Emily Morse Collection
Emily Morse, a woman of elegance and grace, transports us back to the Feathered Fair in a Fright during the 18th century
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Emily Morse, a woman of elegance and grace, transports us back to the Feathered Fair in a Fright during the 18th century. With her captivating beauty, she embodies the essence of this era as depicted by Mr James Gillray himself in his remarkable portrait from c1800. Intrigued by adventure and innovation, Emily's spirit soars high like an "Aerostation out at Elbows" captured by artist Thomas Rowlandson in 1786. She embraces the theatrical world with passion, stepping into the tragic ballets of 1781 where emotions run deep and stories unfold on stage. Yet Emily is not just a spectator; she becomes part of these historical scenes. In Charles White's "The Macarony Dressing Room" from 1772, she effortlessly blends into the vibrant atmosphere of fashion and society. Her love for nature shines through Isaac Cruikshank's masterpiece "A Goldfinch and his Mistress" painted in 1796. The delicate bond between Emily and her feathered companion reflects her gentle soul and appreciation for all living creatures. While embracing tradition, Emily also challenges societal norms. In Judge Thumb or Sticks of a Lawful Size for Family Discipline from 1782, she questions authority with wit and intelligence. As an avid traveler herself, Emily experiences both English Travelling as portrayed by Thomas Rowlandson in 1785 and French Travelling illustrated by F Dukes in 1792. These artworks capture her adventurous spirit as she explores new horizons while cherishing cultural diversity. In Samuel Alken's painting titled A French Family from 1790, we witness Emily immersing herself fully into foreign cultures with open arms—a true ambassador bridging gaps between nations through understanding and acceptance. Finally, we find ourselves captivated by Reconciliation or the Return from Scotland—a late-18th-century scene that showcases Emily's ability to mend relationships and bring people together.