and continents. This photograph is not just an object frozen in time; it represents a rich tapestry woven with history, tradition, and respect for indigenous peoples. Let us cherish these artifacts that connect us with our past while inspiring future generations towards greater understanding and appreciation for diverse cultures across our world.

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