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SCRIBE: PAOLO ATTAVANTI. Woodcut from Paolo Attavantis Breviarium totius juris canonici, Milan, Italy, 1497

SCRIBE: PAOLO ATTAVANTI. Woodcut from Paolo Attavantis Breviarium totius juris canonici, Milan, Italy, 1497


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SCRIBE: PAOLO ATTAVANTI. Woodcut from Paolo Attavantis Breviarium totius juris canonici, Milan, Italy, 1497

SCRIBE: PAOLO ATTAVANTI.
Woodcut from Paolo Attavantis Breviarium totius juris canonici, Milan, Italy, 1497

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 7590489

1497 Christian Latin Milan Monk Paolo Paper Profile Scribe Scriptorium Wood Cut Writing Milanese


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> Animals > Mammals > Ctenomyidae > Juris

> Europe > Italy > Lombardy > Milan

> Europe > Italy > Milan

> Granger Art on Demand > Poets and Writers

> Popular Themes > Poets


EDITORS COMMENTS
This print showcases a woodcut from Paolo Attavanti's Breviarium totius juris canonici, created in Milan, Italy in 1497. The image features a profile view of a late Christian scribe named Paolo Attavanti diligently engrossed in his work. With pen in hand, he meticulously writes on the parchment paper laid out before him in the scriptorium. The medieval setting adds an air of authenticity to this snapshot of history. The dimly lit room is filled with the hushed whispers of other monks engaged in their own scholarly pursuits. Latin texts and manuscripts surround them, emphasizing the intellectual atmosphere that pervades this sacred space. Paolo Attavanti himself stands out as a Milanese figure who contributed significantly to the art of writing during this period. His expertise as a scribe is evident through his focused expression and precise strokes captured by the woodcut technique. As we gaze upon this remarkable piece, we are transported back to 1497 Milan, where men like Paolo Attavanti dedicated their lives to preserving knowledge through their meticulous craftsmanship. This print serves as both a testament to their invaluable contributions and an invitation for us to appreciate the beauty found within ancient texts and calligraphy.

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