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Greetings Card : Grimaces and Misery, the Acrobats, 1888
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Grimaces and Misery, the Acrobats, 1888
Grimaces and Misery, the Acrobats, 1888. Found in the Collection of Petit Palais, Musee des Beaux-Arts de la Ville de Paris
Heritage Images features heritage image collections
Media ID 15040636
© Fine Art Images
Acrobat Circus Artist Loneliness Melancholy Rest Sadness Vagrant Life Petit Palais
Greetings Card (7"x5")
Add a touch of vintage charm to your greetings with Media Storehouse's selection of cards featuring Grimaces and Misery, the Acrobats, 1888. This classic image, sourced from the esteemed Collection of Petit Palais, Musee des Beaux-Arts de la Ville de Paris, captures the timeless beauty and emotion of the human spirit in the form of these acrobatic performers. Their intricate expressions of joy and sorrow make these cards perfect for conveying a range of feelings, from playful teasing to heartfelt sympathy. Send a piece of history with every message and make your greetings truly unforgettable.
Folded Greeting Cards (12.5x17.5 cm) have a laminate finish and are supplied with an envelope. The front and inside can be personalised with text in a selection of fonts, layouts and colours.
Greetings Cards suitable for Birthdays, Weddings, Anniversaries, Graduations, Thank You and much more
Estimated Product Size is 12.5cm x 17.5cm (4.9" x 6.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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Grimaces and Misery, the Acrobats
EDITORS COMMENTS
is a captivating painting that transports us back to 1888 France. This fine art print, found in the Collection of Petit Palais, Musee des Beaux-Arts de la Ville de Paris, captures the essence of restlessness and melancholy. The oil on canvas masterpiece by Fernand Pelez depicts two circus artists, their faces contorted with grimaces as they embody both physical pain and emotional sadness. The realism portrayed in this artwork evokes a sense of empathy towards these performers who lead a vagrant life on the road. Loneliness permeates through every brushstroke as we witness these traveling players immersed in their own world of solitude. The artist skillfully portrays their isolation amidst an unseen crowd, emphasizing their detachment from society. Pelez's attention to detail brings forth the weariness etched onto each character's face. Their tired eyes tell stories of hardships endured during countless performances under the big top. It is through this portrayal that we are reminded of the sacrifices made by actors and acrobats alike for our entertainment. As we gaze upon this remarkable piece, we cannot help but feel a pang of sympathy for these saltimbanques – individuals whose lives revolve around bringing joy to others while carrying their own burdens silently. "Grimaces and Misery" serves as a poignant reminder that behind every performer's smile lies hidden depths of sadness and longing for connection within an unforgiving world.
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