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Boy and Rabbit, 1814, (c1915). Artist: Henry Raeburn
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Boy and Rabbit, 1814, (c1915). Artist: Henry Raeburn
Boy and Rabbit, 1814, (c1915). The painting is held by the Royal Academy of Arts, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]
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Media ID 14997317
© The Print Collector
Alfred Alfred Yockney Arm Around Henry Henry Raeburn International Art Past And Present Leaf Leaves Protective Rabbit Raeburn Romantic Era Royal Academy Of Arts Sir H Raeburn Sir Henry Raeburn Virtue And Company Virtue Co Ltd Virtue Company Yockney
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EDITORS COMMENTS
In this photo print, we are transported back to the year 1814, as captured by the talented artist Henry Raeburn. The painting titled "Boy and Rabbit" showcases a serene outdoor scene filled with nature's beauty. Held by the esteemed Royal Academy of Arts in London, this masterpiece exemplifies the essence of British art. The focal point of the image is a young boy sitting on a bed of leaves, his hat resting beside him. With an arm protectively wrapped around his pet rabbit, he gazes directly at us with an air of innocence and curiosity. Dressed in traditional clothing from the 19th century, his collar neatly tucked under a charming dress coat. Surrounded by lush greenery and vibrant plants, this idyllic setting evokes a sense of tranquility and harmony between man and nature. It's as if time stands still within these brushstrokes - a moment frozen forever in oil on canvas. This artwork beautifully captures the spirit of Romanticism that was prevalent during its creation. The boy's contemplative pose suggests deep introspection while immersed in literature or perhaps lost in thought about life's mysteries. As we admire this remarkable piece from Alfred Yockney's book "International Art: Past and Present" we can't help but be reminded of Sir Henry Raeburn's undeniable talent for capturing emotion through portraiture. This print serves as both an homage to history and an invitation to appreciate artistry that transcends time itself.
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