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Asphodel, Burnt Orchid and Fumaria Spicata, from Hortus Eystettensis, by Basil Besler
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Asphodel, Burnt Orchid and Fumaria Spicata, from Hortus Eystettensis, by Basil Besler
I Asphodelus maior albus; II Cinosorchis flore purpureo, now rare; so named as the bud is black before flowers; III Fumarra rubea tenuifolia - fumaria spicata differs from other German species of fumaria in its terminal flower heads; Besler was an apothecary in Nuremberg and was in charge of the gardens of the Prince Bishop near Eichstat;
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Media ID 15142662
© Historica Graphica Collection / Heritage-Images
Botanical Bulb German School 17th Century Hand Coloured Engraving Herb Medicinal Orchid Rhizome Historica Graphica Collection
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This 17th-century botanical print showcases the exquisite beauty of Asphodel, Burnt Orchid, and Fumaria Spicata. Created by Basil Besler, an esteemed apothecary in Nuremberg and caretaker of the Prince Bishop's gardens near Eichstat, this hand-colored engraving is a testament to his passion for plants and their medicinal properties. In the first panel, we are introduced to Asphodelus maior albus, a majestic white asphodel bulb that exudes elegance with its delicate petals. Moving on to the second panel, we encounter Cinosorchis flore purpureo - now considered rare due to its distinctive black buds before blossoming into purple flowers. This rarity adds an air of mystery and intrigue to this particular orchid species. The third panel features Fumarra rubea tenuifolia or fumaria spicata. What sets it apart from other German fumaria species is its unique terminal flower heads that create a striking visual impact. The vibrant red coloration further enhances its allure. Besler's meticulous attention to detail shines through in each illustration within Hortus Eystettensis. This historical gem not only serves as a visual delight but also provides valuable insights into the world of herbal medicine during the 17th century. As we admire these intricately depicted plants and rhizomes, we are transported back in time when botanical illustrations were both scientific records and works of art. Let us
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