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Greetings Card : Regulatory act of van Oldenbarnevelt, 1710-1740. Creator: Anon

Regulatory act of van Oldenbarnevelt, 1710-1740. Creator: Anon



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Regulatory act of van Oldenbarnevelt, 1710-1740. Creator: Anon

Regulatory act of van Oldenbarnevelt, 1710-1740. Stage with a donkey and seven monkeys on it. In the background the Binnenhof

Heritage Images features heritage image collections

Media ID 36385334

© Heritage Art/Heritage Images

Anthropomorphic Anthropomorphism Barnevelt Caricatures Corrupt Corruption Donkey Dutch Republic Holland Netherlands Johan Van Oldenbarneveld Johan Van Oldenbarnevelt Judge Judges Justice Mammal Monkey Monkeys Monkies Oldenbarneveld Johan Van Oldenbarnevelt Johan Van On Stage Parchment Parchment Animal Material Primate Stage Curtain United Provinces Van Oldenbarnevelt Johan Binnenhof Netherlandish Parody Playhouse Satirical Watercolour Paint


Greetings Card (7"x5")

Step back in time with our exquisite selection from the Media Storehouse Greetings Cards range. This captivating design features an anonymous 18th-century artwork depicting the Regulatory Act of Van Oldenbarnevelt (1710-1740). Witness the intriguing stage setting with a donkey and seven monkeys, all against the backdrop of the historic Binnenhof. Perfect for history enthusiasts, this card is a unique and thoughtful way to express your sentiments. Add a touch of the past to your correspondence and make every message a journey through time.

Folded Greeting Cards (12.5x17.5 cm) have a laminate finish and are supplied with an envelope. The front and inside can be personalised with text in a selection of fonts, layouts and colours.

Greetings Cards suitable for Birthdays, Weddings, Anniversaries, Graduations, Thank You and much more

Estimated Product Size is 17.5cm x 12.5cm (6.9" x 4.9")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Farm > Donkeys > Related Images

> Animals > Mammals > Primates

> Arts > Pop art > Satire > Satirical artwork

> Arts > Watercolor paintings > Animal watercolors > Colorful wildlife illustrations

> Arts > Watercolor paintings > Watercolor illustrations > Animal watercolor paintings

> Arts > Watercolor paintings

> Europe > Netherlands > Politics

> Europe > Netherlands > Posters

> Europe > Netherlands > Related Images

> Popular Themes > Politics


EDITORS COMMENTS
This intriguing print, titled the "Regulatory Act of Van Oldenbarnevelt," is an anonymous work from the early 18th century, showcasing a striking anthropomorphic scene. The stage is set with a donkey and seven monkeys, symbolizing corruption and the misrule of Johan van Oldenbarnevelt, a prominent Dutch politician and statesman from the Dutch Republic. The Binnenhof, a historic building complex in The Hague and the seat of the Dutch parliament, is depicted in the background, adding a layer of political commentary. The donkey, a common symbol for a fool or a corrupt official, represents Johan van Oldenbarnevelt. The monkeys, often used as a metaphor for mischief and disorder, represent the judges and officials under his rule. The parchment on the donkey's back, inscribed with the title "Regulatory Act," symbolizes the laws and regulations that were allegedly manipulated or misused during his tenure. This print is a prime example of Dutch netherlandish art from the period, characterized by its use of satire and caricature to comment on current events and political figures. The ink drawing, with its vibrant colors and intricate detail, is a testament to the artistic skill and creativity of the anonymous artist. The print is now a valuable addition to the collections of the Rijksmuseum in Amsterdam, a renowned art center and cultural heritage institution, where it continues to be exhibited for visitors to appreciate and study. The "Regulatory Act of Van Oldenbarnevelt" is a fascinating glimpse into the political climate of the Dutch Republic during this period, offering insights into the use of satire and anthropomorphism as tools for social and political commentary.

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