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Armchair with Tablet: Putti at Vulcans Forge, England, c. 1790 / 1800. Creator: John Gee
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Armchair with Tablet: Putti at Vulcans Forge, England, c. 1790 / 1800. Creator: John Gee
Armchair with Tablet: Putti at Vulcans Forge, England, c. 1790/1800
Heritage Images features heritage image collections
Media ID 24037775
© Heritage Art/Heritage Images
Amorini Angelic Arm Chair Armchair Beech Beech Tree Beeches Beechwood Cherubim Cherubs Cream Cream Colour Cushion Forge Painted Rosewood Seat Sheraton Simulation Stripe Striped Stripes Tablet Upholstered Upholstery Applied Arts Applied Arts Of Europe Floral Design Gold Colour Putti Simulate Simulated
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EDITORS COMMENTS
This print titled "Armchair with Tablet: Putti at Vulcans Forge, England, c. 1790/1800" by John Gee transports us back to the enchanting world of 18th-century England. The armchair, crafted from beechwood and painted to resemble rosewood in a stunning en grisaille technique, exudes an air of elegance and sophistication. The chair's exquisite design is adorned with intricate floral patterns that add a touch of whimsy and charm. But what truly captures our attention are the cherubic putti depicted on the tablet resting against the chair's backrest. These angelic figures seem to come alive as they playfully engage with each other amidst the backdrop of Vulcan's forge. The artist's masterful use of color further enhances this remarkable piece. The combination of cream and brown hues creates a warm and inviting ambiance while subtle touches of gold lend an opulent feel to the overall composition. As we gaze upon this artifact steeped in history, we can't help but appreciate its significance within British culture and heritage art. It serves as a testament to both the craftsmanship prevalent during that era and their ability to seamlessly blend functionality with artistic expression. Displayed proudly within an art gallery or exhibition space like the Art Institute Chicago, this armchair invites viewers into a world where nature meets artistry, where beauty intertwines with practicality – all captured through John Gee's keen eye for detail.
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