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Greetings Card : Combing the Hair (La Coiffure), c. 1896 (oil on canvas)
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Combing the Hair (La Coiffure), c. 1896 (oil on canvas)
3709989 Combing the Hair (La Coiffure), c.1896 (oil on canvas) by Degas, Edgar (1834-1917); 114.3x146.7 cm; National Gallery, London, UK; (add.info.: Maid brushing her mistress hair.
); French, out of copyright
Media ID 23641220
© Bridgeman Images
Apron Auburn Brush Comb Combing Curtain Dressing Room French Impressionism French Impressionist Redhead Toilet Maid
Greetings Card (7"x5")
Bring a touch of timeless elegance to your mailbox with our exquisite greeting cards from Media Storehouse. This card features the captivating artwork "Combing the Hair (La Coiffure)" by Edgar Degas, showcasing the intimate moment of a maid gently brushing her mistress's hair. The oil on canvas painting, originally created in 1896, is now housed at the National Gallery in London, and its intricate brushstrokes and evocative composition are sure to leave a lasting impression. Our high-quality greeting cards capture the essence of this fine art masterpiece, making it an ideal gift for any special occasion or simply to brighten someone's day. Order now and add a touch of artistry to your correspondence.
Folded Greeting Cards (12.5x17.5 cm) have a laminate finish and are supplied with an envelope. The front and inside can be personalised with text in a selection of fonts, layouts and colours.
Greetings Cards suitable for Birthdays, Weddings, Anniversaries, Graduations, Thank You and much more
Estimated Product Size is 12.5cm x 17.5cm (4.9" x 6.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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Combing the Hair (La Coiffure), c. 1896 - A Glimpse into Intimate Moments
EDITORS COMMENTS
. This oil painting by Edgar Degas, titled "Combing the Hair (La Coiffure)" offers a glimpse into an intimate and private moment between a maid and her mistress. The scene unfolds within the confines of a dressing room, where soft apricot-colored curtains delicately frame the figures. The focal point of this artwork is undoubtedly the seated woman with vibrant auburn hair, as she entrusts her tresses to her devoted servant. With great care and precision, the maid gently brushes through each strand, creating an atmosphere of tranquility and tenderness. Degas' mastery in capturing human form is evident in his portrayal of these two women. The impressionistic brushstrokes add depth to their figures while infusing movement into every stroke of the comb. This technique enhances our understanding of their relationship – one that transcends social boundaries and highlights trust between employer and employee. Through this mesmerizing composition, Degas invites us to witness not only an act of grooming but also moments steeped in quiet companionship. It reminds us that even mundane tasks can hold profound beauty when observed from an artist's perspective. Displayed at London's National Gallery, this remarkable piece continues to captivate viewers with its depiction of femininity, elegance, and grace. As we marvel at Degas' ability to immortalize such fleeting moments on canvas, we are reminded once again
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