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Greetings Card : The Actors Ichimura Uzaemon IX as a Male Fox Disguised as the Sake Seller Iseya (left)... c. 1777. Creator: Shunsho

The Actors Ichimura Uzaemon IX as a Male Fox Disguised as the Sake Seller Iseya (left)... c. 1777. Creator: Shunsho



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The Actors Ichimura Uzaemon IX as a Male Fox Disguised as the Sake Seller Iseya (left)... c. 1777. Creator: Shunsho

The Actors Ichimura Uzaemon IX as a Male Fox Disguised as the Sake Seller Iseya (left) and Nakamura Tomijuro I as a Female Fox Disguised as the Beancake Peddler Hyugaya, in the Dance Sequence "Myoto-zake Kawaranu Nakanaka" (Everlasting Harmony of the Marital Cup), from the Second Part of the Play Chigo Torii Kitsune (Heavenly Child - The Fox Leaps Through the Shrine Gate), Performed at the Ichimura Theater in the Eleventh Month, 1777, Japan, c. 1777

Heritage Images features heritage image collections

Media ID 36210353

© Heritage Art/Heritage Images

Aiban Drag Female Impersonator Fox Spirit Gender I Nakamura Tomijuro Ichimura Theatre Ichimura Uzaemon Ix Japanese Mythology Kabuki Kabuki Actor Katsukawa School Katsukawa Shunshō Katsumiyagawa Yusuke Keishi Kitsune Gao Miyagawa Shunsho Miyakawa Shunsho Nakamura Tomijuro Nakamura Tomijuro I Onnagata Orange Orange Colour Oyama Peddler Pedlar Shoulder Pole Shunsho Shunsho Katsukawa Shunsho Miyagawa Shunsho Miyakawa Spirit Street Seller Street Trader Street Vendor Tomijuro Nakamura Tomijuro Nakamura I Uzaemon Ichimura Ix Color Woodblock Print Playhouse


Greetings Card (7"x5")

Step into the enchanting world of Japanese Kabuki theater with our exquisite selection of greeting cards from Media Storehouse. Featuring the iconic Ichimura Uzaemon IX in an extraordinary performance as the Male Fox Disguised as the Sake Seller Iseya, this captivating card design is a true work of art. Inspired by the masterful painting by Shunsho from Heritage Images, this card is a stunning representation of the rich history and culture of Kabuki theater. Perfect for any occasion, this card is sure to leave a lasting impression and bring a touch of the Orient to your day.

Folded Greeting Cards (12.5x17.5 cm) have a laminate finish and are supplied with an envelope. The front and inside can be personalised with text in a selection of fonts, layouts and colours.

Greetings Cards suitable for Birthdays, Weddings, Anniversaries, Graduations, Thank You and much more

Estimated Product Size is 17.5cm x 12.5cm (6.9" x 4.9")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Dogs (Wild) > Grey Fox

> Arts > Artists > J > Japanese School Japanese School

> Arts > Contemporary art > Portraits > Street art

> Arts > Dance

> Arts > Street art graffiti > Portraits > Street art

> Asia > Japan > Related Images

> Popular Themes > Dance


EDITORS COMMENTS
This woodblock print, created by the renowned artist Shunsho, showcases Ichimura Uzaemon IX in an extraordinary role as a male fox disguised as the sake seller Iseya, performing in the dance sequence "Myoto-zake Kawaranu Nakanaka" from the second part of the Kabuki play "Chigo Torii Kitsune" (Heavenly Child - The Fox Leaps Through the Shrine Gate), staged at the Ichimura Theater in the eleventh month of 1777. The print is a stunning example of the Katsukawa School's artistic mastery during the Edo period. Uzaemon, dressed in the intricately designed and vibrant garments of the sake seller, is depicted on the left side of the print. His fox spirit identity, Kitsune Gaō, is suggested by the subtle yet distinct fox ears and tail peeking out from under his kimono. The artist expertly captures the actor's expressive face and the fluidity of his movements, emphasizing the theatricality and drama of the performance. On the right side of the print, Nakamura Tomijuro I is depicted as a female fox disguised as the beancake peddler Hyugaya. The contrast between the masculine and feminine roles, as well as the fox spirit identities, adds an intriguing layer to the print, reflecting the gender fluidity and transformative nature of Kabuki theater. The print's rich colors, intricate details, and dynamic composition make it a valuable piece of Japanese art and cultural heritage. It offers a glimpse into the world of Kabuki theater during the eighteenth century, showcasing the performers' skill, theatricality, and the captivating stories they brought to life.

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