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Allegory (Alfonso d Este and Laura Dianti?), 16th century. Artist: Titian
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Allegory (Alfonso d Este and Laura Dianti?), 16th century. Artist: Titian
Allegory (Alfonso d Este and Laura Dianti?), 16th century. The painting is part of the Kress Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker. [National Gallery of Art, Washington D.C. Random House, New York, N.Y. 1944]
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Media ID 14996534
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Cairns Duke Este Huntingdon Huntingdon Cairns John Walker Kress Laura Lover Lovers Lust Masterpieces Of Painting Mirror Samuel Henry Samuel Henry Kress Titian Tiziano Tiziano Vecelli Tiziano Vecellio Touching Vecellio Walker Nakedness Nudity
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EDITORS COMMENTS
This 16th-century painting, titled "Allegory (Alfonso d Este and Laura Dianti?)" by the renowned artist Titian, is a true masterpiece that can be found in the Kress Collection at the National Gallery of Art in Washington DC. The image depicts a scene filled with passion and intrigue, as two figures touch each other tenderly amidst an opulent setting. The male figure, believed to be Alfonso d'Este, Duke of Ferrara, exudes power and authority with his regal attire and commanding presence. His gaze is fixed upon the female figure beside him, who is thought to be Laura Dianti or possibly Eustochia. She represents beauty and grace with her flowing hair cascading down her back. Titian's use of color adds depth and richness to this composition. The warm hues create a sense of intimacy while highlighting the intricate details of their garments. A mirror placed strategically in the background symbolizes vanity or self-reflection. This artwork captures not only physical attraction but also explores deeper themes such as love, lust, and desire. It invites viewers to ponder on the complexities of human relationships during the Renaissance period. Published in 1944 as part of "Masterpieces of Painting" edited by Huntington Cairns and John Walker, this print allows art enthusiasts from all over to appreciate Titian's genius even if they cannot visit the National Gallery themselves.
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