Greetings Card : Iconostasis. Anonymous work. 19th century. National Art Ga
Cards from Mary Evans Picture Library
Iconostasis. Anonymous work. 19th century. National Art Ga
Eastern Christianity. Iconostasis. Anonymous work. 19th century. Of Gjirokastra. National Art Gallery. Tirana. Albania
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14328892
© Thaliastock / Mary Evans
Albania Albanian Anonymous Icon Iconostasis Icons Orthodox Paintings Tirana
Greetings Card (7"x5")
Bring a touch of timeless beauty to your special moments with our exquisite range of greeting cards from Media Storehouse. This particular design showcases an anonymous 19th century Aniconic Iconostasis, hailing from Gjirokastra's National Art Gallery in Tirana, Albania. Originally found in Eastern Christianity, this intricately detailed work of art, now available as a greeting card, is a perfect expression of faith, history, and culture. The iconostasis is a sacred screen in Orthodox churches, featuring icons of Christ, the Virgin Mary, and various saints. Bring the rich heritage of Eastern Christianity into your home with this stunning, rights-managed reproduction from Mary Evans Prints Online.
Folded Greeting Cards (12.5x17.5 cm) have a laminate finish and are supplied with an envelope. The front and inside can be personalised with text in a selection of fonts, layouts and colours.
Greetings Cards suitable for Birthdays, Weddings, Anniversaries, Graduations, Thank You and much more
Estimated Product Size is 12.5cm x 17.5cm (4.9" x 6.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
1. Title: "A 19th Century Anonymous Iconostasis from Gjirokastra, Albania: A Testament to Eastern Christian Devotion at the National Art Gallery, Tirana" This evocative image showcases an anonymous 19th-century iconostasis, a sacred screen that separates the nave from the sanctuary in Eastern Christian churches, hailing from the historic city of Gjirokastra in Albania. Housed at the National Art Gallery in Tirana, this masterpiece is a testament to the rich artistic and religious heritage of Albania. The iconostasis, a significant architectural and artistic element of Eastern Orthodox and Byzantine Catholic churches, is adorned with intricately painted icons representing various saints, biblical scenes, and religious symbols. Each icon is meticulously crafted, revealing the skill and devotion of the anonymous artist and the community that commissioned it. The 19th century was a period of cultural and artistic flourishing in Albania, as the country experienced a renaissance of its Eastern Christian traditions. This iconostasis reflects the strong influence of Byzantine art, which permeated the religious art of the region. The use of gold leaf, rich colors, and intricate details exemplifies the artistic techniques and materials employed during this time. The iconostasis serves not only as a decorative element but also as a spiritual focal point for worshippers. The icons, which are venerated as windows to the divine, offer a glimpse into the deep faith and devotion of the Eastern Christian community in Albania. This anonymous work is a reminder of the rich artistic and religious history of Albania, a country that has long been shaped by its diverse cultural heritage. The iconostasis from Gjirokastra stands as a testament to the enduring influence of Eastern Christianity in the region and the importance of preserving these cultural treasures for future generations.
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