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Ali Baba, Cover Design for a proposed edition of The Forty Thieves, 1897
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Ali Baba, Cover Design for a proposed edition of The Forty Thieves, 1897
Ali Baba, Cover Design for a proposed edition of The Forty Thieves, 1897.
Published in " The Best of Beardsley" edited by R. A. Walker, [The Bodley Head, London, 1948]
Heritage Images features heritage image collections
Media ID 24364874
© Shirley Markham Collection/Heritage Images
Aubrey Beardsley Aubrey Vincent Beardsley Beardsley Aubrey Beardsley Aubrey Vincent Bodley Head Book Cover Character Decadent Movement Exotic Folk Story Folk Tale Orientalism Orientalist Overweight Princess Rosetta Publishing Publishing House R A Walker Rainforth Armitage Walker Sash Shirley Markham Turban Turbans Walker Walker R A Walker Rainforth Armitage Ali Baba Ali Baba And The Forty Thieves Graphic Design Head Dress
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EDITORS COMMENTS
This print showcases Aubrey Beardsley's exquisite cover design for a proposed edition of "The Forty Thieves" in 1897. Published in "The Best of Beardsley" edited by R. A. Walker, this artwork is a testament to the artist's mastery of graphic design during the Art Nouveau movement. Beardsley skillfully captures the essence of this beloved folk tale with his unique interpretation of Ali Baba, one of its central characters. The man depicted here is adorned with an elaborate head dress and jewelry, adding an exotic touch to his appearance. Despite his overweight physique, Ali Baba exudes confidence as he gestures with authority. The intricate details in Beardsley's illustration are truly remarkable - from the fine lines that define each element to the careful rendering of Princess Rosetta's sash and turban. This attention to detail highlights Beardsley's commitment to creating visually stunning works that transport viewers into fantastical worlds. "The Forty Thieves" was part of the Decadent Movement, which sought inspiration from Orientalism and tales like this one provided ample material for artists exploring these themes. Through his cover design, Beardsley successfully captures both the allure and mystery associated with such stories. This print serves as a reminder not only of Beardsley's immense talent but also as a window into 19th-century British literature and publishing culture. It stands as a testament to how art can transcend time, continuing to captivate audiences even over a century later
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