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Abrahams Sacrifice of Isaac, c1615-c1620. Artist: Giovanni Battista Caracciolo
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Abrahams Sacrifice of Isaac, c1615-c1620. Artist: Giovanni Battista Caracciolo
Abrahams Sacrifice of Isaac, c1615-c1620. God ordered Abraham to sacrifice his son Isaac as a test of his faith (Genesis, XXII: 1-13). Abraham set out to carry out the command, proving his belief, but God sent an angel to stay his hand just as he was about to sink the knife into his sons body. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow
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Media ID 14890432
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Abraham Aged Appearance Appearing Bible Scene Book Of Genesis Campania Caracciolo Elderly Faith Father Fatherhood Genesis Giovanni Battista Hebrew Intervention Isaac Jewish Judaism Knife Knives Naples Neapolitan Restraining Sacrifice Sacrificing Stopping Surprise Surprised Test Trust Youth Baroque Era Biblical Old Testament
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This print captures the intense moment of "Abraham's Sacrifice of Isaac" painted by Giovanni Battista Caracciolo in the early 17th century. The artist depicts a pivotal biblical scene from Genesis, where God tests Abraham's unwavering faith by commanding him to sacrifice his beloved son, Isaac. In this powerful image, we witness Abraham holding a knife above his startled and vulnerable son, as an angel suddenly appears to restrain his hand. Caracciolo skillfully conveys the emotional turmoil within this family through vivid colors and masterful brushstrokes. The aged father's face reflects both determination and anguish, while young Isaac portrays surprise and fear at the imminent danger he faces. This painting serves as a testament to religious devotion and explores profound themes of trust, obedience, and divine intervention. Housed in the esteemed State A Pushkin Museum of Fine Arts in Moscow, this Italian Baroque masterpiece exemplifies Caracciolo's artistic prowess. Through its intricate details and rich symbolism, it invites viewers to contemplate their own beliefs and values. As we gaze upon this remarkable artwork, we are reminded of the enduring power that art holds in capturing significant moments from ancient texts such as the Bible. Caracciolo's rendition not only preserves an important biblical narrative but also offers us a glimpse into Italy's cultural heritage during the 17th century Baroque era.
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