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Greetings Card : Playing in Parts, etched by James Gillray (1757-1815) published by Hannah Humphrey in
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Playing in Parts, etched by James Gillray (1757-1815) published by Hannah Humphrey in
NCO191733 Playing in Parts, etched by James Gillray (1757-1815) published by Hannah Humphrey in 1801 (hand-coloured etching) by North, Brownlow (1741-1820) (after); Courtesy of the Warden and Scholars of New College, Oxford; English, out of copyright
Media ID 23200290
© Bridgeman Images
Bald Breeches Cacophony Candle Cello Chubby Fashionable Dress Feathers Flute Gown Grotesque Hanoverian Noise Obese Pianoforte Players Plumes Score Sheet Scrawny Social Satire Soiree Ugly Violin Handbell
Greetings Card (7"x5")
Step into the past with our exquisite collection of greeting cards from Media Storehouse, featuring the timeless etching "Playing in Parts" by James Gillray. Published by Hannah Humphrey in 1801, this hand-coloured etching showcases Gillray's renowned satirical wit and artistic skill. The image, titled "Playing in Parts," offers a humorous commentary on the political landscape of the time, making it a unique and thoughtful addition to your correspondence. Bring a touch of history and artistry to your special moments with this beautiful, collectible greeting card from Media Storehouse.
Folded Greeting Cards (12.5x17.5 cm) have a laminate finish and are supplied with an envelope. The front and inside can be personalised with text in a selection of fonts, layouts and colours.
Greetings Cards suitable for Birthdays, Weddings, Anniversaries, Graduations, Thank You and much more
Estimated Product Size is 12.5cm x 17.5cm (4.9" x 6.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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Playing in Parts - A Grotesque Evening of Musical Chaos
EDITORS COMMENTS
. This print captures a satirical scene from the Georgian era, etched by James Gillray and published by Hannah Humphrey in 1801. The image portrays an eccentric gathering filled with absurdity and cacophony. In this grotesque soiree, we witness a group of musicians and dancers who are far from graceful or harmonious. The focus is drawn to an obese female dancer clad in a fashionable dress, struggling to keep up with the lively dance moves. Beside her, a scrawny musician attempts to play the cello while wearing breeches and a military uniform. The room is filled with bizarre characters - bald men howling like dogs, tuneless players blowing into flutes, and individuals donning extravagant headdresses adorned with feathers. Amidst the chaos, an ugly wig-wearing gentleman plays the pianoforte without any sense of melody. This social satire highlights not only the charmless nature of these entertainers but also mocks their fashion choices. From chubby dancers to caricature-like figures dressed in Jean de Bry coats and gowns, it becomes evident that elegance has been forsaken for amusement. Through Gillray's masterful engraving technique and hand-coloured details, this artwork transports us back to an evening where music turns into noise and grace transforms into grotesqueness. It serves as both entertainment for its viewers as well as a biting commentary on society during that time period.
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