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The Battle of the Pictures, 1745. Artist: William Hogarth
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The Battle of the Pictures, 1745. Artist: William Hogarth
The Battle of the Pictures, 1745. The bearer hereof is entitled (if he thinks proper) to be a bidder for Mr Hogarths pictures, which are to be sold on the last day of this month. The Battle of the Pictures was engraved as a bidders ticket for an auction of Hogarths paintings. The auction house is on the left and Hogarths studio appears to the right. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)
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Media ID 14917216
© The Print Collector / Heritage-Images
Auction Easel Emily Morse Emily Morse Symonds George Paston Hogarth Paston Pictures Sale Symonds Ticket W Hogarth William Hogarth
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The Battle of the Pictures, 1745
EDITORS COMMENTS
is a captivating print by renowned artist William Hogarth. This intriguing artwork serves as a bidders ticket for an auction of Hogarth's own paintings. The scene depicted in the print showcases both the auction house and Hogarth's studio, providing a glimpse into the world of art trade during the 18th century. On the left side of the image stands the bustling auction house, filled with eager buyers ready to engage in fierce bidding wars over these coveted artworks. Meanwhile, on the right side, we catch a glimpse of Hogarth's studio, where his creative genius comes to life. It is here that he meticulously crafts his satirical masterpieces that have become synonymous with his name. The monochrome black and white aesthetic adds depth and intensity to this visual narrative. Through this print, we are transported back in time to witness not only a battle between pictures but also a war between artistic concepts and ideas. As viewers delve into "The Battle of Pictures" they are invited to explore themes such as satire, artistry, and commerce within British society during this era. With over two hundred illustrations by George Paston accompanying this piece from Emily Morse Symonds' book "Social Caricature in Eighteenth Century" it becomes evident that this artwork holds immense historical significance for art enthusiasts and collectors alike. In summary, "The Battle of Pictures" offers us an extraordinary window into William Hogarth's world while simultaneously capturing the essence of art auctions during Britain's
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