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The Bird Stuffer, from Four and Twenty Toilers, pub. 1900 (colour lithograph)

The Bird Stuffer, from Four and Twenty Toilers, pub. 1900 (colour lithograph)


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The Bird Stuffer, from Four and Twenty Toilers, pub. 1900 (colour lithograph)

The Bird Stuffer, from Four and Twenty Toilers, pub. 1900 (colour lithograph). accompanies verse by E.V. Lucas (Edward Verrall Lucas) (1868 – 1938);

Heritage Images features heritage image collections

Media ID 15143244

© Historica Graphica Collection / Heritage-Images

Antlers Crane Edwardian Fish Francis Donkin Bedford 1864 1954 Ornithology Peacock Scientist Taxidermy Toil Workshop Colour Lithograph Historica Graphica Collection Specialist Stuffing Taxidermist


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> Animals > Birds > Gruiformes > Cranes > Related Images

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> Science > Scientists


EDITORS COMMENTS
This vibrant and detailed colour lithograph, titled "The Bird Stuffer, from Four and Twenty Toilers" takes us back to the Victorian era. Created in 1900 by Francis Donkin Bedford, it accompanies a verse by E. V. Lucas and offers a fascinating glimpse into the world of taxidermy. In this scene, we find ourselves inside a bustling workshop filled with stuffed birds of various species. The taxidermist himself is engrossed in his craft, meticulously working on an exquisite peacock while surrounded by other intricate creations. His expertise is evident as he delicately positions each feather with precision. Children are also present in the workshop, observing the taxidermist's work with curiosity and wonderment. They marvel at the artistry involved in preserving these beautiful creatures for scientific study or display purposes. The lithograph captures not only the technical skill required for taxidermy but also highlights its importance as a specialized trade during that time period. It serves as a reminder of how humans have long sought to understand and appreciate nature through careful observation and preservation. With its vivid colors and attention to detail, this print transports us back to an Edwardian world where science meets artistry. It stands as a testament to both the historical significance of taxidermy and our enduring fascination with animals' beauty even after their passing.

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