Assemblage Collection

Gold Lunulae and Axehead, Early Bronze Age, St Merryn, Cornwall
Two Early Bronze Age gold lunulae and copper alloy flat axehead found in a barrow at Harlyn Bay, St Merryn in 1864. They were discovered on the west side of the bay, near the cliff edge

Maintenance worker greasing pivots and slides
A Railway engineer, wearing no discernible protective clothing, greasing the pivots and slides with a grease gun. Photograph by Heinz Zinram. 1950s

The Doctor 1919. Artist: Kurt Schwitters
The Doctor 1919. From a private collection

Axehead, Early Bronze Age, St Merryn, Cornwall
Early Bronze Age copper alloy flat axehead with sides diverging from a gently curving butt to meet the expanded cutting edge

Folio 3
Djaheda Richers

Essence
Djaheda Richers

Essential
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Folio 6
Djaheda Richers

Delicate
Djaheda Richers

Flying
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Folio 2
Djaheda Richers

Gentle
Djaheda Richers

Meditation
Djaheda Richers

Sketchbook 6
Djaheda Richers

Geometry3
Djaheda Richers

Geometry 5
Djaheda Richers

Gold Lunula, Early Bronze Age, St Merryn, Cornwall
Gold Early Bronze Age lunula of provincial type, decorated with incised lines. It is identical to one found at Kerivoa and another from St Potan, Cotes-du-Nord, Brittany

Folio 5. 1
Djaheda Richers

Fulfilled
Djaheda Richers

Burnt Sienna
Djaheda Richers

Folio 4
Djaheda Richers

Emeraldgreen
Djaheda Richers

Patience
Djaheda Richers

Sketchbook 2
Djaheda Richers

Sketchbook 10
Djaheda Richers

Spirit
Djaheda Richers

Folio 1
Djaheda Richers

Folio 7
Djaheda Richers

Sketchbook 3
Djaheda Richers

Underwater
Djaheda Richers

Present
Djaheda Richers

Sketchbook 8
Djaheda Richers

Sketchbook 9
Djaheda Richers

Sun+moon
Djaheda Richers

Together
Djaheda Richers

Sketchbook 1
Djaheda Richers

Thrive
Djaheda Richers

Understanding
Djaheda Richers

Wonder
Djaheda Richers

Largest Buddha statue of Cham culture ever found, Quang Nam province, 10th century AD (sandstone)
3930220 Largest Buddha statue of Cham culture ever found, Quang Nam province, 10th century AD (sandstone) by Champa Civilisation, (2nd-17th century); Cham Museum, Danang

Only Egg, c. 1936 (mixed media on panel with wood frame)
LMG109205 Only Egg, c.1936 (mixed media on panel with wood frame) by Nash, Paul (1889-1946); 21.2x31.9x6.7 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; Leeds Museums and Galleries

Vases with Flowers, 1942 (gouache)
2957069 Vases with Flowers, 1942 (gouache) by Hodgkins, Frances (1869-1947); 52x40 cm; Private Collection; (add.info.: The picture is dedicated to Eardley Knollys (bottom left).); New Zealander

Still Life in Landscape with House, c. 1940 (pencil)
2957184 Still Life in Landscape with House, c.1940 (pencil) by Hodgkins, Frances (1869-1947); 35x44 cm; Private Collection; New Zealander, out of copyright

Still Life with Pears, c. 1930-31 (oil on board)
3949660 Still Life with Pears, c.1930-31 (oil on board) by Maurer, Alfred Henry (1868-1932); 66x91.4 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Jubilee assemblage of thirty thousand London school children in Hyde Park (engraving)
586144 Jubilee assemblage of thirty thousand London school children in Hyde Park (engraving) by English School, (19th century); Private Collection; (add.info)

Conservative Demonstration at Wakefield (engraving)
1616521 Conservative Demonstration at Wakefield (engraving) by Morehen, Horace (b.c.1841); Private Collection; (add.info.: Conservative Demonstration at Wakefield)

Papiers Peints, c. 1820-35 (porcelain)
1766891 Papiers Peints, c.1820-35 (porcelain) by Develly, Jean-Charles (1783-1849); Private Collection; (add.info.: Papiers Peints / Veloutage, Foncage, Assemblage)

Poster advertising Montreux-Oberland-Bernois train journeys, c. 1910 (colour litho)
1197956 Poster advertising Montreux-Oberland-Bernois train journeys, c. 1910 (colour litho) by Reckziegel, Anton (1865-1932); 99x68 cm; Private Collection; (add.info.: Reckziegel)

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Assemblage: A Delicate Essence of Gentle Geometry In the realm of art, a captivating technique that brings together various elements to create a harmonious whole. Just like the Gold Lunulae and Axehead from the Early Bronze Age discovered in St Merryn, Cornwall, this artistic practice unites different components to tell a mesmerizing story. Imagine a maintenance worker meticulously greasing pivots and slides, ensuring smooth movements with every stroke. This act symbolizes patience and dedication - essential qualities for any successful assemblage artist. Like Burnt Sienna blending seamlessly with Emeraldgreen on an artist's palette, these individuals carefully select each element to achieve visual harmony. Within Sketchbook 2 lies the delicate beginnings of an assemblage masterpiece. Fragments of inspiration are scattered across its pages, waiting patiently for their turn to be united in perfect synergy. As we flip through Sketchbook 10, we witness how ideas evolve and transform into something extraordinary – an essence that captures our imagination. The process continues in Sketchbook 6 where gentle strokes guide us towards understanding the true nature art. Each line drawn represents not only physical connections but also emotional ones between disparate objects brought together by creative vision. Geometry takes center stage in this captivating journey; it is both the foundation and framework upon which these artworks thrive. In Geometry 5, shapes intertwine effortlessly creating balance within chaos – a testament to the power of precision. As we delve deeper into this world of artistic fusion, we realize that assemblage is more than just arranging objects; it is about breathing life into them through careful curation. It requires skillful hands capable of transforming ordinary materials into extraordinary works that transcend time itself. So let us celebrate this enchanting art form - one that embraces diversity while embracing unity; where fragments find solace in connection and individuality finds purpose within collective beauty.