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PHYSIOGNOMY, 1648. Forehead of a happy and fortunate woman

PHYSIOGNOMY, 1648. Forehead of a happy and fortunate woman


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PHYSIOGNOMY, 1648. Forehead of a happy and fortunate woman

PHYSIOGNOMY, 1648.
Forehead of a happy and fortunate woman. Woodcut, 1648, from Philippus Phinellas Metoposcopia

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 12407802

1648 Curly Face Forehead Hair Happy Metoposcopia Physiognomy Philippus


EDITORS COMMENTS
This print titled "PHYSIOGNOMY, 1648. Forehead of a happy and fortunate woman" takes us back to the Renaissance era. The woodcut, created in 1648 by Philippus Phinellas Metoposcopia, showcases the intricate details of a woman's forehead. The subject's face is framed by luscious curly hair that adds an air of elegance to her appearance. Her forehead, which serves as the focal point of the image, exudes happiness and good fortune. It is smooth and unblemished, reflecting a sense of contentment. In this artwork, we witness how physiognomy was regarded as an important aspect during this period. Physiognomy refers to the study of facial features in order to determine one's character or destiny. This particular woodcut emphasizes the belief that a person's forehead holds clues about their temperament and future prospects. As we gaze upon this print from Granger Art on Demand, we are transported back in time to an era where men and women alike were fascinated by understanding human nature through physical appearances. The attention given to every detail in this woodcut exemplifies the meticulous craftsmanship prevalent during the Renaissance. Let this enchanting image serve as a reminder that even centuries ago people sought answers within themselves by observing external features – a testament to our enduring curiosity about what lies beneath each unique visage.

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