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Annunciation, 16th century, (1937). Artist: Giovanni Jacopo Caraglio

Annunciation, 16th century, (1937). Artist: Giovanni Jacopo Caraglio


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Annunciation, 16th century, (1937). Artist: Giovanni Jacopo Caraglio

Annunciation, 16th century, (1937). Painted by Titian in 1537 for the Convent of Santa Maria degli Angeli at Murano. A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

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Media ID 14935280

© The Print Collector / Heritage-Images

Annunciation Caraglio Celestial Deference Giovanni Caraglio Giovanni Jacopo Giovanni Jacopo Caraglio Hans Hans Tietze High Renaissance Humble Jacobus Parmensis Jacobus Veronensis Phaidon Press Ray Of Light Tietze Titian Tiziano Tiziano Vecelli Tiziano Vecellio Vecellio Cherub Putti


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> Animals > Mammals > Muridae > Fortior

> Animals > Mammals > Phyllostomidae > Angeli

> Arts > Art Movements > Renaissance Art

> Arts > Artists > T > Titian

> Arts > Artists > Titian > Renaissance art

> Arts > Artists > Titian

> Europe > Italy > Paintings

> Historic > Renaissance art > Famous works of Titian > Italian Renaissance

> Historic > Renaissance art > Famous works of Titian

> Historic > Renaissance art


EDITORS COMMENTS
This print captures the essence of the "Annunciation" painting, created by Giovanni Jacopo Caraglio in the 16th century. Originally painted by Titian in 1537 for the Convent of Santa Maria degli Angeli at Murano, this celestial artwork is a true masterpiece of the Renaissance era. The image showcases a moment frozen in time - an angelic cherub kneeling before the humble Madonna, conveying a message from above. The atmosphere is ethereal, with rays of light breaking through dark clouds to illuminate this divine encounter. The composition exudes reverence and deference as both figures embody their roles within Christianity. The monochrome aesthetic adds depth and intensity to every detail captured on paper. It transports us back to Italy during that period, where religious art flourished alongside spiritual devotion. The presence of putti further enhances the heavenly ambiance surrounding this sacred event. Published by Phaidon Press in Vienna during the 1940s, this print preserves not only Caraglio's artistic vision but also Hans Tietze's insightful introduction to Titian's paintings and drawings. It serves as a testament to how art can transcend time and space, allowing us to connect with centuries-old masterpieces even today. Whether displayed in a gallery or cherished within one's personal collection, this print offers an opportunity to appreciate and contemplate the profound beauty found within religious art from centuries past.

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