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Greetings Card : The Court at Brighton a la Chinese, 1816 (hand-coloured engraving)
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The Court at Brighton a la Chinese, 1816 (hand-coloured engraving)
XZL149497 The Court at Brighton a la Chinese, 1816 (hand-coloured engraving) by Cruikshank, George (1792-1878); Private Collection; (add.info.: satirises the Prince Regents passion for Chinoiserie which culminated in the building of Brighton Pavilion; seen here instructing Lord Amherst to get fresh patterns of Chinese deformities to finish the decorations of g. Pavilion ; royal family dressed as mandarins; ); English, out of copyright
Media ID 12727766
© www.bridgemanart.com
Dragon Extravagance George Iv Greed Isabella Lord Amherst Lord Eldon Lord Ellenborough Overweight Prince Leopold Princess Charlotte Queen Charlotte George Prince Of Wales
Greetings Card (7"x5")
Add a touch of elegance and charm to your greetings with Media Storehouse's exquisite selection of greeting cards, featuring the enchanting hand-coloured engraving "The Court at Brighton a la Chinese, 1816" by George Cruikshank from Bridgeman Art. This beautiful and intricate design, originally from Fine Art Finder, showcases the grandeur of the Royal Pavilion at Brighton as depicted through the unique Chinese inspiration of the time. Each card is a work of art on its own, perfect for expressing your thoughts and feelings in a thoughtful and stylish way.
Folded Greeting Cards (12.5x17.5 cm) have a laminate finish and are supplied with an envelope. The front and inside can be personalised with text in a selection of fonts, layouts and colours.
Greetings Cards suitable for Birthdays, Weddings, Anniversaries, Graduations, Thank You and much more
Estimated Product Size is 12.5cm x 17.5cm (4.9" x 6.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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The Court at Brighton a la Chinese, 1816
EDITORS COMMENTS
is a captivating hand-coloured engraving by George Cruikshank that offers a satirical glimpse into the eccentricities of the Prince Regent and his love for all things Chinoiserie. The artwork depicts the royal family dressed as mandarins, highlighting their extravagant and indulgent lifestyle. In this comical scene, we see the Prince Regent instructing Lord Amherst to procure fresh patterns of "Chinese deformities" to adorn the grand decorations of the Brighton Pavilion. This playful jab at colonial exploitation reflects both the prince's fascination with Eastern aesthetics and his excessive greed. The image showcases various notable personages from left to right: Queen Charlotte, Lord Eldon, Lord Ellenborough, Isabella (presumably Princess Charlotte), George Prince of Wales (later King George IV), Princess Charlotte herself, Prince Leopold, Lord Amherst, and finally Marquis and Marchioness of Hertford. Each character is depicted with exaggerated features or symbols associated with China such as dragons and gold. Cruikshank's brilliant satire not only mocks the prince's weight but also exposes societal extravagance during this era. Through this print, viewers are invited to reflect on themes of power dynamics, cultural appropriation, and excess within high society. This fascinating piece can be found in a private collection today but remains an important historical artifact that sheds light on British artistry during early 19th-century England.
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