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Asphodel (Asphodelus), 1596-1610. Creators: Anselmus de Boodt, Elias Verhulst
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Asphodel (Asphodelus), 1596-1610. Creators: Anselmus de Boodt, Elias Verhulst
Asphodel (Asphodelus), 1596-1610. Commissioned by Emperor Rudolf II
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Media ID 36365120
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Anselmus Boetius De Boodt Anselmus De Boodt Asphodel Bood Anselmus De Boodt Anselmus Boetius De Boodt Anselmus De Boot Anselmus De Botanical Botany Brush De Boodt Anselmus Deck Paint Delft Zuid Holland Netherlands Elias Verhulst Emperor Rudolf Ii Holy Roman Emperor Natural History Rudolf Ii Rudolf Ii Holy Roman Emperor Rudolf Ii Von Habsburg Verhulst Elias Netherlandish Watercolour On Paper Watercolour Paint
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Asphodel (Asphodelus), 1596-1610: A Botanical Masterpiece by Anselmus de Boodt and Elias Verhulst This exquisite 16th-century print, titled "Asphodel (Asphodelus)," is a testament to the remarkable collaboration between two renowned Dutch naturalists, Anselmus de Boodt and Elias Verhulst. Commissioned by the Holy Roman Emperor Rudolf II, this masterpiece showcases the beauty and intricacy of the Asphodel plant, a native of the Mediterranean region. The print is a stunning blend of various artistic techniques, including brushwork, chalk, ink, watercolor, and deck paint. Anselmus de Boodt, a renowned botanist and physician, was responsible for the meticulous botanical illustration, while Elias Verhulst, a skilled draftsman and calligrapher, provided the elegant lettering and scene composition. The Asphodel plant is depicted in full bloom, its vibrant yellow flowers contrasting against the rich green foliage. The naturalists' attention to detail is evident in the delicate veining of the leaves and the intricate texture of the petals. The background scene, featuring a tranquil landscape with a winding river and a classical temple, adds to the overall beauty and harmony of the composition. This print is a significant addition to the natural history and art collections of the Rijksmuseum in Amsterdam, showcasing the rich cultural heritage of the Netherlands during the 16th and 17th centuries. The collaboration between Anselmus de Boodt and Elias Verhulst represents the intersection of science and art, as well as the importance of patronage in the advancement of knowledge during this period.
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