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Greetings Card : Antependium of the Last Supper, in the Church of San Remigio, Florence

Antependium of the Last Supper, in the Church of San Remigio, Florence



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Antependium of the Last Supper, in the Church of San Remigio, Florence

Antependium of the Last Supper, in the Church of San Remigio, Florence Florence Church of San Remigio Altar Frontal Baroque, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca.. Date of Artwork:XVII sec

Alinari, Fratelli
ACA-F-031076-0000

Media ID 33115947

© Alinari Archives, Florence

Cross Crown Instrument Or Object Last Supper Life Of Christ Objectbaroque Subject Vegetal Element Or Composition


Greetings Card (7"x5")

"Experience the timeless beauty of Florence's Church of San Remigio with our exquisite range of greeting cards from Media Storehouse. Featuring the stunning "Antependium of the Last Supper" by Fratelli Alinari, these cards transport you to the heart of Europe's rich artistic heritage. The intricately detailed Baroque and Renaissance-Baroque altar frontal comes alive in vibrant colors, capturing the essence of the Last Supper scene as depicted in this iconic masterpiece. Perfect for special occasions or simply to brighten someone's day, our cards offer a touch of history and culture in every mailbox. Let the art of Florence inspire your greetings with Media Storehouse's collection."

Folded Greeting Cards (12.5x17.5 cm) have a laminate finish and are supplied with an envelope. The front and inside can be personalised with text in a selection of fonts, layouts and colours.

Greetings Cards suitable for Birthdays, Weddings, Anniversaries, Graduations, Thank You and much more

Estimated Product Size is 12.5cm x 17.5cm (4.9" x 6.9")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Arts > Artists > F > Fratelli Alinari Fratelli Alinari

> Baroque paintings

> Historic > Renaissance art > Baroque art > Renaissance paintings

> Historic > Renaissance art > Baroque art

> Historic > Renaissance art > The Last Supper painting

> Historic > Renaissance art

> Renaissance art


EDITORS COMMENTS
This print showcases the Antependium of the Last Supper, a remarkable piece of art located in the Church of San Remigio in Florence. The antependium, an altar frontal, beautifully combines elements from both Baroque and Renaissance-Baroque styles and periods. Its creation dates back to the 17th century. The photograph itself was taken around 1920-1930 by Alinari, Fratelli, capturing every intricate detail of this masterpiece. The Antependium depicts a significant biblical event - the Last Supper - portraying Jesus Christ and his disciples gathered around a table. One cannot help but be drawn to the central figure of Jesus Christ, depicted with great reverence and solemnity. His presence is further accentuated by a crown adorning his head, symbolizing his divine authority as the Son of God. The composition is enriched with vegetal elements that surround Jesus and his disciples. These lush vegetation motifs represent life and growth while adding depth to the artwork's visual appeal. As we delve into this photograph print, we are transported back through time to witness one of Christianity's most iconic moments. It serves as a testament to Europe's rich cultural heritage throughout centuries. The combination of Baroque and Renaissance-Baroque styles in this artwork exemplifies artistic evolution over time within Europe's first two millennia. This fusion creates an aesthetic experience that captivates viewers even today. Alinari has masterfully captured not only the beauty but also the historical significance behind this extraordinary piece housed within Florence's Church of San Remigio. Through their lens, they have immortalized this work for generations to come – allowing us all to appreciate its profound impact on religious iconography and European art history alike.

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