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Greetings Card : Max Bignens
Cards from Mary Evans Picture Library
Max Bignens
1912-2001. Born: Zurich, Switzerland. Stage designer. Studied at the Munich State School of Applied Arts with Emil Preetorius, also the Academy of Arts with Julius Diez and Franz Klemmer
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 19921182
© Mary Evans / Peter & Dawn Cope Collection
Greetings Card (7"x5")
Introducing the enchanting collection of greeting cards from Media Storehouse, featuring the captivating artwork of Max Bignens. Known for his exceptional talent as a stage designer, Bignens studied under renowned artists Emil Preetorius, Julius Diez, and Franz Klemmer at the Munich State School of Applied Arts and the Academy of Arts. His unique artistic vision is now brought to life in our exquisite range of cards, showcasing his beautiful, expressive illustrations sourced from Mary Evans Prints Online. Each card is a work of art in itself, perfect for expressing your deepest emotions and brightening someone's day.
Folded Greeting Cards (12.5x17.5 cm) have a laminate finish and are supplied with an envelope. The front and inside can be personalised with text in a selection of fonts, layouts and colours.
Greetings Cards suitable for Birthdays, Weddings, Anniversaries, Graduations, Thank You and much more
Estimated Product Size is 17.5cm x 12.5cm (6.9" x 4.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
Max Bignens: A Visionary Stage Designer, Born in Zurich, Switzerland (1912-2001) This photograph captures the enigmatic figure of Max Bignens, a visionary stage designer whose innovative work graced theaters around the world. Born in Zurich, Switzerland, in 1912, Bignens' artistic journey began at the prestigious Munich State School of Applied Arts under the tutelage of Emil Preetorius. He continued his studies at the Academy of Arts, where he was mentored by Julius Diez and Franz Klemmer. Bignens' unique approach to stage design defied conventional boundaries, blending art, architecture, and theatrics to create immersive and transformative environments. His designs were not mere backdrops; they were living, breathing entities that brought stories to life and transported audiences to new realms. The image of Bignens, with his intense gaze and thoughtful expression, reveals the depth of his artistic soul. His hands, adorned with the telltale signs of a master craftsman, speak to the countless hours spent in the pursuit of perfection. The photograph, taken in the late 1950s, captures him in the prime of his career, at the height of his creative power. Bignens' stage designs graced the stages of renowned theaters such as the Berliner Ensemble, the Schaubühne Berlin, and the Munich Biennale. His collaborations with esteemed directors like Bertolt Brecht, Peter Stein, and Giorgio Strehler further solidified his reputation as a trailblazer in the world of theater design. This photograph is a poignant reminder of Max Bignens' indelible contribution to the art of stage design. It invites us to explore the rich tapestry of his work and to appreciate the transformative power of theatrical artistry.
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