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Greetings Card : Credulity, Superstition and Fanaticism
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Credulity, Superstition and Fanaticism
2625619 Credulity, Superstition and Fanaticism by Hogarth, William (1697-1764); (add.info.: Engraving by british artist & engraver, William Hogarth 1697-1764: Credulity, Superstition and Fanaticism 1762. This plate is a reworking of the unpublished Enthusiasm Delineated, engraved in 1760. It shows the interior of a Methodist meeting house, possibly Whitefield's Tabernacle, in Tottenham Court Road.); Universal History Archive/UIG
Media ID 32178592
© Universal History Archive/UIG / Bridgeman Images
1760s Hogarth William 1697 1764 Methodist William Hogarth 18th Centuries Whitefields Tabernacle
Greetings Card (7"x5")
Bring a touch of historical artistry to your greetings with Media Storehouse's range of cards featuring William Hogarth's iconic engraving, "Credulity, Superstition, and Fanaticism." This thought-provoking design, published by Fine Art Finder through Bridgeman Images, showcases Hogarth's masterful depiction of Credulity, Superstition, and Fanaticism. Each card captures the intrigue and detail of this classic work, making for a unique and captivating gift. Perfect for those who appreciate the rich history of art, these cards add a touch of elegance and sophistication to any occasion.
Folded Greeting Cards (12.5x17.5 cm) have a laminate finish and are supplied with an envelope. The front and inside can be personalised with text in a selection of fonts, layouts and colours.
Greetings Cards suitable for Birthdays, Weddings, Anniversaries, Graduations, Thank You and much more
Estimated Product Size is 17.5cm x 12.5cm (6.9" x 4.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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The captivating print titled "Credulity, Superstition and Fanaticism" by William Hogarth takes us back to the 18th century, offering a glimpse into the world of religious fervor and its consequences. The engraving showcases the interior of a Methodist meeting house, possibly Whitefield's Tabernacle in Tottenham Court Road. Hogarth skillfully portrays the scene with meticulous attention to detail, capturing the essence of credulity, superstition, and fanaticism that prevailed during this era. The artist's mastery lies in his ability to convey complex emotions through visual storytelling. As we observe the congregation gathered within these walls, their faces reflect a mixture of awe, devotion, and blind faith. Some are seen raising their hands in prayer while others engage in ecstatic gestures. This portrayal highlights how easily people can be swayed by charismatic leaders or fall victim to irrational beliefs. Through this thought-provoking artwork, Hogarth invites us to question our own susceptibility to manipulation and blind adherence. It serves as a reminder that even in an age marked by enlightenment and reason, human beings are still prone to surrendering their critical thinking faculties when confronted with powerful ideologies. "Credulity, Superstition and Fanaticism" is not merely a historical artifact but also a timeless commentary on human nature. It urges us to remain vigilant against dogma-driven narratives that may lead us astray from rational judgment.
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