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Greetings Card : Five Men Doing the Work of Ten Bodies (Gonin jushin no hataraki), 1861
Cards from Heritage Images
Five Men Doing the Work of Ten Bodies (Gonin jushin no hataraki), 1861
Heritage Images features heritage image collections
Media ID 24369669
© Heritage Art/Heritage Images
Europeans Fallen Falling Falling Over Funny Ichihosai Ipposai Nishimura Totaro Oban Umbrella Umbrellas Utagawa Totaro Utagawa Yoshifuji West Western Westerner Westerners Yokohama Yokohama E Yoshifuji Yoshifuji Utagawa Colour Woodblock Print
Greetings Card (7"x5")
Experience the rich history and culture of Japan with our exquisite selection of greeting cards from Media Storehouse. This card features the iconic woodblock print "Five Men Doing the Work of Ten Bodies" (Gonin jushin no hataraki), created by Yoshifuji in 1861. Known as "Gonin jushin no hataraki," this masterpiece showcases the diligent efforts of five men working together to accomplish what ten bodies could, embodying the spirit of teamwork and perseverance. Add a touch of history and artistry to your correspondence with this beautifully designed card from Media Storehouse.
Folded Greeting Cards (12.5x17.5 cm) have a laminate finish and are supplied with an envelope. The front and inside can be personalised with text in a selection of fonts, layouts and colours.
Greetings Cards suitable for Birthdays, Weddings, Anniversaries, Graduations, Thank You and much more
Estimated Product Size is 17.5cm x 12.5cm (6.9" x 4.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The print titled "Five Men Doing the Work of Ten Bodies" captures a humorous and satirical scene from 19th century Japan. Created by Yoshifuji in 1861 during the Edo period, this colour woodblock print showcases the artist's wit and artistic skill. In this lively depiction, five men are seen hilariously attempting to carry out tasks that would normally require ten individuals. Dressed in traditional Japanese clothing, their exaggerated expressions and comical poses add an element of light-heartedness to the artwork. The presence of umbrellas suggests that these men may be Westerners or Europeans visiting Yokohama, as it was a popular port city during that time. Yoshifuji's caricature-like style highlights his keen observation of both Japanese society and its interaction with foreigners. Through this piece, he playfully comments on cultural differences between East and West while also poking fun at the notion of efficiency. Displayed at the Art Institute Chicago, this art print exemplifies Ukiyo-e, a popular artistic school in Japan during the Tokugawa period. Its vibrant colours and meticulous printing techniques showcase Yoshifuji's mastery as an artist. This artwork not only entertains viewers but also serves as a reminder of how art can transcend time and cultures to bring joy through its clever portrayal of everyday life.
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