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Masquerades and operas, 1724. Artist: William Hogarth

Masquerades and operas, 1724. Artist: William Hogarth


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Masquerades and operas, 1724. Artist: William Hogarth

Masquerades and operas, 1724. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

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Media ID 14917025

© The Print Collector / Heritage-Images

Devil Doctor Faustus Dr Faustus Emily Morse Emily Morse Symonds Faust George Paston Hogarth Masquerade Morality Paston Symonds W Hogarth William Hogarth


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> Arts > Artists > H > William Hogarth

> Arts > Artists > W > George White

> Arts > Artists > W > William White

> Arts > Artists > William Hogarth

> Arts > Literature > Illustration

> Arts > Literature

> Europe > United Kingdom > England > London > Art > Entertainment

> Europe > United Kingdom > England > London > Art > Opera

> Europe > United Kingdom > England > London > Art > Theatre

> Europe > United Kingdom > England > London > Art > William Hogarth


Masquerades and Operas - Unveiling the Moral Duality of 18th Century Entertainment

EDITORS COMMENTS
. This print, created by renowned artist William Hogarth in 1724, offers a fascinating glimpse into the vibrant world of masquerades and operas during the 18th century. Set against a backdrop of grand British architecture, this image captures the essence of European entertainment culture at that time. Hogarth's intricate illustration skillfully portrays an array of masked individuals indulging in revelry while attending an opera performance. The concept behind this artwork delves deeper than mere entertainment, as it explores themes of morality and temptation. Symbolically present is the devil himself, subtly reminding viewers about the consequences that may arise from succumbing to worldly pleasures. The inclusion of Doctor Faustus, a literary character known for his pact with the devil, adds another layer to this thought-provoking composition. As spectators immerse themselves in music and theater within these opulent buildings across Europe's continent, Hogarth prompts us to question whether such pursuits are merely innocent forms of amusement or if they possess darker undertones. Accompanied by over two hundred illustrations by George Paston (pseudonym for Emily Morse Symonds) in her book "Social Caricature in the Eighteenth Century" published in London in 1905; this print serves as both historical documentation and artistic commentary on society's fascination with masquerades and operas during that era. With its monochrome

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