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Greetings Card : Cupid hits the centre of the target
Cards from Mary Evans Picture Library
Cupid hits the centre of the target
Cupid hits the centre of the target. Handcoloured copperplate engraving by William Nelson Gardiner after an illustration by Princess Elizabeth from Thomas Parks Cupid Turned Volunteer, London, 1804
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 23382502
© Florilegius
Allegory Bust Cherub Colours Cupid Gardiner Hits Lance Nelson Putti Target Turned Volunteer Elizabeth
Greetings Card (7"x5")
Add a touch of romantic whimsy to your correspondence with our exquisite selection from the Media Storehouse range of greeting cards. Featuring the enchanting image of "Cupid Hits the Centre of the Target" by Mary Evans Picture Library, this handcoloured copperplate engraving by William Nelson Gardiner captures the timeless charm of the mythological figure of love. Drawn from Thomas Parks' "Cupid Turned Volunteer," published in London in 1804, this elegant design is a delightful way to express your affectionate sentiments. Perfect for any special occasion, our cards are printed on high-quality paper and come with a matching envelope, ensuring your message is delivered in style.
Folded Greeting Cards (12.5x17.5 cm) have a laminate finish and are supplied with an envelope. The front and inside can be personalised with text in a selection of fonts, layouts and colours.
Greetings Cards suitable for Birthdays, Weddings, Anniversaries, Graduations, Thank You and much more
Estimated Product Size is 17.5cm x 12.5cm (6.9" x 4.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
Cupid's Precise Shot: A Handcoloured Copperplate Engraving of Mythological Love and Military Pride This exquisite handcoloured copperplate engraving, titled "Cupid Turned Volunteer," depicts the mischievous god of love, Cupid, demonstrating his unexpected prowess in military archery. The illustration, created by Princess Elizabeth and engraved by William Nelson Gardiner in 1804, showcases the fusion of classical mythology and the contemporary spirit of the British military. Cupid, traditionally portrayed as a cherub with wings and a bow and arrow, is shown here in a military uniform, complete with a monarch's bust of King George III on his hat, a flag in his left hand, and a lance in his right. The target at the centre of the image bears the unmistakable bullseye, struck with precision by Cupid's arrow. Surrounding the scene are putti, or winged infants, who represent various aspects of love and desire. The allegorical meaning of this artwork is twofold. On one hand, it highlights the power of love to influence even the most unexpected circumstances, as Cupid, the embodiment of love, takes up arms and excels in the military. On the other hand, it showcases the pride and dedication to duty that characterized the British Volunteer movement during this period. The handcoloured details add a richness and depth to the image, enhancing the visual appeal and making it a captivating work of art.
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