Greetings Card : Emperor Maximillian I in Durers studio
Cards from Mary Evans Picture Library
Emperor Maximillian I in Durers studio
Emperor Maximillian I (1459-1519) having his portrait painted in Albrecht Durers studio at Nuremberg. Jager painted this imaginary scene between 1882 and 1886.
circa 1518
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14386177
© Mary Evans Picture Library
1518 Albrecht Durer Easel Imaginary Jager Nuremberg Maximillian
Greetings Card (7"x5")
Step back in time with our exquisite Emperor Maximillian I greeting cards from the Media Storehouse collection. Featuring a captivating image of the Holy Roman Emperor, as depicted in Albrecht Dürer's studio by Mary Evans Picture Library, these cards transport you to the artistic heart of Nuremberg in the late 1500s. Perfect for special occasions or simply to brighten someone's day, these elegant cards are a unique blend of history and artistry. Add a touch of regal charm to your correspondence with our Emperor Maximillian I greeting cards.
Folded Greeting Cards (12.5x17.5 cm) have a laminate finish and are supplied with an envelope. The front and inside can be personalised with text in a selection of fonts, layouts and colours.
Greetings Cards suitable for Birthdays, Weddings, Anniversaries, Graduations, Thank You and much more
Estimated Product Size is 12.5cm x 17.5cm (4.9" x 6.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This image depicts Emperor Maximillian I of Germany (1459-1519) in the studio of the renowned artist Albrecht Dürer (1471-1528) at Nuremberg, circa 1518. The imaginary scene, painted between 1882 and 1886 by an unknown artist identified as Jager, offers a fascinating glimpse into the artistic process during the High Renaissance period. Maximillian I, dressed in his imperial robes and adorned with the Imperial Crown, sits confidently on a velvet-covered chair, his regal posture exuding power and authority. He gazes intently at Dürer, who stands before him, intently focused on his work. The artist deftly wields a brush in his hand, applying paint to the canvas on his easel. The portrait in progress, visible behind Dürer, shows the emperor in profile, his features rendered with remarkable detail and precision, reflecting Dürer's mastery of the art of portraiture. The studio setting is filled with the tools and materials of the trade, including palettes, brushes, and jars of paint. Natural light streams in through the large window, illuminating the scene and casting intriguing shadows. The rich colors and textures of the painting, from the emperor's sumptuous robes to the intricate details of the studio, transport us back in time to a moment in history when art and power intersected in a most remarkable way. This image offers a unique perspective on the artistic process during the High Renaissance period, and serves as a testament to the enduring influence of Albrecht Dürer on the world of art.
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